The concept was very cool. It reminded me of the movie Unbreakable. I thought it was very well-executed too. The transitions to and from his visions were great. The only thing wrong I think is that the character is a bit unrelatable. It's understood that he is a religious person, but it seems that he has morals mixed up just like everyone else, hence charging people extra...The concept was very cool. It reminded me of the movie Unbreakable. I thought it was very well-executed too. The transitions to and from his visions were great. The only thing wrong I think is that the character is a bit unrelatable. It's understood that he is a religious person, but it seems that he has morals mixed up just like everyone else, hence charging people extra for TV. (also it's hard to relate to someone who thinks TV is evil.) It might be nice to see him as a genuine person who actually wants to do good, then finds out that even the priest is evil. Just a thought.
Love ripping out the eyeball though. Very nice touch. Perhaps use that verse earlier in the story for some foreshadowing ehhh????read
I like the slow descent into surreality and the way it comes full-circle at the end. I also liked the imagery and the foreshadowing of the MC Esher drawing. Everything sort of lent itself to the idea of being caught in a time-warping nightmare.
For the most part, though, I found myself asking 'what's the point.' All of the events kinda seemed random and disconnected, and...I like the slow descent into surreality and the way it comes full-circle at the end. I also liked the imagery and the foreshadowing of the MC Esher drawing. Everything sort of lent itself to the idea of being caught in a time-warping nightmare.
For the most part, though, I found myself asking 'what's the point.' All of the events kinda seemed random and disconnected, and i had no idea what was at stake for the protagonist. You did a good job of creating the framework for a 'descent into madness' story similar to 1408, but without a backstory grounded in reality, the descent kinda seems pointlessread
You have a brilliant writing style that harmoniously blends scientific and spiritual imagery and concepts. Your story is really intriguing, but i think the most interesting part of it is the world in which it takes place, which it's hard to get a sense of in the story. You leave most of it to us to gather from context clues, which I definitely prefer as opposed to just spelling...You have a brilliant writing style that harmoniously blends scientific and spiritual imagery and concepts. Your story is really intriguing, but i think the most interesting part of it is the world in which it takes place, which it's hard to get a sense of in the story. You leave most of it to us to gather from context clues, which I definitely prefer as opposed to just spelling it out for us, but there's so much going on, it's almost impossible to gather it all. I find myself trying to put together the environment while I should be focusing on the story, which is also a bit hazy. I understand that Tay Cloy somehow betrayed the protagonist, but how? and why? And there's a mention of a love interest that is never brought up again? I understand that this trans- or post- human is trying to shove off his human past and attributes, but you've effectively alienated him from the reader. We have to get a sense of his human self to be able to relate.
A few more story points that are confusing... why is he the only post-human, or the most advance? Is Tay Cloy also a post-human? Again, the relationship and story between he and the protagonist is unclear.
The end is... baffling to say the least. Are these actually angels and the judgement day? Did this happen to the protagonist the first time he lived his life? Who is the watcher?
All in all, I really enjoyed reading your story. It has a great tone and the picture of the world it paints is vivid and strange and exciting. If this is something you wrote for personal satisfaction, I'd say it's probably perfect, but if you want anyone else to understand it, you might want to clear those things up.read
Glad you liked my story, relatively speaking. I wanted to leave it as a piece where the reader would start to ask themselves lots of questions. Albeit not in a wholly unsatisfying way. That's a tricky balance.
The format of the story was lifted/paying homage to Edgar Allen Poe's "The Tell-Tale Heart", only from a speculative/science fiction & psychological point of view rather than from a gothic/psychological point of view. Both have unknowable, unmet dopplegangers, and deal with a 1st person narrator who is going absolutely mad with repressed need for power and the helplessness and emptiness once that power is obtained.
Not sure if that all was understood by many of the readers. It was sparse and required drawing your own connections sometimes. I certainly was reaching for something more than a simple A to B to C plot outline. The mixed reaction was expected.
Yeah I'm not sure what happened with the comment, but i would like to hear your feedback on my second draft when you get a chance. Thanks alot!
Logan
Hi Logan, The day job has been killing me for weeks now which is why I haven't posted a review. Things are starting to quieten down so I'm hoping to read the second draft & post a review in the next two weeks. Take care,
Many thanks for the review of Fantasies. I really appreciate the kind words.
I had an auto email from the TS site with a message that you left on my comments page, but when I logged on it was missing. The info in the email was asking me to take a look at 'My Best Friend (2nd Draft). I'm not sure if the site had a small blip, or whether you changed your mind and deleted your comment.
Just let me know if you want me to take a look, and no offense will be taken if you did change your mind.
The concept was very cool. It reminded me of the movie Unbreakable. I thought it was very well-executed too. The transitions to and from his visions were great. The only thing wrong I think is that the character is a bit unrelatable. It's understood that he is a religious person, but it seems that he has morals mixed up just like everyone else, hence charging people extra...The concept was very cool. It reminded me of the movie Unbreakable. I thought it was very well-executed too. The transitions to and from his visions were great. The only thing wrong I think is that the character is a bit unrelatable. It's understood that he is a religious person, but it seems that he has morals mixed up just like everyone else, hence charging people extra for TV. (also it's hard to relate to someone who thinks TV is evil.) It might be nice to see him as a genuine person who actually wants to do good, then finds out that even the priest is evil. Just a thought.
Love ripping out the eyeball though. Very nice touch. Perhaps use that verse earlier in the story for some foreshadowing ehhh????read
I like the slow descent into surreality and the way it comes full-circle at the end. I also liked the imagery and the foreshadowing of the MC Esher drawing. Everything sort of lent itself to the idea of being caught in a time-warping nightmare.
For the most part, though, I found myself asking 'what's the point.' All of the events kinda seemed random and disconnected, and...I like the slow descent into surreality and the way it comes full-circle at the end. I also liked the imagery and the foreshadowing of the MC Esher drawing. Everything sort of lent itself to the idea of being caught in a time-warping nightmare.
For the most part, though, I found myself asking 'what's the point.' All of the events kinda seemed random and disconnected, and i had no idea what was at stake for the protagonist. You did a good job of creating the framework for a 'descent into madness' story similar to 1408, but without a backstory grounded in reality, the descent kinda seems pointlessread
You have a brilliant writing style that harmoniously blends scientific and spiritual imagery and concepts. Your story is really intriguing, but i think the most interesting part of it is the world in which it takes place, which it's hard to get a sense of in the story. You leave most of it to us to gather from context clues, which I definitely prefer as opposed to just spelling...You have a brilliant writing style that harmoniously blends scientific and spiritual imagery and concepts. Your story is really intriguing, but i think the most interesting part of it is the world in which it takes place, which it's hard to get a sense of in the story. You leave most of it to us to gather from context clues, which I definitely prefer as opposed to just spelling it out for us, but there's so much going on, it's almost impossible to gather it all. I find myself trying to put together the environment while I should be focusing on the story, which is also a bit hazy. I understand that Tay Cloy somehow betrayed the protagonist, but how? and why? And there's a mention of a love interest that is never brought up again? I understand that this trans- or post- human is trying to shove off his human past and attributes, but you've effectively alienated him from the reader. We have to get a sense of his human self to be able to relate.
A few more story points that are confusing... why is he the only post-human, or the most advance? Is Tay Cloy also a post-human? Again, the relationship and story between he and the protagonist is unclear.
The end is... baffling to say the least. Are these actually angels and the judgement day? Did this happen to the protagonist the first time he lived his life? Who is the watcher?
All in all, I really enjoyed reading your story. It has a great tone and the picture of the world it paints is vivid and strange and exciting. If this is something you wrote for personal satisfaction, I'd say it's probably perfect, but if you want anyone else to understand it, you might want to clear those things up.read
As I was reading this story, I just kept thinking that it sounded like a campfire story that someone was making up as they went along...
I have to say though, being attacked by hoards of babies might be the scariest thing ever. I think if you strip down the story to just the zombie babies, you're on to something. Cut out the creepy old people and the three rooms and the...As I was reading this story, I just kept thinking that it sounded like a campfire story that someone was making up as they went along...
I have to say though, being attacked by hoards of babies might be the scariest thing ever. I think if you strip down the story to just the zombie babies, you're on to something. Cut out the creepy old people and the three rooms and the skeleton, none of that had anything to do with the rest of the story...
but zombie babies is brilliant. keep going with thatread
I loved your style in "Hello" and I was so glad when I got assigned another of your stories. Seeing your style in another context just confirms its uniqueness and effectiveness. It's far enough from normal to get you in another mindset, but not far enough that it alienates itself. It's truly something unique and honest, which you don't get alot of these days.
Loved the...I loved your style in "Hello" and I was so glad when I got assigned another of your stories. Seeing your style in another context just confirms its uniqueness and effectiveness. It's far enough from normal to get you in another mindset, but not far enough that it alienates itself. It's truly something unique and honest, which you don't get alot of these days.
Loved the section of just one-liners. It was so stylistic, but felt completely natural.
The brush of her butt was great and totally realistic. I've had that happen before and was thrown completely off guard when the girl liked it. I panicked though and didn't follow through.
The interaction at the bar is so natural that you don't see the twist coming at all. When it does you just get thrilled to see how it's going to turn out.... and then the end.... just... ew. Not a story note, but the trade off seemed a little one-sided if you ask me.
I can't think of any critique I have. It's so far from my writing style that I don't really know any advice to give you. It's just a great style that's totally natural but still somewhat surrealistic in tone. You have a gift my friend. Thanks for the great read!read
This story was thrilling to the last page, without resorting to cheap thrills. The situation was stimulating and enticing, full of complexity. I loved the reversal of the first two sentences. It really sets the tone for the whole story, that you're not going to get what you expect, that there's gonna be something you didn't see coming.
As soon as you find out the twist,...This story was thrilling to the last page, without resorting to cheap thrills. The situation was stimulating and enticing, full of complexity. I loved the reversal of the first two sentences. It really sets the tone for the whole story, that you're not going to get what you expect, that there's gonna be something you didn't see coming.
As soon as you find out the twist, you want to go back and read the beginning again. You can sort of see the twist coming, since in this kind of story I think everyone expects a twist, but it's done so well and changes the dynamic of the story so much that it's still just as effective. Like "Shutter Island" you know the twist the whole movie, but you don't really care. Also the added detail of the assistant being dead and imaginary was totally unexpected.
The curving hallways were a great touch. I imagined the scene from 2001: A Space Odyssey where he's jogging, but then add a bunch of zombies. It's a great setting for a thriller. I would even have more of the chase scene take place in those halls.
Only two critiques, the first is that I think the doctor explains a little too much. The part that made me think that was "A person with this brain would act on emotion and impulse with the belief that it was the logical thing to do.” I think we understand this at this point, and we're already terrified of it. It might just be my personal taste, but I just don't like being spoon-fed information in stories. Not that your story does that, but it comes dangerously close. I would let the information speak for itself, without having the doctor be our translator.
The other critique is that I think your protagonist is a bit underdeveloped. We don't know anything about his home life, past, goals, ambitions, yadda yadda. Towards the end of the story I kept wanting him to have some alternative goal than the main story line. Something like 'I want to get off this ship alive to see my wife again' but maybe not so cheesy. Another pet peeve of mine (so you can dismiss it if you don't agree) is that your protagonist is too good. When your main character acts solely on good will towards his fellow man, it sort of alienates him and makes him unrelatable to us mere mortals. Every good protagonist should have some sort of flaw that he needs to overcome or be defeated by. Movies like Gladiator have this same problem. If nothing else it should be his hubris that he needs to learn to overcome or something like that.
You have a great exciting thriller that I could see being an action movie even. I know you've written screenplays, I suggest you try this one out. I worked at a production office and had to read the screenplays that came through, and if I saw this as a screenplay, I definitely would have recommended it. Thanks for the story and good luck!read
Your writing style is very poetic without being too obtrusive to the story. I like the end message of Toby being responsible for his own problems.
I think the jumping around between tenses didn't really work here. When you make a choice like that, it has to be for a reason or help the story, and I didn't really feel like it did here.
You also jump from first-person at the...Your writing style is very poetic without being too obtrusive to the story. I like the end message of Toby being responsible for his own problems.
I think the jumping around between tenses didn't really work here. When you make a choice like that, it has to be for a reason or help the story, and I didn't really feel like it did here.
You also jump from first-person at the beginning to third person, which I though was because the woman was telling a story, but then when you go back to the scene, it's still in third person. I don't know if it was deliberate, if it was I don't feel like it really worked.
I don't really see Toby's motivation for throwing the ball at Melanie. I didn't feel like he wanted to be friends with Michael, because he had found such a good friend in Melanie. I would make it clearer earlier on that he really wants to be friends with Michael, instead of just explaining it in the moment, so that the decision is actually a tough one.
In general I feel like you "tell" too much instead of "showing." I would work more with individual scenes and let the actions tell the story instead of the narration.read
You have a cool writing style. It flows really well while still being sort of poetic prose. I think you have a good situation here, but it seems like it's one scene of a bigger story. It kinda felt like a campfire ghost story, which is cool, but I think you could incorporate this small scene into something bigger.
It was a little weird that you explain the grandma after...You have a cool writing style. It flows really well while still being sort of poetic prose. I think you have a good situation here, but it seems like it's one scene of a bigger story. It kinda felt like a campfire ghost story, which is cool, but I think you could incorporate this small scene into something bigger.
It was a little weird that you explain the grandma after she shows up. You could work that into the exposition if you make a little bit longer. Also the wake-up, it-was-all-a-dream part didn't really seem necessary. That bit has been way overdone, so I don't think you should use it unless you have a good reason to, and here it seemed like you didn't. I think it'd be cooler if it just progresses more and more all in one night.read
You have a great concept here. I love the fact that the guy gets put into his brother's custody and the brother turns out to be an asshole. I was confused at the end of the story. I think you were trying to reveal that it was the brother's fault all along, but it wasn't totally clear. Also, I think it would be cool to see the moment where the narrator finds out that he...You have a great concept here. I love the fact that the guy gets put into his brother's custody and the brother turns out to be an asshole. I was confused at the end of the story. I think you were trying to reveal that it was the brother's fault all along, but it wasn't totally clear. Also, I think it would be cool to see the moment where the narrator finds out that he killed someone, and how he reacts.
All of your characters are a little undefined. The brother character seems to be a low-life, but he uses words like 'however' and he doesn't use contractions often. I would try to read the dialogue in the voice of the character and see if makes sense.
You should have someone proofread it, or brush up on your grammar and punctuation rules. It makes the whole thing hard to read.
Also, Alzheimer's is never brought on by head trauma, I think you're going for a certain type of amnesia.
I think you have a cool concept here that just needs a bit more effort in the writing and technical aspects.read
This is a very original take on this type of story. It's reminiscent of HAL from 2001, but from the robot's point of view. The way in which you describe where all of her impulses come from is very detailed and well thought out. You really created a great system of translating human cognition into computer language, giving more credit to the believability of your story as...This is a very original take on this type of story. It's reminiscent of HAL from 2001, but from the robot's point of view. The way in which you describe where all of her impulses come from is very detailed and well thought out. You really created a great system of translating human cognition into computer language, giving more credit to the believability of your story as a whole. I tripped over the perspective changes, but i didn't really mind them, because it gives you a sense of how the robot sees herself objectively and subjectively at the same time. It adds another dimension to the story that is really interesting, but I think it's not totally perfectly executed yet. I would work on making those transitions between perspectives flow a bit smoother.
My one other note is that, while I love the interior monologue/narration of how the robot is processing the world, I felt that it sometimes got in the way of the story. Especially towards the end, I found myself skimming through the paragraphs of description to find out what happens at the end of the scenes. I would try to reposition or cut down on those descriptions that are in the middle of the really suspenseful scenes so that you don't lose the tension.
Also I felt the conversation about God before the climax was a little preachy and overall unnecessary. Your story is making us have that debate in our minds, so I don't think the characters really need to have it on paper. The points they are making are all externalized already in the story, so why be explicit about them?
Overall though, the story was very very interesting and a joy to read. Thanks very much!!read
Glad you liked my story, relatively speaking. I wanted to leave it as a piece where the reader would start to ask themselves lots of questions. Albeit not in a wholly unsatisfying way. That's a tricky balance.
The format of the story was lifted/paying homage to Edgar Allen Poe's "The Tell-Tale Heart", only from a speculative/science fiction & psychological point of view rather than from a gothic/psychological point of view. Both have unknowable, unmet dopplegangers, and deal with a 1st person narrator who is going absolutely mad with repressed need for power and the helplessness and emptiness once that power is obtained.
Not sure if that all was understood by many of the readers. It was sparse and required drawing your own connections sometimes. I certainly was reaching for something more than a simple A to B to C plot outline. The mixed reaction was expected.
Yeah I'm not sure what happened with the comment, but i would like to hear your feedback on my second draft when you get a chance. Thanks alot!
Logan
Hi Logan, The day job has been killing me for weeks now which is why I haven't posted a review. Things are starting to quieten down so I'm hoping to read the second draft & post a review in the next two weeks. Take care,
Many thanks for the review of Fantasies. I really appreciate the kind words.
I had an auto email from the TS site with a message that you left on my comments page, but when I logged on it was missing. The info in the email was asking me to take a look at 'My Best Friend (2nd Draft). I'm not sure if the site had a small blip, or whether you changed your mind and deleted your comment.
Just let me know if you want me to take a look, and no offense will be taken if you did change your mind.
Irees, thank you for the review. All of your feedback was very helpful and I'll keep it in mind. The part where you wrote to show instead of tell is something I battle with. I'm a poet turned short-story writer and find that's much easier for me to describe than to create a scene with action and hope that the reader gets what I'm trying to say. I haven't decided yet if that's a matter of style of better writing.
I had a question as well, you wrote "I think the jumping around between tenses didn't really work here". Did you mean subject-verb agreement tense or time tense (like when he goes back in time and then comes back to present, then back again)?
Thanks again Irees, I appreciate all of your constructive feedback!
Hi - actually I remembered the book. It's a series called Otherland by Tad Williams (Book 1: City of Golden Shadow) and there are in fact 4 books - but I really enjoyed them. Here's a link: (UK)
http://www.amazon.co.uk/Otherland-City-Golden-Shadow-Bk/dp/1857236041/ref=sr_1_1?ie=UTF8&qid=1333387251&sr=8-1
If you get round to reading them, let me know what you think...
Have fun,
Francesca
I deliberately kept the story short because I thought it might not hold the readers attention if I pushed it too far. It's useful to know that you would have preferred a longer read. Thanks for the feedback.
Comments About lrees 8
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Hi,
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lrees wrote:
Hey Mike,
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Hi Logan,
+ more commentsYBU on 07/13/2012
Glad you liked my story, relatively speaking. I wanted to leave it as a piece where the reader would start to ask themselves lots of questions. Albeit not in a wholly unsatisfying way. That's a tricky balance.
The format of the story was lifted/paying homage to Edgar Allen Poe's "The Tell-Tale Heart", only from a speculative/science fiction & psychological point of view rather than from a gothic/psychological point of view. Both have unknowable, unmet dopplegangers, and deal with a 1st person narrator who is going absolutely mad with repressed need for power and the helplessness and emptiness once that power is obtained.
Not sure if that all was understood by many of the readers. It was sparse and required drawing your own connections sometimes. I certainly was reaching for something more than a simple A to B to C plot outline. The mixed reaction was expected.
Thanks again for reading!
Mike Wolfson on 07/03/2012
Yeah I'm not sure what happened with the comment, but i would like to hear your feedback on my second draft when you get a chance. Thanks alot!
Logan
Hi Logan, The day job has been killing me for weeks now which is why I haven't posted a review. Things are starting to quieten down so I'm hoping to read the second draft & post a review in the next two weeks. Take care,
Mike.
Mike Wolfson on 05/24/2012
Many thanks for the review of Fantasies. I really appreciate the kind words.
I had an auto email from the TS site with a message that you left on my comments page, but when I logged on it was missing. The info in the email was asking me to take a look at 'My Best Friend (2nd Draft). I'm not sure if the site had a small blip, or whether you changed your mind and deleted your comment.
Just let me know if you want me to take a look, and no offense will be taken if you did change your mind.
Take care - Mike