alexherrin 

member since 10/13/2011 | last login 05/16/2012

I write SPs and SSs. They are mediocre to good. I hope to write one that is excellent. You may give me constructive criticism and I may use it. I use a lot of punctuation. I see things in black and white,...

Bio

I write SPs and SSs. They are mediocre to good. I hope to write one that is excellent. You may give me constructive criticism and I may use it. I use a lot of punctuation. I see things in black and white, with a hint of gray. I recently moved to LA and I fucking hated the place, so I moved to OC. "Show me a hero and I will write you a tragedy" - F. Scott Fitzgerald

Submissions by alexherrin

Reviews by alexherrin 18

  • by alexherrin on 05/15/2012
    Allow me to review your screenplay entitled, “A Death Panel for Ernest Tomczak”. I tend to skip things like punctuation, capitalization, and slug lines, and instead focus more on the big picture. I believe this is the most helpful way. I assume you are capable of editing your own work for minor errors. Begin: Describe Tom better. Green and M elevators? I don’t get it. Your... read
  • A review of Black Molasses
    by alexherrin on 04/17/2012
    I read some reviews for this piece so I decided to do a free will review. This is also my first review in a while, so it must have really sparked my interest. I was PUMPED after reading the first couple pages. I thought this was really going to go somewhere. The suspense was there. The build-up was intense. I wasn't sure what was going to happen. Maybe she was going... read
  • A review of Touch the Stars
    by alexherrin on 02/26/2012
    The final irony did not escape me either, as Jensen suffered his final breath on that godforsaken rock in deep outer space with no one but him and the beast that took his life. He wanted nothing more than to travel the stars, and that is what he got, until those very stars took his life. I will not stop short of saying this is the best short story I have read on trigger street... read
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Comments About alexherrin 15

  • betazeta1 on 03/05/2012

    Thanks for the review of Children of the Revolution.
    I think you make a number of valid points and I'll certainly be taking them into account when I begin the next draft. As for the dream, you're right, I always knew that was a problem and was expecting flak for that. Luckily I've now worked out a way to lose that element so the next draft should be much improved.
    Thanks again!

    Jim
  • vieira4 on 02/25/2012

    Thank you so much for your review of "13.45 (part 1). Glad you enjoyed it. I wasn't quite sure where to break up the chapters. I think I chose that spot in part 1 because the next thing that happens is on the next day. In the end, this is going to be one big piece with "How Do You Think Scott Feels?" and a story that I've only just started writing, so it will all flow a bit better, and be clearer, then.

    I don't know why, but almost all my stories on here are from the perspective of the opposite sex. I've never found it challenging to switch from one to the other. I guess that being such a football fan has led to a lot of time spent in a masculine environment. Thanks again for your positive and constructive review.
  • f-ceska on 02/24/2012

    Dear Alex,

    Thank you for taking the time to read and review 'The Gospel of Ryan'. To read a 30 page story that is not one's cup of tea can be daunting to say the least, and I am sorry that you didn't like it. However, I have been a little spoilt, as so far all the 'Gospel' stories have received only very positive reviews, so it's good to be reminded occasionally that one can't please everyone all the time.

    Nevertheless, please allow me to come back to a couple of points:
    'sad tears' & 'ravenously hungry' - Deliberate word choices. Perhaps in basic beginners writing class they do teach you to avoid compounds such as this, but it is permissable to break these rules if you feel it can add poetic emphasis or help the meter of the sentence. Not all prose has to be prosaic, or restricted.

    Basically the story is written by a much older Ryan looking back on his past, because it is a 'Gospel' and this is how gospels are usually written. The biblical gospels were written many years after Christ's death, after all. It fits in with the theme of the entire set of gospels I am writing, which in full will make up the novel: 'The Gospels of Eibhlin'. There isn't meant to be urgency to it, or 'excitement' in the 'terminator' sense that you mean. Not everything has to conform to the Hollywood rule book, as you yourself say in your bio notes.

    "She was short, but pretty." I think you are reading too much into this line. I have nothing against people who are 'vertically challenged'. The narrator is making a double observation, that's all.

    'Penis' - as pointed out, this is a much older Ryan talking about his past. In his maturity I believe he would be more likely to use the word 'penis' than some other 'witty metaphor'. But who is to know how an Irish man would speak around sixty, seventy years from now? I'm sure he wouldn't speak like James Bond, or a Texan 'guy' from the year 2012 on the other hand. I'll be in Dublin next week. Maybe I'll pick out some old guy supping his pint of Guinness and ask him.

    Thank you for the positive comments regarding the 'sex scene', which is actually one continuous sentence, an experiement for me. I'm glad it worked.

    The topics of post apocalyptic Ireland may appear cliched, but then, so are the 'robots' and 'advanced science' cliches (Hollywood's favourites) of the future age. I fear the voice you cannot hear may be what so often causes European or British writing to be so frequently misunderstood in the USA. People who read, or watch movies, beyond the confining restrictions of that zone, often understand and can relate to, a whole lot more. It would be a sorry world indeed if all writing (whether screenplays or stories), constrained itself to one ideal, one time or one place.

    Thanks again for your comments none the less, and good luck with your work.

    Francesca
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