Tesssa
member since 01/15/2012 |
last login 05/16/2012
Belgian girl making a short film in Venezuela. Almost Midnight. It's raining, and there are no cabs....
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Belgian girl making a short film in Venezuela. Almost Midnight. It's raining, and there are no cabs.
Submissions by Tesssa
No submissions (yet)
Reviews by Tesssa 57
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A review of Crazy Loveby Tesssa on 05/16/2012Mmmm what to add to a 4 year old submission with over 50 reviews... Dating is so hard sometimes. I thought the story was rather straightforward, with a few cool details. The 'crazy' aspects of the girls were creative, specially the first one. However, I thought it was a bit cheap that the second girl was 'foreign', and that she suddenly gained a french accent halfway the movie... Mmmm what to add to a 4 year old submission with over 50 reviews...
Dating is so hard sometimes. I thought the story was rather straightforward, with a few cool details. The 'crazy' aspects of the girls were creative, specially the first one. However, I thought it was a bit cheap that the second girl was 'foreign', and that she suddenly gained a french accent halfway the movie. I'm from Belgium, and sometimes I find it a bit tiring how non-americans are shown in movies... or non-english-speaking. The actors all did an excellent job, and I liked how they were all dressed for a probably cold season.
Technically I thought it was okay, but with nothing novel and a few things that could have gone better. I really like the shot from below the bunkbed. That was unexpected! You used a lot of contrashots, which is fine... however, in some dialogues you -only- used contrashots, like when the two girls talk about dating weirdo's. Maybe I missed it, but I think you should show the speakers together in at least one shot.
Also, I would have raised the colors a bit more. At a certain point they're walking through this beautiful park with the trees in autumn state, but the colors appear bland and uninteresting.
All in all though I thought it made up a good comedy / romance story. read -
A review of Receptionby Tesssa on 05/15/2012Very suspenseful. The story starts out and unfolds rather straightforward, with a few surprises (the decoration of the room, the person standing in the room). However, even knowing what would probably come next, the suspense is very much present in the photography, editing and music. Since the story doesn't really unfold, I assume there'll be a follow-up which I'd love to see,... Very suspenseful. The story starts out and unfolds rather straightforward, with a few surprises (the decoration of the room, the person standing in the room). However, even knowing what would probably come next, the suspense is very much present in the photography, editing and music. Since the story doesn't really unfold, I assume there'll be a follow-up which I'd love to see, to find out more about what happened / happens.
The actress plays real well and her outfit and attitude, I felt, fit and clearly show her character, but not in an exagerated way. She doesn't seem all too fearful of the room... but then again she drank a glass of wine left behind on the hall, not a very smart decision either.
I very much liked the low light photography and relatively long shots with deep depth. Sound as well was quite nice. I particularly thought the beginning was nicely done, and the little sound to mimic the opening of the elevator in the beginning, at the same moment that she appears in the hallway. Nice way to show and not show. Sound in general was fine. During the phonecall though, I had to turn up the volume, to turn it down afterwards again. That's a small thing to be corrected.
Just two general comments come up in my mind. Firstly, you went for 'safe', both in technique and story. Allthough everything was done well, there was nothing novel or inspiring to it. Secondly, this story hardly stands by itself. As it is now, it only sets the scene for what is to come... which could be very interesting and give more depth to this story.
Good luck, and I look forward to seeing more. I recommended it. read -
A review of Scene from Macbethby Tesssa on 05/14/2012Well done! Even if my knowledge on the classics is limited, I liked the performance and the choice of setting, in particular the choice of lightning and sound. I thought the performance of the actor was well done. Since I'm not a native speaker, I had some trouble understanding his English though. However what makes this movie well done, is all the small elements, all the... Well done! Even if my knowledge on the classics is limited, I liked the performance and the choice of setting, in particular the choice of lightning and sound.
I thought the performance of the actor was well done. Since I'm not a native speaker, I had some trouble understanding his English though. However what makes this movie well done, is all the small elements, all the details combined: the sound and visuals of the knives, the candles, the choice of setting, the costume of the actor... there was not a single thing I would have done different there. Your synopsis however said, if I understood correctly, that you wanted it to look like a terrorist video. That was not the feeling I got from it.
The choice for the low lit setting with a few points of light I liked as well, but I wonder if it didn't contribute to the hazy and unfocused photography. I don't know if you used them, but maybe some extra lightning in the back could have put the images more in focus.
My second remark would be on the cuts. Eventhough I like your style of long shots switched with fast cuts, I believe this time it didn't serve all too well. The cuts seemed to have no purpose, they didn't show anything new or surprising, or didn't add to the general atmosphere. The cuts did add to the pace or rythm of the story, but not more than the sound or the acting did.
Recommended. I look forward to seeing more of your work. read
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Submissions by Tesssa
No submissions (yet)
Reviews by Tesssa 57
-
A review of Crazy Loveby Tesssa on 05/16/2012Mmmm what to add to a 4 year old submission with over 50 reviews... Dating is so hard sometimes. I thought the story was rather straightforward, with a few cool details. The 'crazy' aspects of the girls were creative, specially the first one. However, I thought it was a bit cheap that the second girl was 'foreign', and that she suddenly gained a french accent halfway the movie... Mmmm what to add to a 4 year old submission with over 50 reviews...
Dating is so hard sometimes. I thought the story was rather straightforward, with a few cool details. The 'crazy' aspects of the girls were creative, specially the first one. However, I thought it was a bit cheap that the second girl was 'foreign', and that she suddenly gained a french accent halfway the movie. I'm from Belgium, and sometimes I find it a bit tiring how non-americans are shown in movies... or non-english-speaking. The actors all did an excellent job, and I liked how they were all dressed for a probably cold season.
Technically I thought it was okay, but with nothing novel and a few things that could have gone better. I really like the shot from below the bunkbed. That was unexpected! You used a lot of contrashots, which is fine... however, in some dialogues you -only- used contrashots, like when the two girls talk about dating weirdo's. Maybe I missed it, but I think you should show the speakers together in at least one shot.
Also, I would have raised the colors a bit more. At a certain point they're walking through this beautiful park with the trees in autumn state, but the colors appear bland and uninteresting.
All in all though I thought it made up a good comedy / romance story. read -
A review of Receptionby Tesssa on 05/15/2012Very suspenseful. The story starts out and unfolds rather straightforward, with a few surprises (the decoration of the room, the person standing in the room). However, even knowing what would probably come next, the suspense is very much present in the photography, editing and music. Since the story doesn't really unfold, I assume there'll be a follow-up which I'd love to see,... Very suspenseful. The story starts out and unfolds rather straightforward, with a few surprises (the decoration of the room, the person standing in the room). However, even knowing what would probably come next, the suspense is very much present in the photography, editing and music. Since the story doesn't really unfold, I assume there'll be a follow-up which I'd love to see, to find out more about what happened / happens.
The actress plays real well and her outfit and attitude, I felt, fit and clearly show her character, but not in an exagerated way. She doesn't seem all too fearful of the room... but then again she drank a glass of wine left behind on the hall, not a very smart decision either.
I very much liked the low light photography and relatively long shots with deep depth. Sound as well was quite nice. I particularly thought the beginning was nicely done, and the little sound to mimic the opening of the elevator in the beginning, at the same moment that she appears in the hallway. Nice way to show and not show. Sound in general was fine. During the phonecall though, I had to turn up the volume, to turn it down afterwards again. That's a small thing to be corrected.
Just two general comments come up in my mind. Firstly, you went for 'safe', both in technique and story. Allthough everything was done well, there was nothing novel or inspiring to it. Secondly, this story hardly stands by itself. As it is now, it only sets the scene for what is to come... which could be very interesting and give more depth to this story.
Good luck, and I look forward to seeing more. I recommended it. read -
A review of Scene from Macbethby Tesssa on 05/14/2012Well done! Even if my knowledge on the classics is limited, I liked the performance and the choice of setting, in particular the choice of lightning and sound. I thought the performance of the actor was well done. Since I'm not a native speaker, I had some trouble understanding his English though. However what makes this movie well done, is all the small elements, all the... Well done! Even if my knowledge on the classics is limited, I liked the performance and the choice of setting, in particular the choice of lightning and sound.
I thought the performance of the actor was well done. Since I'm not a native speaker, I had some trouble understanding his English though. However what makes this movie well done, is all the small elements, all the details combined: the sound and visuals of the knives, the candles, the choice of setting, the costume of the actor... there was not a single thing I would have done different there. Your synopsis however said, if I understood correctly, that you wanted it to look like a terrorist video. That was not the feeling I got from it.
The choice for the low lit setting with a few points of light I liked as well, but I wonder if it didn't contribute to the hazy and unfocused photography. I don't know if you used them, but maybe some extra lightning in the back could have put the images more in focus.
My second remark would be on the cuts. Eventhough I like your style of long shots switched with fast cuts, I believe this time it didn't serve all too well. The cuts seemed to have no purpose, they didn't show anything new or surprising, or didn't add to the general atmosphere. The cuts did add to the pace or rythm of the story, but not more than the sound or the acting did.
Recommended. I look forward to seeing more of your work. read -
A review of Dark Places in the Sunshineby Tesssa on 04/15/2012Storywise I thought this was a very nice conclusion, considering your other work. It's dramatic for sure, but there's more to it than the base premises of 'dead boyfriend'. I really liked the second layer you added, mainly the girl being, I assume, a bit schizofrenic. The way you portrayed it was nice as well. The actors did well too, allthough I feel the girl keeps the same... Storywise I thought this was a very nice conclusion, considering your other work. It's dramatic for sure, but there's more to it than the base premises of 'dead boyfriend'. I really liked the second layer you added, mainly the girl being, I assume, a bit schizofrenic. The way you portrayed it was nice as well. The actors did well too, allthough I feel the girl keeps the same facial expression all the time: she's clearly tormented!
However I feel you made some photographic choices I wouldn't have made.
I like how you used shallow depth of field in some of your previous work, but a lot of the shots here consisted of long out of focus shots of the background, and the person of interest walking in the focus for just a second. As a viewer, I found myself looking at whatever was in focus (for example, the hedge) and wait what would come out of it. When it turns out to be the girl just walking by, it's a bit dissapointing. Maybe it's unwanted, but you do create a bit of suspense that way... and the suspense leads to nothing again and again, almost as if you trick the viewer. I like the idea, but maybe the ratio in focus / out of focus is a bit out of balance.
My second comment would be on the shaky camera. I think out of all the ways of showing inner problems or changes, the shaky camera is my least favorite. But more than the estetical issue I have with it, I feel it didn't serve the purpose I believe you intented it for. If you wanted to show the violence of the scene (I don't think so), a better way would have been to contrast the use of the camera with what is happening: a clean wide shot, lasting for a long time. Inner problems could have been shown by fast cuts, changing music, etc. The shaking camera, for me, didn't convey the message.
However, you made some other shots that were really amazing. I loved the shot of the 'stalker' looking at the scene from behind a corner, the shots of him (and later her) watching the tapes, the moment of confusion when the boyfriend doesn't seem startled by the stranger in his house... those were so cool! You also made excellent and purposeful black and white shots.
Recommended. I look forward to seeing more of you! read -
A review of FOUR EMOTIONSby Tesssa on 04/03/2012Such beautiful images! But let me start from the beginning: the story was very good for such a short movie. Not too many characters, good setting, etc. However it was unclear to me that the different persons were different emotions until I checked the synopsis. Seeing it a second time with the clue, I see what you did and how you gave that impression. It might have been more... Such beautiful images! But let me start from the beginning: the story was very good for such a short movie. Not too many characters, good setting, etc. However it was unclear to me that the different persons were different emotions until I checked the synopsis. Seeing it a second time with the clue, I see what you did and how you gave that impression. It might have been more clear if the different emotions acted different. You wanted to show that they were all part of the same person... but they seemed to be, actually, the same person without distinction except how they looked.
I simply loved your setting! I'm a great fan of old industrial buildings turned into living spaces. On top of that I found you used the setting very well: the feet on the concrete stairs, the top of the building, the bed in the empty space... all very well chosen. I found the though looking environment contrasted very well with the very goodlooking actors and the soft looking sheets too. Excellent choice of setting and well utilized.
Your photography was nice as well. The shots at the beginning, showing the naked bodies, were very respectful and well chosen. It makes the viewer marvel at the beauty without understanding, which is something I suppose is a feeling one could have waking up in the morning, after a dream or a night with a partner. I noticed you used to different ways of showing the different emotions: by raw cuts (for example with the hand) and superimposing (the feet on the stairs). I'm more a fan of the raw cuts, but on the other hand, superimposing them gave a change of pace which probably did the movie more good than bad. I think it's a good thing to diversify.
Music and sound were lovely as well. Strange choice, to add the noise... but it worked out very well.
I recommended. This movie sets a certain atmosphere, and all the shots, music, actors and other elements are geared towards creating that atmosphere. Good luck in your work and I look forward to seeing more from you. read -
A review of See What I Hearby Tesssa on 04/02/2012Creative idea for a story, with a lot of potential for interesting visuals! Your actor did a good job too. I found that he showed a nice well-rounded character, a guy stuck in a lousy job (and maybe relation) but who keeps going. The loss of hearing though seems to be the drop breaking the perseverance he had so far. However I might have paced the story a bit different, with... Creative idea for a story, with a lot of potential for interesting visuals! Your actor did a good job too. I found that he showed a nice well-rounded character, a guy stuck in a lousy job (and maybe relation) but who keeps going. The loss of hearing though seems to be the drop breaking the perseverance he had so far. However I might have paced the story a bit different, with less time focussed on his 'boring life' and more on what he in the end does with his new gift. The boring life all of us can at least imagine, the interesting part comes afterwards... unless you have a novel way of showing the boringness.
I'm in dubio though, because I really like the photography of the first part. The shaving I thought was very well done, both for the photography and the actor. It shows the dedication of the character. The ending was nicely done too, and I like the gradual changes you made from and to black and white. Very subtle. Your work with focus is nice too.
Something I thought could have been worked out in more detail, was the visual effect of the sound. Allthough the idea is really cool, it was too subtle, not gradual (unless I missed it) and always the same. In the end, when the main character is dancing, you touch a bit on the different ways of showing sound visually, but there's a lot more out there. For example, sound as waves, lines, circles, increasing and decreasing and touching on each other and other objects, in different rythm, intensity and pitch both visually and as actual sound. If you are looking for inspiration, check out some of the sound apps, if you have a device to play them.
This is a very nice short, but I think it needs a lot more work where it concerns the base of the story, namely visualizing the sound. read -
A review of You Deplete Meby Tesssa on 03/31/2012Your work is truely beautiful. I love the photography, shot composition the moods you create, your actor etc... however in this movie I didn't feel it. The story was a very classic story: a guy gets dumped and we see him in all his frustration. However I didn't feel as if you added a new and interesting element to it. We know from the beginning the guy is dumped, everything... Your work is truely beautiful. I love the photography, shot composition the moods you create, your actor etc... however in this movie I didn't feel it.
The story was a very classic story: a guy gets dumped and we see him in all his frustration. However I didn't feel as if you added a new and interesting element to it. We know from the beginning the guy is dumped, everything point towards it. While he reads the text we find out more about his background and his relation with the woman, but nothing that leaves an impact or changes the audiences' feelings towards him. Your actor is an excellent narrator, but this text was read as a poem or a literary text. I assume it's ment to be a train of thought.
Photography... what can I say? I love the settings you pick, how you handle light, how you work with your actor to get the shots you need... all so well done! If anything I thought the character could have interacted more with his environment, but not necessarily so. Your actor was very suitably dressed too! I like your attention to detail.
As a conclusion, I think it would be an excellent scene in a larger work, but in itself the work didn't tell an interesting story... however well supported it was by stunning visuals. read -
A review of The Infinite Fluby Tesssa on 03/30/2012I very much liked the base of the story and the atmosphere you created, with the music and the shallow depth of field. However I found it was more of a surrealistic almost experimental movie than a comedy. Firstly I very much liked the atmosphere you created in the beginning with the monkeys, the words on the fridge and the 'dead' guy in the bed. The ending was lovely too... I very much liked the base of the story and the atmosphere you created, with the music and the shallow depth of field. However I found it was more of a surrealistic almost experimental movie than a comedy. Firstly I very much liked the atmosphere you created in the beginning with the monkeys, the words on the fridge and the 'dead' guy in the bed. The ending was lovely too. However the dialogue was too extended and very predictable: the viewer knows Bob will get fired. In fact, the tagline almost insinuates it: if someone calls in sick too much with silly excuses, he or she gets fired. I was a bit curious on how Bob would react, but not too much. However Bob getting fired is almost irrelevant for the movie. The important part is that he actually is dead.
On top of the atmosphere, the constant neutral expression of the main character increased the surreal rather than the comedy. Why doesn't the guy care more? Does he really just want to look tv all day? He doesn't even seem to care about tv! I assumed at the end he doesn't care because he actually is dead. That's a very valid reason if any :).
Technically I thought the movie showed both vision and flawms.
The sound was excellent: good choice, well paced and technically perfect.
The shallow depth of field was nice, as was your shot composition. I particularly liked the shot of the bottles of beer in front of the tv and the winks towards 'Planet of the Apes'. However, the magnet words were unreadable for me. The phrase you used isn't a common phrase, so you need to give readers more time to read it... specially for non native speakers of English, such as me. Another shot you missed for me was the opening shot. I had the impression you put someone in front of the camera and then asked him or her to move away. Why not make a wipe instead as a transition, or put the person in front in focus? Now it's just an unclear blurr that could be a person or a transition gone wrong. I assume you wanted to show the second Bob from the beginning. That would have been an excellent idea, if it was technically better executed.
I liked it very much, as a surreal film. Even for a surreal film I think you need to work a bit more on some details. As a comedy it didn't do it for me so I didn't recommend it.
Good luck in your work. I'd love to see a future version of this movie. read -
A review of Foot in the Doorby Tesssa on 03/29/2012I liked the idea on this movie: it's so hard to find a job these days anywhere, so it's an issue everyone can at least relate to. The actor you had picked had excellent expression, he was very good for the role. However, I find the story lacking in the details. Not providing a framework and detail the story was, for me, a lot less funny: what jobs is he applying for, why is... I liked the idea on this movie: it's so hard to find a job these days anywhere, so it's an issue everyone can at least relate to. The actor you had picked had excellent expression, he was very good for the role. However, I find the story lacking in the details. Not providing a framework and detail the story was, for me, a lot less funny: what jobs is he applying for, why is he refused all the time and what could be the mysterious voice? For me, a few of the sequences could actually have been replaced by more character / story development. Even if I don't think a comedy story needs to end on a punchline, I think this story needed some detail in the end to make up for the lack of detail during the story.
Technically I thought everything was fine, except that I would have loved to see the movie in a higher quality version. You used various angles and shots suiting the situations. Photography was okay. Sound was very well done, and well chosen. The voice for the narration to me seemed a bit creepily funny, but it worked very well.
As a conclusion, even if technically everything was nicely executed, the movie in itself didn't leave a mark. I would work out the details of the story a bit more and / or have a better ending. Good luck in your work. read -
A review of Osiris Tornby Tesssa on 03/27/2012Cool story and well explained. I liked the pace of it, the images you picked for the sequences and the 'acting' in the animations. A small detail on the animations is that the background is often not as worked out as the characters. The effect is a bit surreal for me, as if the characters are detached from the world. This is particularly true in the parts for Osiris, less in... Cool story and well explained. I liked the pace of it, the images you picked for the sequences and the 'acting' in the animations. A small detail on the animations is that the background is often not as worked out as the characters. The effect is a bit surreal for me, as if the characters are detached from the world. This is particularly true in the parts for Osiris, less in Isis' parts.
I like the music: good choice. It matched the other elements of the movie, was technically excellent as well and not too intrusive. Same thing for the narration. I like how you, in this movie, spoke less directly and aggressively to your viewers but still kept your own style.
All in all an, I believe, excellent interpretation of an old story in a very personal style. I recommended it. read
Comments About Tesssa 5
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DJBFilmz on 04/02/2012
Thanks for the review. Best of luck. -
arcilesifilms on 03/22/2012
Hi Tessa. Thanks for taking the time to watch and review GOD'S ACRE. And thank you very much for recommending! Is there a place where I can view your material (if available)? Also, how is it in Venezuela? -
doonae on 03/01/2012
Hey Tesssa, just a quick message to thank you for taking the time to give Guernica a review. Glad to hear I stirred those emotions! And also appreciate you watching it several times.
Camera movement – yeah. My style on all of my stuff is to only move when it really needs it. I like the locked off look of yesteryear and try to emulate that. I feel too many people rely on the shaky-cam-in-your-face look to portray emotion when there isn’t anything there. Most of my favourite movies use very scant use of movement shots. I think this is something that modern movies will eventually come around to and get us to the heyday of the 70s.
The hill! Honestly, that is the only thing there. It is a little monument to the highest point in the (Scottish) county where I live. One of my other movies (Optimistic 9) has a shot or few of some ruins on a hill in Edinburgh – check that one out :)
With regards to the story – I must admit I tend to write stuff that is deliberately obtuse in some ways. It feels like it can be the only weapon in my arsenal at times! So glad to hear you read the letter though. In some ways, Guernica is a b-side to the “big” movie I made at the time called Can’t See Me. The (offscreen) guy she goes with is in that and we see how it plays out. Planning the third in the series just now.
Lastly – hopefully you will get assigned some of my other stuff – movies I spent much more time on. Would love to read your review of them. If you’re on Facebook you should add ZMO Productions to your feed and I could add you as a friend – it’s so great to see a really thought-out constructive review. Or just add me! (can’t be too many Chris Dunnes in Scotland!)
Reviews like yours make me want to keep making movies.
All the very best,
Chris
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revendel on 02/26/2012
Haha! Thanks a lot for reviewing "Fitzroy Square". O.K. Firstly, the "younger" guy is actually like 4 years older than me, and I'm keeping this beard.
About the photography, I have to admit, this whole project was completely improvised and almost unscripted. Furthermore, we shot it on my phone camera so smooth camera work and focus was out of the question. About the pan at the start, we all debated on how dumb and useless it was but we couldn't get a decent shot of the room to set the scene so we had to shove that pan in somewhere (believe it or not, it was done by holding the phone on one of those rotating office chairs).
The sound was done on the phone too, all rushed in like 15 minutes so...
How do you suggest the photography could be improved? Would love to see this short film youre working on.
Again, thanks for the review! -
areelillmind on 02/11/2012
Thank you Tessa for taking the time to review my short film, "The Happy Temple". I think that's an interesting point about Fulvio, who is definitely a caricature. The choice of a bright flat with a sexy poster was because I also imagined Fulvio as being very vital and alive, despite his obvious unpleasantness, as opposed to Dario on the verge of suicide.
I also would have liked some wider shots, though that came very much from the budget both in terms of the set design (we had to use the locations very much as they were with a few additions such as the noose and the calender) and the camera of the time, miniDV, which didn't hold up so well in wide shots.
Thanks for your input.
Daniel
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Comments About Tesssa 5
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Thanks for the review. Best of luck.
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Hi Tessa. Thanks for taking the time to watch and review GOD'S ACRE. And thank you very much for recommending! Is there a place where I can view your material (if available)? Also, how is it in Venezuela?
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Hey Tesssa, just a quick message to thank you for taking the time to give Guernica a review. Glad to hear I stirred those emotions! And also appreciate you watching it several times.
+ more commentsDJBFilmz on 04/02/2012
arcilesifilms on 03/22/2012
doonae on 03/01/2012
Camera movement – yeah. My style on all of my stuff is to only move when it really needs it. I like the locked off look of yesteryear and try to emulate that. I feel too many people rely on the shaky-cam-in-your-face look to portray emotion when there isn’t anything there. Most of my favourite movies use very scant use of movement shots. I think this is something that modern movies will eventually come around to and get us to the heyday of the 70s.
The hill! Honestly, that is the only thing there. It is a little monument to the highest point in the (Scottish) county where I live. One of my other movies (Optimistic 9) has a shot or few of some ruins on a hill in Edinburgh – check that one out :)
With regards to the story – I must admit I tend to write stuff that is deliberately obtuse in some ways. It feels like it can be the only weapon in my arsenal at times! So glad to hear you read the letter though. In some ways, Guernica is a b-side to the “big” movie I made at the time called Can’t See Me. The (offscreen) guy she goes with is in that and we see how it plays out. Planning the third in the series just now.
Lastly – hopefully you will get assigned some of my other stuff – movies I spent much more time on. Would love to read your review of them. If you’re on Facebook you should add ZMO Productions to your feed and I could add you as a friend – it’s so great to see a really thought-out constructive review. Or just add me! (can’t be too many Chris Dunnes in Scotland!)
Reviews like yours make me want to keep making movies.
All the very best,
Chris