Tesssa
member since 01/15/2012 |
last login 05/20/2013
Belgian girl in the tropics, making a movie about the city at night, time travel and the Cuban maffia....
Bio
Belgian girl in the tropics, making a movie about the city at night, time travel and the Cuban maffia.
Submissions by Tesssa
No submissions (yet)
Reviews by Tesssa 104
-
A review of (David Lynch's Louboutins)by Tesssa on 05/13/2013Hello there, this is fabulous! I love shoes, I love Lynch and I love noir... and I think you made something excellent combining all these elements. For the record, I haven't seen the Louboutin commercials. The story gives great opportunity for a lot of different approaches. If I interpreted it well, the women killed someone or was on her way to kill someone, and is at a hotel... Hello there, this is fabulous! I love shoes, I love Lynch and I love noir... and I think you made something excellent combining all these elements. For the record, I haven't seen the Louboutin commercials.
The story gives great opportunity for a lot of different approaches. If I interpreted it well, the women killed someone or was on her way to kill someone, and is at a hotel room right before or right after the deed, mesmerizing about it. Very femme fatal and very powerful story if executed well. And it was.
I thought your actress / model did a great job. The way she was dressed and how she acted showed a very cliché femme fatal, but the way you edited it and played with the light gave it a different approach, on the edge between experimental and commercial.
Technically I thought it was great. The chiaroscuro was beautiful, in particular how you moved the light around in a semi chaotic way. The rythm of this short is a direct result of the way you work light and the way you edited. It feels as if there's a lot of movement, whereas the actress and the camera barely have any movement at all. That's an achievement.
The colors were lovely as well. I like how you combined very plain colors (white, beige, grey, black) with more vivid colors (red in the blood, blue, the green signs on the highway).
The music added the final touch to the mix, to make this short a pleasure to watch. It inspired me to look differently at chiaroscuro. I'll recommend it, and start loading the Louboutin commercials that inspired you. Cheers.
read -
A review of Your money and your lifeby Tesssa on 05/10/2013I liked this short, well done! It had good rythm to it. I felt you dedicated a lot of time to the opening, maybe a bit too much, but that got compensated with excellent editing and great acting. When he has the purse and she's going to jump, on I felt you kept the tension going on a thin line between drama, suspense and comedy. The whole had a very realistic and natural feel... I liked this short, well done! It had good rythm to it. I felt you dedicated a lot of time to the opening, maybe a bit too much, but that got compensated with excellent editing and great acting. When he has the purse and she's going to jump, on I felt you kept the tension going on a thin line between drama, suspense and comedy. The whole had a very realistic and natural feel.
Technically I thought it was very elegant, particularly the first part. The editing was excellent. The colors maybe could have been tweeked just a bit: they seemed a bit washed out to me. If technically possible, I would have added some wide shots. The music and sound were good as well.
As a conclusion I think that this was a very good short and I recommended it. read -
A review of Mon chapeau est votre Hat (My Hat is your Hat)by Tesssa on 05/09/2013Bonjour :) I loved this! This was such a great sketch to make into something cinematic, excellent choice! Your actors did well too, but maybe, considering that it was a silent comedy, they could have been more expressive. That would also require you to pick shots that showed their faces a bit more though. The guy had one moment of expression, the girl none. That's a pity,... Bonjour :)
I loved this! This was such a great sketch to make into something cinematic, excellent choice! Your actors did well too, but maybe, considering that it was a silent comedy, they could have been more expressive. That would also require you to pick shots that showed their faces a bit more though. The guy had one moment of expression, the girl none. That's a pity, more expressive action and shots would have given this short more punch. But overall I thought they did good.
Technically I thought you explored some great possibilities but you stayed on the surface. The split screen was an awesome idea and gave this sketch that bit of needed extra. In particular I thought that desynchronising it was an interesting choice, if done on purpose (when the guy looks back and tries to see the girls face). However it wasn't clear enough if it was done on purpose or a mistake. It might have been interesting to see some different angles too, more diversity in the shots and different shapes of split screen, all things you did touch on, but not very deeply.
One minus point was the cutting. It's not clean enough. I felt sometimes you cut too quickly (when the guy makes a face) and the transitions sometimes work, but other times they feel a bit clunky (the first cut of the guy). The zoom into the hat in the end was too long.
The song was a good choice.
In general I felt this short explored a lot of options, but I would have been interested in seeing the ideas worked out a bit more. The choice of sketch definately gave opportunity for some avantgarde work (simple plot, few characters, one location). Those would be some interesting options to explore in a second version. What is needed very much though, is cleaner cutting. For me that last would make this short from 'good' to 'excellent'. I look forward to seeing more of your work. read
Write a Comment
Submissions by Tesssa
No submissions (yet)
Reviews by Tesssa 104
-
A review of (David Lynch's Louboutins)by Tesssa on 05/13/2013Hello there, this is fabulous! I love shoes, I love Lynch and I love noir... and I think you made something excellent combining all these elements. For the record, I haven't seen the Louboutin commercials. The story gives great opportunity for a lot of different approaches. If I interpreted it well, the women killed someone or was on her way to kill someone, and is at a hotel... Hello there, this is fabulous! I love shoes, I love Lynch and I love noir... and I think you made something excellent combining all these elements. For the record, I haven't seen the Louboutin commercials.
The story gives great opportunity for a lot of different approaches. If I interpreted it well, the women killed someone or was on her way to kill someone, and is at a hotel room right before or right after the deed, mesmerizing about it. Very femme fatal and very powerful story if executed well. And it was.
I thought your actress / model did a great job. The way she was dressed and how she acted showed a very cliché femme fatal, but the way you edited it and played with the light gave it a different approach, on the edge between experimental and commercial.
Technically I thought it was great. The chiaroscuro was beautiful, in particular how you moved the light around in a semi chaotic way. The rythm of this short is a direct result of the way you work light and the way you edited. It feels as if there's a lot of movement, whereas the actress and the camera barely have any movement at all. That's an achievement.
The colors were lovely as well. I like how you combined very plain colors (white, beige, grey, black) with more vivid colors (red in the blood, blue, the green signs on the highway).
The music added the final touch to the mix, to make this short a pleasure to watch. It inspired me to look differently at chiaroscuro. I'll recommend it, and start loading the Louboutin commercials that inspired you. Cheers.
read -
A review of Your money and your lifeby Tesssa on 05/10/2013I liked this short, well done! It had good rythm to it. I felt you dedicated a lot of time to the opening, maybe a bit too much, but that got compensated with excellent editing and great acting. When he has the purse and she's going to jump, on I felt you kept the tension going on a thin line between drama, suspense and comedy. The whole had a very realistic and natural feel... I liked this short, well done! It had good rythm to it. I felt you dedicated a lot of time to the opening, maybe a bit too much, but that got compensated with excellent editing and great acting. When he has the purse and she's going to jump, on I felt you kept the tension going on a thin line between drama, suspense and comedy. The whole had a very realistic and natural feel.
Technically I thought it was very elegant, particularly the first part. The editing was excellent. The colors maybe could have been tweeked just a bit: they seemed a bit washed out to me. If technically possible, I would have added some wide shots. The music and sound were good as well.
As a conclusion I think that this was a very good short and I recommended it. read -
A review of Mon chapeau est votre Hat (My Hat is your Hat)by Tesssa on 05/09/2013Bonjour :) I loved this! This was such a great sketch to make into something cinematic, excellent choice! Your actors did well too, but maybe, considering that it was a silent comedy, they could have been more expressive. That would also require you to pick shots that showed their faces a bit more though. The guy had one moment of expression, the girl none. That's a pity,... Bonjour :)
I loved this! This was such a great sketch to make into something cinematic, excellent choice! Your actors did well too, but maybe, considering that it was a silent comedy, they could have been more expressive. That would also require you to pick shots that showed their faces a bit more though. The guy had one moment of expression, the girl none. That's a pity, more expressive action and shots would have given this short more punch. But overall I thought they did good.
Technically I thought you explored some great possibilities but you stayed on the surface. The split screen was an awesome idea and gave this sketch that bit of needed extra. In particular I thought that desynchronising it was an interesting choice, if done on purpose (when the guy looks back and tries to see the girls face). However it wasn't clear enough if it was done on purpose or a mistake. It might have been interesting to see some different angles too, more diversity in the shots and different shapes of split screen, all things you did touch on, but not very deeply.
One minus point was the cutting. It's not clean enough. I felt sometimes you cut too quickly (when the guy makes a face) and the transitions sometimes work, but other times they feel a bit clunky (the first cut of the guy). The zoom into the hat in the end was too long.
The song was a good choice.
In general I felt this short explored a lot of options, but I would have been interested in seeing the ideas worked out a bit more. The choice of sketch definately gave opportunity for some avantgarde work (simple plot, few characters, one location). Those would be some interesting options to explore in a second version. What is needed very much though, is cleaner cutting. For me that last would make this short from 'good' to 'excellent'. I look forward to seeing more of your work. read -
A review of Blockedby Tesssa on 05/06/2013Hello! Beautiful short. The story was well chosen. I loved how in the beginning you gave the viewer time to notice the banlieus it takes place in... the locations you picked to do it were very photogenic. The pace was really nice and your actor did a good job. Technically I thought it was fine. I liked the editing, in particularly how you worked with the sound. The music was... Hello! Beautiful short. The story was well chosen. I loved how in the beginning you gave the viewer time to notice the banlieus it takes place in... the locations you picked to do it were very photogenic. The pace was really nice and your actor did a good job. Technically I thought it was fine. I liked the editing, in particularly how you worked with the sound. The music was well chosen too.
However there was one moment were all these elements fail to bring anything cool to the story: the actual fight. It's a moment everyone is waiting for, which could have been used for some great visuals. Instead it's a non-moment. The idea of using some constructive editing in the fight was good, but it wasn't executed very convincingly. The faces of horror and surprise of the girl and the remaining guy were a bit overacted. The dialogues were cliché.
That was the only moment that I didn't like though. In general, I thought it was really well done and it had a great mood to it. read -
A review of Roomies: Confronting Fearby Tesssa on 05/04/2013Hey really cool! I'd never seen a puppet video here on TSL and I'm very happy this was the first one. The puppets were really well handled. The voices were good too. I think the story was great, up until the chupacabra's appearance. I like the puppet you picked for it (even if that's not at all how a chupacabra looks!), but the whole conversation about the boner I felt was... Hey really cool! I'd never seen a puppet video here on TSL and I'm very happy this was the first one. The puppets were really well handled. The voices were good too. I think the story was great, up until the chupacabra's appearance. I like the puppet you picked for it (even if that's not at all how a chupacabra looks!), but the whole conversation about the boner I felt was a bit misplaced. It could have been more appropriate if you had made shown that the lenghty conversation served to keep the chupacabra busy until the wobbly fan fell. Appart from that, the pace and the rythm of the story were very good.
Technically I thought it was good too. The editing is very classic, cliché sometimes, but adds to the funny / scary atmosphere. I felt that the way you edited combined with how you handled the puppets made them me at times forget they were puppets.
As a conclusion, good short, but I would change the boner conversation. read -
A review of Up Setby Tesssa on 04/29/2013Hello, how are you? At first this seemed like another 'common guy against maffia' story, but the twist at the end made it for me. It also explained why she didn't have any trouble giving him the 250k like that! There's love and love. On the other hand I felt that some things that I would have liked reading the script didn't come across so well during the story. For example,... Hello, how are you? At first this seemed like another 'common guy against maffia' story, but the twist at the end made it for me. It also explained why she didn't have any trouble giving him the 250k like that! There's love and love. On the other hand I felt that some things that I would have liked reading the script didn't come across so well during the story. For example, because the first half seems like a very common story, it might give it a bit of a twist to give some clues to the ending on beforehand. You allready sort of did in the logline, but a logline isn't the video.
Another minus point is that the actors need a more direction, in particular the girl.
Lastly, the choice of weapon to kill of Richard is very... peculiar. I didn't know what it was, but it seemed tremendously impractical and not something a first time killer would use.
The sequence I liked most here was the ending, where the maffia guys come in. In general your editing works and you manage to intertwine the two timelines very convincably. Narratively there was one point a bit off: you showed the girl and the guy from a seemingly subjective point of view, a watcher, and I can assume it's the father or one of his henchman. But at that point in the story, it was a bit confusing. I would have added a shot of the watcher himself, and maybe him briefly reporting back to the father.
The major point that needs work in this short though, is the sound and music. The sound needs a serious clean-up and you could add some music and sound effects to give some of the scenes more weight. Some subtle background music would allready do.
As a conclusion I thought this short had a great story with a lot of opportunity for interesting visuals, but it needs work on the narrative editing and the sound. read -
A review of 'til death us do partby Tesssa on 04/28/2013Hey there, nice short! The story is classic but well told. It has a nice pace going, and your main actor keeps the attention. As as viewer you realise very early on the guy is frustrated and that his wife has died. The only point that confused me was when they were in the field... it seemed to suggest she was abducted by aliens (weird noises, camera going towards the sky, a... Hey there, nice short! The story is classic but well told. It has a nice pace going, and your main actor keeps the attention. As as viewer you realise very early on the guy is frustrated and that his wife has died. The only point that confused me was when they were in the field... it seemed to suggest she was abducted by aliens (weird noises, camera going towards the sky, a very sudden dissapearance). If it's intentional, it's not something I would have added to the plot. It's a short movie and in general you don't have time to develop several plots. Another minus point is that the actors need a lot more direction, particularly in the dramatic moments: when he notices his wife is gone and when the police asks him to come with.
Technically there were some points that could be better.
The sound needs to be leveled to the right levels for dialogue, music and effects. The choice of music and sound was very good though.
The colors are a bit flat. You have beautiful locations, but I felt they lost a bit of their power because of the lack of color. I also would not have gone for the black and white and the blurred framing of the flashback. You work a lot with flashbacks and deadreams in this movie... why use no effect on previous instances but there yes? It removes a lot of the drama of the moment. On the other hand, I love the little 'Dial M for Murder' moment when he's at the police station. Good choice there to pick the white background, I feel it puts him as guilty person very much in the frame.
The editing was very good. I like how you gave the shots the time to be watched while still keeping the pace of the story going, including in the crucial moment where we find out he killed her. There are a two moments in which for me the editing fails though. The approach of the police officer needs to be a bit faster and the moment where she dissappears needs work on several levels. There is no surprise or suspense in that moment, whereas it's supposed to be a key point in the movie. It's a vital moment that doesn't quite reach it's effect. I would work a bit on the rythm and the sound. If you can, reshoot his reaction, which was a bit too dramatic to feel natural. Maybe if he just paces around, yelling her name?
In conclusion I think that the editing and overall work is good, but that you need to work more on direction the actors in giving the most natural feeling possible. Moreover it needs some postproduction work on color and sound. In general I thought this was a nice short and I hope you keep developing your style and form. read -
A review of Snitches Get Bulletsby Tesssa on 04/26/2013Hey Jordan :) Very cool shots and congrats on the prize you won with it! I think it's definately deserved. The story, the characters and the dialogues are all quite classic. The whole was very Tarantino and very enjoyable. The only time the cliché for me was as bit overboard was in the opening monologue, where the crime boss has the hat pulled over his eyes. This also felt... Hey Jordan :)
Very cool shots and congrats on the prize you won with it! I think it's definately deserved. The story, the characters and the dialogues are all quite classic. The whole was very Tarantino and very enjoyable. The only time the cliché for me was as bit overboard was in the opening monologue, where the crime boss has the hat pulled over his eyes. This also felt to me like a bit of redundant part, that might have been more interesting visually or just left out. You don't really need to the why. If you wanted to make an impression that the snitch pissed of the wrong guys, simply showing the crime boss saying "Kill him" would allready have done it. Besides this detail, I thought you picked a great story and your actors did very well, in particular the girl.
There is however one point I thoroughly disagree with: the coloring. In our team we call this 'Instagramming' a video. I consider it a very efficient way at being fashionable. I like real colors or tastefully and purposefully applied effects. Those feel more real and are as a consequence more impacting.
For me this video stands out because of the camerawork and the editing. I love your style there, in particular the sequence on the balcony and when the girl screams at the end. The only minor point (which is also a minor storytelling point) is when he leaves his building. Firstly if someone pointed a gun at me like that, I would at least scream before getting into my car. Secondly, the editing felt a bit off the moment the car almost runs him over. However, after that point, it only becomes better and better. The editing here is what makes this video very good and a joy to watch.
Ah, and the music is very good too, very fitting and well chosen.
Looking forward to the next one! read -
A review of A Very Important Callby Tesssa on 04/24/2013Hiya there! Funny short! I laughed more and more towards the end. In the beginning it was a bit boring, until the characters gets complete freedom to go trough several instances of craziness. That's what made it truely funny for me: not the story, but the character of Phineas and how the actor interpretes him. The editing was really cool as well and totally complements the... Hiya there! Funny short! I laughed more and more towards the end. In the beginning it was a bit boring, until the characters gets complete freedom to go trough several instances of craziness. That's what made it truely funny for me: not the story, but the character of Phineas and how the actor interpretes him.
The editing was really cool as well and totally complements the acting. I also found that you managed to give the phone itself some personality, both through editing and choice of item.
Comments... not many. It takes a bit long to build up. In the beginning he takes a lot of calls which add nothing funny or interesting, and he doesn't seem to get more annoyed until he actually gets the 'license to be rude'. You can't hear the caller's voices, which might open up some funny opportunities and maybe fill up the slightly long start.
A last comment: again particularly in the beginning, I had trouble understanding Phineas. After a while I got used to it or his accent went down a bit.
Recommended. read -
A review of The Devouredby Tesssa on 04/22/2013Eeh too creepy! This is really cool: I loved how you managed to create an atmosphere of horror and suspense. Everything that happens is expected, but I was on the tip of my chair waiting for it. The plot is great, even if for me the whole dialog in the office was relatively redundant. It didn't give more information interesting to the plot than what you give later on when they're... Eeh too creepy! This is really cool: I loved how you managed to create an atmosphere of horror and suspense. Everything that happens is expected, but I was on the tip of my chair waiting for it. The plot is great, even if for me the whole dialog in the office was relatively redundant. It didn't give more information interesting to the plot than what you give later on when they're at the house, in a much more visual and interesting way. The actors did good. I found the actor who played the devourer a bit too arrogant and 'ghostly' from the beginning on, and his end dialog could have been trimmed a lot as well. It was implied from very soon on that the house owner might have taken on more than he could handle and that devourer nr 1 was up to no good.
Technically I liked it too. I love the different shots and the constructive approach, even though a few wide shots would have been nice. I'm very happy you didn't resort to surprise shots and kept it all very cool, while building suspense. But, I'm surprised that what you did all through the movie so succesfully, wasn't continued during their talk in the basement... I would have gone for the same constructive approach, with shots of the basement, and the empty dinnertable, to mark the creepiness and the murder. The colors were well chosen. Again you didn't go over the top with dark but kept it clean and realistic. I really liked that style.
I recommended! Good luck and I look forward to more. read
Comments About Tesssa 9
-
Weezbo on 04/06/2013
Hello Tesssa! thank you so much for your thoughtful review of When You Take Your Cat to the vet.
I totally agree with all your points. Hopefully, I will get to shoot another sometime and will be able to benefit from what folks have suggested.
The reason for the shots all being from the angle was the difficulty of getting in too close while the were working. As it was, I was basically trapped between the IV drip station and the end of the lab table top and inches away from either the vet or one of the vet techs. If my camera was a better one, I could have taken advantage of zoom, but working with a simple point and shoot kind of limited my options.
It would have been much better had the vet been describing what she was doing, but she is basically "mic and camera" shy so did not want to be hampered while working. I tried to get her to do an overvoice later but she was skittish about that also. I did an overvoice myself last month and tested it to see if that would work better... needs a lot of work!!
I have re-edited that video for submission to a small film fest, and I think it has been improved, but am still not totally happy with the results.
Thanks again for your insightful comments.
I just saw your question about festivals below and will send you some info later.
Cheers
Louise -
sal333 on 08/08/2012
Tesssa, thank you for your review of Luvitis - greatly appreciated. -
scotfire on 06/13/2012
Comment deleted by Tesssa -
Jordan Ray Allen on 06/12/2012
Tesssa,
Not sure if that's one S too many in your name as a joke, if it's real, or just a plain old typo. :) Either way, cool. Thank you very much for taking the time to watch and review 'Beach House'. You're criticisms were spot on. All of the talent, excluding the lead and the Bathroom Ghost aren't actors. I actually directed them all in a way to mimic the B-movie genre, which was full of bad acting, but fun flicks that could have been great if backed with some solid talent. In a film like this, there is nothing to learn from the characters, except:
1) Don't go in a bathroom that clearly states "Warning! Do Not Enter This Bathroom".
2) Don't send a check to a P.O. box in exchange for a key to a beach house when you haven't even met the realtor face to face or via phone.
3) If the important information packet on the table speaks of the terrors in the master bathroom, listen to it.
So yes, this was merely a nod to bad yet somehow, enjoyable films from the 60s and 70s. My goal is to entertain with my films. And if you were in fact entertained, then I have done my job and will march on with my chin up high.
Thanks Tesssa (Used my snake voice for the sss part) :)
Jordan Ray Allen
p.s. I do have some future short film projects that will actually tell a meaningful story and utilize the talent of seasoned actors. Stay tuned, kiddo. -
DJBFilmz on 04/02/2012
Thanks for the review. Best of luck. -
arcilesifilms on 03/22/2012
Hi Tessa. Thanks for taking the time to watch and review GOD'S ACRE. And thank you very much for recommending! Is there a place where I can view your material (if available)? Also, how is it in Venezuela? -
doonae on 03/01/2012
Hey Tesssa, just a quick message to thank you for taking the time to give Guernica a review. Glad to hear I stirred those emotions! And also appreciate you watching it several times.
Camera movement – yeah. My style on all of my stuff is to only move when it really needs it. I like the locked off look of yesteryear and try to emulate that. I feel too many people rely on the shaky-cam-in-your-face look to portray emotion when there isn’t anything there. Most of my favourite movies use very scant use of movement shots. I think this is something that modern movies will eventually come around to and get us to the heyday of the 70s.
The hill! Honestly, that is the only thing there. It is a little monument to the highest point in the (Scottish) county where I live. One of my other movies (Optimistic 9) has a shot or few of some ruins on a hill in Edinburgh – check that one out :)
With regards to the story – I must admit I tend to write stuff that is deliberately obtuse in some ways. It feels like it can be the only weapon in my arsenal at times! So glad to hear you read the letter though. In some ways, Guernica is a b-side to the “big” movie I made at the time called Can’t See Me. The (offscreen) guy she goes with is in that and we see how it plays out. Planning the third in the series just now.
Lastly – hopefully you will get assigned some of my other stuff – movies I spent much more time on. Would love to read your review of them. If you’re on Facebook you should add ZMO Productions to your feed and I could add you as a friend – it’s so great to see a really thought-out constructive review. Or just add me! (can’t be too many Chris Dunnes in Scotland!)
Reviews like yours make me want to keep making movies.
All the very best,
Chris
-
revendel on 02/26/2012
Haha! Thanks a lot for reviewing "Fitzroy Square". O.K. Firstly, the "younger" guy is actually like 4 years older than me, and I'm keeping this beard.
About the photography, I have to admit, this whole project was completely improvised and almost unscripted. Furthermore, we shot it on my phone camera so smooth camera work and focus was out of the question. About the pan at the start, we all debated on how dumb and useless it was but we couldn't get a decent shot of the room to set the scene so we had to shove that pan in somewhere (believe it or not, it was done by holding the phone on one of those rotating office chairs).
The sound was done on the phone too, all rushed in like 15 minutes so...
How do you suggest the photography could be improved? Would love to see this short film youre working on.
Again, thanks for the review! -
areelillmind on 02/11/2012
Thank you Tessa for taking the time to review my short film, "The Happy Temple". I think that's an interesting point about Fulvio, who is definitely a caricature. The choice of a bright flat with a sexy poster was because I also imagined Fulvio as being very vital and alive, despite his obvious unpleasantness, as opposed to Dario on the verge of suicide.
I also would have liked some wider shots, though that came very much from the budget both in terms of the set design (we had to use the locations very much as they were with a few additions such as the noose and the calender) and the camera of the time, miniDV, which didn't hold up so well in wide shots.
Thanks for your input.
Daniel
Write a Comment
Browse:
Copyright © 2001-2013 Trigger Street Labs. All Rights Reserved.
Comments About Tesssa 9
-
Quote
Hello Tesssa! thank you so much for your thoughtful review of When You Take Your Cat to the vet.
-
Quote
Tesssa, thank you for your review of Luvitis - greatly appreciated.
-
Quote
Comment deleted by Tesssa
+ more commentsWeezbo on 04/06/2013
I totally agree with all your points. Hopefully, I will get to shoot another sometime and will be able to benefit from what folks have suggested.
The reason for the shots all being from the angle was the difficulty of getting in too close while the were working. As it was, I was basically trapped between the IV drip station and the end of the lab table top and inches away from either the vet or one of the vet techs. If my camera was a better one, I could have taken advantage of zoom, but working with a simple point and shoot kind of limited my options.
It would have been much better had the vet been describing what she was doing, but she is basically "mic and camera" shy so did not want to be hampered while working. I tried to get her to do an overvoice later but she was skittish about that also. I did an overvoice myself last month and tested it to see if that would work better... needs a lot of work!!
I have re-edited that video for submission to a small film fest, and I think it has been improved, but am still not totally happy with the results.
Thanks again for your insightful comments.
I just saw your question about festivals below and will send you some info later.
Cheers
Louise
sal333 on 08/08/2012
scotfire on 06/13/2012