Once separated by distance, two lovers are brought back together, then tragedy strikes.
alexherrin
I write SPs and SSs. They are mediocre to good. I hope to write one that is excellent. You may give me constructive criticism and I may use it. I use a lot of punctuation. I see things in black and white,...
Bio
I write SPs and SSs. They are mediocre to good. I hope to write one that is excellent. You may give me constructive criticism and I may use it. I use a lot of punctuation. I see things in black and white, with a hint of gray. I recently moved to LA and I fucking hated the place, so I moved to OC. "Show me a hero and I will write you a tragedy" - F. Scott Fitzgerald
Submissions by alexherrin
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a short story by alexherrin
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a screenplay by alexherrin
Two friends take a road trip across the US, taking them far from home and their comfort zone.
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a screenplay by alexherrinGenres: adventure, sci-fi/fantasy
A depressed man enters a dream world where he can fix his life by conquering his inner demons.
Reviews by alexherrin 18
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A review of A Death Panel for Ernest Tomczakby alexherrin on 05/15/2012Allow me to review your screenplay entitled, “A Death Panel for Ernest Tomczak”. I tend to skip things like punctuation, capitalization, and slug lines, and instead focus more on the big picture. I believe this is the most helpful way. I assume you are capable of editing your own work for minor errors. Begin: Describe Tom better. Green and M elevators? I don’t get it. Your... Allow me to review your screenplay entitled, “A Death Panel for Ernest Tomczak”.
I tend to skip things like punctuation, capitalization, and slug lines, and instead focus more on the big picture. I believe this is the most helpful way. I assume you are capable of editing your own work for minor errors.
Begin:
Describe Tom better.
Green and M elevators? I don’t get it.
Your description may be a tad much. Producers/Agents have short attention spans and must be treated as children with ADD.
Great first convo between Xavier and Tom. I really felt the tension.
On page 13 I laughed out loud when Tom remarked that it was “awesome” that Maryann’s mother died when she was young.
Tom’s neuroticism, quick wit, and chattiness reminds me a bit of Woody Allen (I love Woody).
Page 23 Tom and X make up? Just like that? Hmm.
Page 55 Great scene!! Xavier is a sociopath, nice.
Tom’s tear fest on page 71-73 is a little much. I had the urge to skim, which means anyone who’s not a writer will definitely skim, if not skip all together.
71-75 drags a little bit. Tom is being dramatic, as is his character, but it is a bit too much I feel. As an audience member I could possibly get annoyed by him.
So after all this fuss Tom decides to let his father die after all? I’m not sure if that works. What about bringing something else into the story that makes Tom change his mind, instead of all of these monologues. Maybe Tom sees something in his drawings? Or his father has written a letter than he has hidden somewhere? Tom does quite a bit of venting at the end of Act 2 and in Act 3, and I don’t know if it is necessary to move the story forward. It seems a bit like overkill.
In Summary:
Honestly, I don’t have much to say, that I haven’t already said. I really enjoyed this script. Even though it was dark and depressing, your characters were not. Tom was my favorite. The ending was meaningful. Xavier created some intense scenes.
You never explained Noc. What was her purpose? I thought there would be some twist there. And I can’t help but reiterate, why did Tom decide to kill his father after all? That was not clear. This script is fairly short, at only 93 pages, so you could theoretically add a bit more plot.
It’s a well-written, entertaining, psychological journey into the minds of family members before the death of a loved one. I enjoyed reading it. Good luck. read -
A review of Black Molassesby alexherrin on 04/17/2012I read some reviews for this piece so I decided to do a free will review. This is also my first review in a while, so it must have really sparked my interest. I was PUMPED after reading the first couple pages. I thought this was really going to go somewhere. The suspense was there. The build-up was intense. I wasn't sure what was going to happen. Maybe she was going... I read some reviews for this piece so I decided to do a free will review. This is also my first review in a while, so it must have really sparked my interest.
I was PUMPED after reading the first couple pages. I thought this was really going to go somewhere. The suspense was there. The build-up was intense. I wasn't sure what was going to happen. Maybe she was going to turn into a monster and he was going to have to kill her?
But instead it just turned into 12 pages of the author describing a woman falling apart. Then the guy's boss came home. Oh no!
Bonus points for originality, kind of, I've seen this before in Japanese manga/anime.
I see how people like this and appreciate it, but I felt that it could have been much more, and just doesn't really qualify as a horror, but more like a comedy, what with all the vomiting. You know you've written a comedy when characters keep throwing up and/or using the bathroom.
Congratulations on writing a well-received story. read -
A review of Touch the Starsby alexherrin on 02/26/2012The final irony did not escape me either, as Jensen suffered his final breath on that godforsaken rock in deep outer space with no one but him and the beast that took his life. He wanted nothing more than to travel the stars, and that is what he got, until those very stars took his life. I will not stop short of saying this is the best short story I have read on trigger street... The final irony did not escape me either, as Jensen suffered his final breath on that godforsaken rock in deep outer space with no one but him and the beast that took his life. He wanted nothing more than to travel the stars, and that is what he got, until those very stars took his life.
I will not stop short of saying this is the best short story I have read on trigger street yet. It is also one of the best I have read in a long time. The writer's knowledge of space and science fiction themes is truly impressive, enhancing his credibility and engaging the reader in a way that could not have been done without. The fact that there is no direct dialogue does not escape me, but that is the style of the writer. In fact, the entire story reads as a oration, given by Jensen postmodern. He is speaking to us from the grave, or from the message he sent, telling us the story of how he came to arrive on that asteroid, the beast he found there, and the warning within. An excellent story, five stars. read
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Submissions by alexherrin
-
a short story by alexherrin
Once separated by distance, two lovers are brought back together, then tragedy strikes.
-
a screenplay by alexherrin
Two friends take a road trip across the US, taking them far from home and their comfort zone.
-
a screenplay by alexherrinGenres: adventure, sci-fi/fantasy
A depressed man enters a dream world where he can fix his life by conquering his inner demons.
Reviews by alexherrin 18
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A review of A Death Panel for Ernest Tomczakby alexherrin on 05/15/2012Allow me to review your screenplay entitled, “A Death Panel for Ernest Tomczak”. I tend to skip things like punctuation, capitalization, and slug lines, and instead focus more on the big picture. I believe this is the most helpful way. I assume you are capable of editing your own work for minor errors. Begin: Describe Tom better. Green and M elevators? I don’t get it. Your... Allow me to review your screenplay entitled, “A Death Panel for Ernest Tomczak”.
I tend to skip things like punctuation, capitalization, and slug lines, and instead focus more on the big picture. I believe this is the most helpful way. I assume you are capable of editing your own work for minor errors.
Begin:
Describe Tom better.
Green and M elevators? I don’t get it.
Your description may be a tad much. Producers/Agents have short attention spans and must be treated as children with ADD.
Great first convo between Xavier and Tom. I really felt the tension.
On page 13 I laughed out loud when Tom remarked that it was “awesome” that Maryann’s mother died when she was young.
Tom’s neuroticism, quick wit, and chattiness reminds me a bit of Woody Allen (I love Woody).
Page 23 Tom and X make up? Just like that? Hmm.
Page 55 Great scene!! Xavier is a sociopath, nice.
Tom’s tear fest on page 71-73 is a little much. I had the urge to skim, which means anyone who’s not a writer will definitely skim, if not skip all together.
71-75 drags a little bit. Tom is being dramatic, as is his character, but it is a bit too much I feel. As an audience member I could possibly get annoyed by him.
So after all this fuss Tom decides to let his father die after all? I’m not sure if that works. What about bringing something else into the story that makes Tom change his mind, instead of all of these monologues. Maybe Tom sees something in his drawings? Or his father has written a letter than he has hidden somewhere? Tom does quite a bit of venting at the end of Act 2 and in Act 3, and I don’t know if it is necessary to move the story forward. It seems a bit like overkill.
In Summary:
Honestly, I don’t have much to say, that I haven’t already said. I really enjoyed this script. Even though it was dark and depressing, your characters were not. Tom was my favorite. The ending was meaningful. Xavier created some intense scenes.
You never explained Noc. What was her purpose? I thought there would be some twist there. And I can’t help but reiterate, why did Tom decide to kill his father after all? That was not clear. This script is fairly short, at only 93 pages, so you could theoretically add a bit more plot.
It’s a well-written, entertaining, psychological journey into the minds of family members before the death of a loved one. I enjoyed reading it. Good luck. read -
A review of Black Molassesby alexherrin on 04/17/2012I read some reviews for this piece so I decided to do a free will review. This is also my first review in a while, so it must have really sparked my interest. I was PUMPED after reading the first couple pages. I thought this was really going to go somewhere. The suspense was there. The build-up was intense. I wasn't sure what was going to happen. Maybe she was going... I read some reviews for this piece so I decided to do a free will review. This is also my first review in a while, so it must have really sparked my interest.
I was PUMPED after reading the first couple pages. I thought this was really going to go somewhere. The suspense was there. The build-up was intense. I wasn't sure what was going to happen. Maybe she was going to turn into a monster and he was going to have to kill her?
But instead it just turned into 12 pages of the author describing a woman falling apart. Then the guy's boss came home. Oh no!
Bonus points for originality, kind of, I've seen this before in Japanese manga/anime.
I see how people like this and appreciate it, but I felt that it could have been much more, and just doesn't really qualify as a horror, but more like a comedy, what with all the vomiting. You know you've written a comedy when characters keep throwing up and/or using the bathroom.
Congratulations on writing a well-received story. read -
A review of Touch the Starsby alexherrin on 02/26/2012The final irony did not escape me either, as Jensen suffered his final breath on that godforsaken rock in deep outer space with no one but him and the beast that took his life. He wanted nothing more than to travel the stars, and that is what he got, until those very stars took his life. I will not stop short of saying this is the best short story I have read on trigger street... The final irony did not escape me either, as Jensen suffered his final breath on that godforsaken rock in deep outer space with no one but him and the beast that took his life. He wanted nothing more than to travel the stars, and that is what he got, until those very stars took his life.
I will not stop short of saying this is the best short story I have read on trigger street yet. It is also one of the best I have read in a long time. The writer's knowledge of space and science fiction themes is truly impressive, enhancing his credibility and engaging the reader in a way that could not have been done without. The fact that there is no direct dialogue does not escape me, but that is the style of the writer. In fact, the entire story reads as a oration, given by Jensen postmodern. He is speaking to us from the grave, or from the message he sent, telling us the story of how he came to arrive on that asteroid, the beast he found there, and the warning within. An excellent story, five stars. read -
A review of Children of the Revolutionby alexherrin on 02/26/2012Hello Jim, allow me to review your screenplay entitled, “Children of the Revolution”. Notes on format: First off, I wouldn’t use “we”, it takes the reader out of the story. Screenplays are written in third person always. Telling us that “we’ll soon learn it is Billy”, does not transfer onto the screen, and should be omitted. Either tell us that it is Billy, or leave the... Hello Jim, allow me to review your screenplay entitled, “Children of the Revolution”.
Notes on format:
First off, I wouldn’t use “we”, it takes the reader out of the story. Screenplays are written in third person always. Telling us that “we’ll soon learn it is Billy”, does not transfer onto the screen, and should be omitted. Either tell us that it is Billy, or leave the character a mystery for now.
Just a suggestion, but you have a lot of sound effects here in the first couple pages, and it could be advantageous of you to write some in CAPS in order to emphasize their presence on the screen.
Themqqqq – page 3
It’s not necessary to keep labeling the scenes DAY if they are continuous.
Begin opening titles and credit – omit this, not part of the story.
Don’t include camera direction. A spec script should never include this, unless necessary to progress the story. POV is an exception. Reading camera directions are cumbersome and take the reader out of the story.
I always hate to say this, but this script suffers from a bit too much description. Too much description takes away from action and plot/character development, the stuff movies are made of.
First 10 Pages:
So far so good. Action scene in the beginning is sweet, great way to open. Back to reality, the protag is clear and likeable. Stakes have been set in the mysterious man with the binoculars.
Questions I have so far: (the more the better, IMO)
Are the kids orphans? What does the future hold for them? What will Leah’s role be? Who is this mysterious man? What will the role of Stix be?
Overall, I am set to continue reading, and am optimistic for the rest.
Final Analysis: 7/10
The fact that the entire Act 2 is a dream is a big let down. That means that the protagonist never really did anything to help, except fall asleep. It is only implied in the very last scene where I assume he becomes PM or some other high ranking official, later in life. If it was only a dream, and didn’t affect the present at all, then it added nothing to the story! If you are worried about it being too much to be real, with Stix and all, don’t worry, it’s an animation movie, they are SUPPOSED to be like that! That’s why they are done in animation, so we can have crazy stuff like that.
Oh, and Stix turned out to be the bad guy, I see. But who was the figure watching with binoculars in the beginning? Maybe I missed something?
Other than the above mentioned, I really liked it. Pacing was great, the Italian the twins were very funny, and Billy was a fine protagonist with a story I could really pull for. Animation movies can be really touching if properly done, as they can show things on screen that we just can’t do with humans, like for instance a candy army, and I think you have properly taken advantage of that medium. Just please, please (please) reconsider the dream aspect. You can tell how strongly I feel about this, I just was so in to the story, then got completely lost when I found out it was only a dream.
Thank you again for an enjoyable read and good luck! read -
A review of 13.45 (part 1)by alexherrin on 02/24/2012A cute story so far. I'm not sure it was necessary to break up parts 1 and 2, as this was such a quick and easy read, and would benefit from a proper ending. I imagine if I was a few years younger and a more avid footballer I would enjoy this story more. That being said it was well written and your love for football aides you in your credibility as an expert on the subject... A cute story so far. I'm not sure it was necessary to break up parts 1 and 2, as this was such a quick and easy read, and would benefit from a proper ending. I imagine if I was a few years younger and a more avid footballer I would enjoy this story more. That being said it was well written and your love for football aides you in your credibility as an expert on the subject. I will also give you a nod for writing from the male perspective, even though a young boy, writing from the perspective of the opposite sex is something that I have not yet attempted in a serious manner. Cheers. read
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A review of The Gospel of Ryanby alexherrin on 02/23/2012Francesca, allow me to review your short story entitled, "The Gospel of Ryan." One thing that comes up a bit is you can be repetitive with your description. Examples: “My dad shed sad tears”: tears are generally assumed to be sad unless otherwise noted. “and ravenously hungry”: ravenously already means to be extremely hungry. The fact that the narrator is telling this story... Francesca, allow me to review your short story entitled, "The Gospel of Ryan."
One thing that comes up a bit is you can be repetitive with your description.
Examples:
“My dad shed sad tears”: tears are generally assumed to be sad unless otherwise noted.
“and ravenously hungry”: ravenously already means to be extremely hungry.
The fact that the narrator is telling this story as if he has already lived it takes the urgency out of it. I feel like I’m listening to an old man go on and on about his past. No offense, and if you are the elderly I apologize, but old people make me want to take a nap. Why did you decide to write it like this? Write in the present! Make it exciting!
“She was pretty. Short, but pretty” – does shortness preclude attractiveness? Personally, I like my women low to the earth (no pun intended, unless you are referring to the saying “down to earth”, then yes, pun intended).
“I felt the embarrassing arousal of my penis and panicked.” – This made me cringe, then laugh, then slap my forehead. Guys never refer to their member as a ‘penis’, it’s so…formal. I can’t help but picture Sean Connery, in all his seriousness, describing a tingling sensation in his pants. May I suggest a witty metaphor? Then again, I am pretty immature, maybe it’s okay.
The sex scene at the end was…hot. Very well done. A bit strangely set up, but well done nonetheless. You seem to be most comfortable when writing steamy romance, and your voice shines through clearly because of it.
In conclusion:
To be blunt, I am not a fan of this piece. I felt the writing was very straightforward and linear. I found it difficult to hear the writer’s voice, except during the sex scene. Also, the science fiction themes were typical: oil crisis, oppressive regime, famine, etc.--there was no unique theme to this piece that would make it stand out from any other post-apocalyptic tale. Finally, the story was a bit predictable. read -
A review of Subsistenceby alexherrin on 02/21/2012Very interesting, well written story. I found it to be intriguing and well conceived. The ending was satisfying and fit with the story. Structure was sound. However, there were no surprises. The story, IMO, wrote itself. I felt like you took an age-old concept--being able to visit your deceased love ones but never being able to return to reality--and simply wrote it as... Very interesting, well written story. I found it to be intriguing and well conceived. The ending was satisfying and fit with the story. Structure was sound. However, there were no surprises. The story, IMO, wrote itself. I felt like you took an age-old concept--being able to visit your deceased love ones but never being able to return to reality--and simply wrote it as it is, however expertly and eloquently, without any twists. I guess I was just hoping for more substance. How did his wife and daughter die? Who are they? Much time is spent on describing both men's feelings, however little is known on the origin of these feelings.
Overall, a fine piece of lit. I enjoyed reading it, and wish you the best of luck. read -
A review of The Hard Choiceby alexherrin on 02/21/2012I was truly engaged by this story from beginning to end. The characters felt alive, and the passion, however fleeting, felt real. I was forced to look upon my own life, and the choices I have made with friends and women, which was uncomfortable, but also insightful and moving. Any story that causes introspection in the reader in my opinion has succeeded where most stories... I was truly engaged by this story from beginning to end. The characters felt alive, and the passion, however fleeting, felt real. I was forced to look upon my own life, and the choices I have made with friends and women, which was uncomfortable, but also insightful and moving. Any story that causes introspection in the reader in my opinion has succeeded where most stories fail.
That being said, I was a bit disappointed with the structure as well as the ending. It was difficult to tell what was the present and what was a flashback. Did the flashbacks eventually converge with the present? Also, I'm not entirely sure what The Choice is. his motive at the end of the story is unclear, and I felt a bit cheated. Perhaps a bit more closure could help.
Overall, I enjoyed this story very much. Very well written; it read beautifully.
Good luck. read -
A review of In The Other Universeby alexherrin on 02/21/2012Hello there, this is my first review of a short story and consequently a strange one, as I have no idea what I just read! It seems to just be a long, or short depending on how you look at it, inside joke. I don't think there is much to google, as you explain everything quite clearly; there just isn't much here. After looking at your bio, I see that you have written other... Hello there, this is my first review of a short story and consequently a strange one, as I have no idea what I just read! It seems to just be a long, or short depending on how you look at it, inside joke. I don't think there is much to google, as you explain everything quite clearly; there just isn't much here. After looking at your bio, I see that you have written other stories which are much more substantial so I assume that you were just writing this for fun, and therefore I thank you that it was so short and I was able to get a review credit out of it. It was well written and a very swift read. read
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A review of The Activityby alexherrin on 02/07/2012Hello Michael, this is my review of your screenplay entitled, "The Activity". First off - MY GOD. Haha im kidding. But seriously, what is this huge block of text doing? Are you trying to hurt my feeble mamallian brain? Unless you are Terrence Malick, no one of consequence is going to read past this. You are being WAY too specific and literal. Scripts are not the place... Hello Michael, this is my review of your screenplay entitled, "The Activity".
First off - MY GOD. Haha im kidding. But seriously, what is this huge block of text doing? Are you trying to hurt my feeble mamallian brain? Unless you are Terrence Malick, no one of consequence is going to read past this. You are being WAY too specific and literal. Scripts are not the place to write your novel, unfortunately, you must be as consice as possible while still getting your point across. Shrink this down, break it up, do whatever you can to make it manageable. I would say cut it in half.
Here are some suggestions:
- I don't like that first sentence. Modern doesn't imply extravagant so you don't need the "but" before modest. It could be an "and" but I would just reword the entire sentence.
- "early to mid-thirties". You don't know how old your own main character is?
- Get rid of all that description about what he is wearing, that is wardrobe's decision
- refrain from elaborate similes
- use paragraph breaks every couple sentences, makes it flow better
You continue to use more words then necessary when writing your narration. Try and avoid adverbs, and description that isn't vital to the story.
The dialogue is pretty cheezy. Page 7 is a little absurd. Is this a porn?
Page 15 - You have established only inklings of a plot. I have no idea what is going on, except they are going to get some bad guys. Who those bad guys are, I don't know. It's good to leave your audience guessing about certain aspects of a plot, but not the entire plot. Are they drug dealers, smugglers, what's going on? Who is the boss? I saw him briefly, but that's it.
There also hasn't been any action so far. For an action film, that doesn't make any sense. I would blow something up, kill someone, or have a fight in the first 5 pages. When someone goes to see an action movie, they want to see action, plain and simple.
Action starts on page 16. Not bad, but I still don't know what the purpose of the very first scene was if there was no action. Was it just to show nudity?
Echo "shoots with purpose". - How else would she shoot?
Alright well the action scenes are indeed action packed, which is a good sign for an action script. You may be a bit too technical though.
"Martin, the Chief, and Dufraine all fire their carbine’s with conscious purpose" - again, how else would they shoot? The script continues to be far too wordy.
MARTIN: "Greetings, Eduardo. Things progressed as I feared they might. I will, as we discussed, need to purchase your fishing boat." - Do you know how to say that in Spanish? Martins manner of speaking is erratic. At times he says things like "oh, cool", and at times he talks like he just walked out of a Hemingway novel. Try and find a happy medium and give him some character.
Page 22: "Slowly and ponderously the overloaded canoe begins cutting through the waves." - here is an example of an unecessary sentence. When writing narration you should be describing the action as consice as possible.
"Downstairs, Kate works quickly, pulling multiple packages of deli meats from the fridge, and tossing them onto the kitchen table. She grabs a tomato, an onion, a head of lettuce, and rolls them onto the table.She grabs jars of pickles, and one with roasted red peppers. She takes out two kinds of mustard, one kind of mayo, and a strange looking Indian relish. She scoops up all the cheese. She grabs a cooked breast of chicken, sitting on a plate wrapped in plastic. She looks deeper into the fridge, whispers to herself. Martin sits at the kitchen table, eating one half of a colossal sandwich. The Dagwood is huge, with alternating layers of meats and cheeses, overflowing with preserved and fresh vegetables, oozing with delightfully accidental sauces. It is an awesome and enormous thing, beautiful to observe, humbling to contemplate. Martin takes a drink from a bottle of local beer. Kate watches him with deep satisfaction as she leans against a counter, also drinking a beer." - I just wanted to show you how much you described a sandwich. Do you really think the audience cares this much about a sandwich? "She makes him his traditional Dagwood sandwich, which he then eats with great satisfaction." is an example of how to write all of this. You spent three paragraphs describing a sandwich and one sentence describing a sex scene. That is all.
Page 36 - 6 paragraphs in a row starting with "Martin..." All describing lawn work. Think about this for a second.
KATE (CONT’D) "Because you just earned a really, really, good fuck". - Probably your best line of dialogue so far, but it seems out of place with all the proper dialogue and description. Make up your mind what kind of tone you want this movie to have.
We don't get to vizualize any of these sex scenes??
Page 40 - BLACKBURN - "Hey Martin, great to meet you, man. My name is James Blackburn, from the Great State of Georgia." - Here is an example of lame dialouge. Give your characters some character, man! Everyone talks like robots in this thing!
Why are they in Albania? What was the point of the mission in Central America? Did Martin say goodbye to his wife and kid? This script doesn't have a plot.
Page 54 - We still don't really have a plot and the script is half over. As far as I can tell this is just a movie about this guy Martin and the missions he carries out as a CIA Agent. Except I don't know what his missions are for, and I know little else about him, and he isn't real. Bummer.
Page 67 - Echo returns. Yay? She is a hostage, but I never really got to know her in the first place so I'm not that concerned about her. Since you are lacking plot, I would suggest telling her story alongside Martin's.
Page 86 - ECHO "These clouds suck." - I'm getting the impression the author is a teenager? Yes, no? It would help if you had some bio.
Well you've got action, but you don't have an action movie. Like I said before there is virtually no plot present. You need a story arc, something that connects the three different missions, so they aren't just completely random. Also Echo is too minor, she is very present in Act 1, then dissappears completely in Act 2, only to reappear in Act 3 as a predominant character. This doesn't make any sense.
Your description is probably too specific, and is definietly too wordy. By taking out unecessary description, you would probably have an extra 20 pages or so, where you could develop some plot with a Bad Guy and Echo.
Your characters lack personaility. Everyone of your characters spoke the same way. Try and give them distinct voices.
I don't know if you know what the three act structure is, but if you don't, you should read some books about it. Screenwriters Bible will tell you all you need to know. I give you points for being able to write, and having knowledge of military operations, but as far as writing a screenplay in particular, you have a long way to go.
Also, what is The Activity? read
Comments About alexherrin 15
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betazeta1 on 03/05/2012
Thanks for the review of Children of the Revolution.
I think you make a number of valid points and I'll certainly be taking them into account when I begin the next draft. As for the dream, you're right, I always knew that was a problem and was expecting flak for that. Luckily I've now worked out a way to lose that element so the next draft should be much improved.
Thanks again!
Jim -
vieira4 on 02/25/2012
Thank you so much for your review of "13.45 (part 1). Glad you enjoyed it. I wasn't quite sure where to break up the chapters. I think I chose that spot in part 1 because the next thing that happens is on the next day. In the end, this is going to be one big piece with "How Do You Think Scott Feels?" and a story that I've only just started writing, so it will all flow a bit better, and be clearer, then.
I don't know why, but almost all my stories on here are from the perspective of the opposite sex. I've never found it challenging to switch from one to the other. I guess that being such a football fan has led to a lot of time spent in a masculine environment. Thanks again for your positive and constructive review. -
f-ceska on 02/24/2012
Dear Alex,
Thank you for taking the time to read and review 'The Gospel of Ryan'. To read a 30 page story that is not one's cup of tea can be daunting to say the least, and I am sorry that you didn't like it. However, I have been a little spoilt, as so far all the 'Gospel' stories have received only very positive reviews, so it's good to be reminded occasionally that one can't please everyone all the time.
Nevertheless, please allow me to come back to a couple of points:
'sad tears' & 'ravenously hungry' - Deliberate word choices. Perhaps in basic beginners writing class they do teach you to avoid compounds such as this, but it is permissable to break these rules if you feel it can add poetic emphasis or help the meter of the sentence. Not all prose has to be prosaic, or restricted.
Basically the story is written by a much older Ryan looking back on his past, because it is a 'Gospel' and this is how gospels are usually written. The biblical gospels were written many years after Christ's death, after all. It fits in with the theme of the entire set of gospels I am writing, which in full will make up the novel: 'The Gospels of Eibhlin'. There isn't meant to be urgency to it, or 'excitement' in the 'terminator' sense that you mean. Not everything has to conform to the Hollywood rule book, as you yourself say in your bio notes.
"She was short, but pretty." I think you are reading too much into this line. I have nothing against people who are 'vertically challenged'. The narrator is making a double observation, that's all.
'Penis' - as pointed out, this is a much older Ryan talking about his past. In his maturity I believe he would be more likely to use the word 'penis' than some other 'witty metaphor'. But who is to know how an Irish man would speak around sixty, seventy years from now? I'm sure he wouldn't speak like James Bond, or a Texan 'guy' from the year 2012 on the other hand. I'll be in Dublin next week. Maybe I'll pick out some old guy supping his pint of Guinness and ask him.
Thank you for the positive comments regarding the 'sex scene', which is actually one continuous sentence, an experiement for me. I'm glad it worked.
The topics of post apocalyptic Ireland may appear cliched, but then, so are the 'robots' and 'advanced science' cliches (Hollywood's favourites) of the future age. I fear the voice you cannot hear may be what so often causes European or British writing to be so frequently misunderstood in the USA. People who read, or watch movies, beyond the confining restrictions of that zone, often understand and can relate to, a whole lot more. It would be a sorry world indeed if all writing (whether screenplays or stories), constrained itself to one ideal, one time or one place.
Thanks again for your comments none the less, and good luck with your work.
Francesca -
vieira4 on 02/21/2012
Hi. Thanks so much for your review of "In The Other Universe". You're right, I was just messing here - had a funny idea at work, and thought I would run with it.
I think the trouble with this story is that I wrote it with quite a specific audience in mind. Do you know the website Kickette? This is basically Kickette-speak, although my friend and I have been emailing similarly since before Kickette was invented. Thank you for being nice about my efforts! -
Russell Corey on 02/11/2012
Thanks for the review of Boss of Me. Your positive comments made my day.
Russ -
Cobb05 on 02/09/2012
One thing that I thought of is to maybe pump up the party. You see a lot in montages. So that's one way to add some funny characters and bits. -
Michael Price on 02/07/2012
Hey Man thanks for pushing through the overwriting and everything else you didn't like to make it to the end of The Activity. I really appreciate your frank and honest review, everything you said was very helpful. -
DebraSwan on 01/09/2012
alexherrin wrote:Debra, thanks a bunch for your review of "Lucidity". Your feedback was useful, honest, and constructive, aka the three most important qualities of good feedback. I will use a lot what you said when doing my rewrite.
Alex
Your welcome. Let me know when you upload your rewrite.
Cheers,
Debra -
CrabbyLady on 12/20/2011
You are quite welcome. Best of luck to you! -
iamalsoknownas on 12/20/2011
Hey Alex,
No problem. I was glad to read Lucidity. We are all learning. The books I suggested are just a couple out there. I like Save The Cat structure, but it may not be for you. There are many beat sheets and structure systems out there. Try a few until you find one you like. When you get really good ( I have not yet) you can even break the rules and tell a story like Memento or Pulp Fiction which do break the rules and do it very well. It is just my experience that until you are known, people in contests and the industry want firmly structured, formatted screenplays. Anyway, thanks for posting your screenplay and letting others read it. You are already braver than those who never tell anyone they write or let anyone read their stuff, so keep it up. A writer writes...always.
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Comments About alexherrin 15
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Thanks for the review of Children of the Revolution.
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Thank you so much for your review of "13.45 (part 1). Glad you enjoyed it. I wasn't quite sure where to break up the chapters. I think I chose that spot in part 1 because the next thing that happens is on the next day. In the end, this is going to be one big piece with "How Do You Think Scott Feels?" and a story that I've only just started writing, so it will all flow a bit better, and be clearer, then.
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Dear Alex,
+ more commentsbetazeta1 on 03/05/2012
I think you make a number of valid points and I'll certainly be taking them into account when I begin the next draft. As for the dream, you're right, I always knew that was a problem and was expecting flak for that. Luckily I've now worked out a way to lose that element so the next draft should be much improved.
Thanks again!
Jim
vieira4 on 02/25/2012
I don't know why, but almost all my stories on here are from the perspective of the opposite sex. I've never found it challenging to switch from one to the other. I guess that being such a football fan has led to a lot of time spent in a masculine environment. Thanks again for your positive and constructive review.
f-ceska on 02/24/2012
Thank you for taking the time to read and review 'The Gospel of Ryan'. To read a 30 page story that is not one's cup of tea can be daunting to say the least, and I am sorry that you didn't like it. However, I have been a little spoilt, as so far all the 'Gospel' stories have received only very positive reviews, so it's good to be reminded occasionally that one can't please everyone all the time.
Nevertheless, please allow me to come back to a couple of points:
'sad tears' & 'ravenously hungry' - Deliberate word choices. Perhaps in basic beginners writing class they do teach you to avoid compounds such as this, but it is permissable to break these rules if you feel it can add poetic emphasis or help the meter of the sentence. Not all prose has to be prosaic, or restricted.
Basically the story is written by a much older Ryan looking back on his past, because it is a 'Gospel' and this is how gospels are usually written. The biblical gospels were written many years after Christ's death, after all. It fits in with the theme of the entire set of gospels I am writing, which in full will make up the novel: 'The Gospels of Eibhlin'. There isn't meant to be urgency to it, or 'excitement' in the 'terminator' sense that you mean. Not everything has to conform to the Hollywood rule book, as you yourself say in your bio notes.
"She was short, but pretty." I think you are reading too much into this line. I have nothing against people who are 'vertically challenged'. The narrator is making a double observation, that's all.
'Penis' - as pointed out, this is a much older Ryan talking about his past. In his maturity I believe he would be more likely to use the word 'penis' than some other 'witty metaphor'. But who is to know how an Irish man would speak around sixty, seventy years from now? I'm sure he wouldn't speak like James Bond, or a Texan 'guy' from the year 2012 on the other hand. I'll be in Dublin next week. Maybe I'll pick out some old guy supping his pint of Guinness and ask him.
Thank you for the positive comments regarding the 'sex scene', which is actually one continuous sentence, an experiement for me. I'm glad it worked.
The topics of post apocalyptic Ireland may appear cliched, but then, so are the 'robots' and 'advanced science' cliches (Hollywood's favourites) of the future age. I fear the voice you cannot hear may be what so often causes European or British writing to be so frequently misunderstood in the USA. People who read, or watch movies, beyond the confining restrictions of that zone, often understand and can relate to, a whole lot more. It would be a sorry world indeed if all writing (whether screenplays or stories), constrained itself to one ideal, one time or one place.
Thanks again for your comments none the less, and good luck with your work.
Francesca