a pimp dies, no one cries...
...but I don't think you'd mind, Mr. Appelman, because Gazillion wasn't a plea for sympathy, just a cold calculation, a shrewd analysis of sex trafficking, and an original use on non-sync filmmaking (with the exception of the Girl's line), and non-linear visual story telling. On top of that, the script was tight, and that simply tightened the screws. The fast pace of the editing kept my rapt attention. I thought the end reached a bit beyond the limits of non-sync motif, asking us to care for Melissa's character's fate when we didn't know her enough. That scene had the potential in the setup to be a bit like Adriana La Cerva's last car ride. Overall: bravo.
Other Reviews by pmsmith 92
A review of Fisher's Bay (Read Production Notes)by pmsmith on 09/20/2005I was amused at this short and thought Jeff Sutter had an amiable presence and brought the necessary degree of naivete to his character. The production quality seemed bare, as if the minimal amount of time was put into to art direction to setup a joke, but that's the nature of low budget filmmaking, and is forgivable. My suggestion with comedic material such as this would be... read
A review of Mirror to the Mobby pmsmith on 04/09/2005But I can appreciate narcissistic projects if they deliver the goods. I found it interesting that you bookend the movie with interviews, it's so different from the typical short format, making it more like TV. As far as the content of Mirror to the Mob, I thought the short played more like a scene from a longer piece, but it was engaging. The split screens, ani-mattes or whatever... read
A review of Family Treeby pmsmith on 04/08/2005The short is a simple concept with a decent twist. I was bothered by a few flaws in the execution (no pun intended) of the script. For one, the lighting or compression darkens the opening master, and the blue light in the trailer seemed unmotivated or established. You jumped the line when shooting the interaction between the professor and PJ. The editing could be tighter, although... read