A 12-year-old girl and her younger brother set off to find the gold at the end of the rainbow.
Matthew Spira
As MSPIRA, I was the Reviewer of the Month for January '06, and I had an SOM nominated script in April '06....
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As MSPIRA, I was the Reviewer of the Month for January '06, and I had an SOM nominated script in April '06.
Submissions by Matthew Spira
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a screenplay by Matthew SpiraGenres: adventure, children/family
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a screenplay by Matthew Spira
This time he wants to be the one to get the girl, not his twin brother.
-
a screenplay by Matthew Spira
A wounded mining engineer returns to the Western Front during WWI.
Reviews by Matthew Spira 153
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A review of The Endby Matthew Spira on 11/21/2010Hi, You are certainly prolific. All three of my current short story assignments are your stories. I'm going to work through them in the order assigned, starting with "The End." If I'm understanding the ending of "The End" correctly, Dergin is stuck in an intertemporal, interspatial loop of the same desperate fight for survival over and over again, but in different settings... Hi,
You are certainly prolific. All three of my current short story assignments are your stories. I'm going to work through them in the order assigned, starting with "The End."
If I'm understanding the ending of "The End" correctly, Dergin is stuck in an intertemporal, interspatial loop of the same desperate fight for survival over and over again, but in different settings and contexts. If correct, I think that's an interesting idea, but I do wonder somewhat as the presentation of it.
Most of the story focuses on Dergin and the Kollothi, and then goes through one of the pinpoint "holes" in space and ends up fighting the Japs in the Pacific during WWII. It's very visual and descriptively well-written. However you spend a lot of time on the action sequences that ultimately start to feel repetitive and don't really advance the story all that much.
My suggestion is to tighten the focus so it's just on Dergin. Show the holes swallowing him up, but I don't think it's really necessary to explain it like you do with the scenes on the command bridge of the Armidon. Show him in three different time/space contexts and explore his reaction to it. Does he know he's jumping from fight to fight? Is it a vague sense of memory or deja vu? Maybe spend some time with Dergin exploring this growing sense of meta-existence with Karna/Kara? This paragraph is just a long-winded way of saying I think it might be a stronger story if it was more of a character study.
The above is of course just my 1.5 cents. I hope you find something of use in the above as a takeaway.
-Matt read -
A review of The Ghostby Matthew Spira on 11/21/2010Hi, I think you displayed a good writing style in terms of setting an easily visualized scene and populating it with vivid characters. And the pacing was nice. You mentioned it was originally a screenplay, and I can see that in the construction of the story. In terms of the meat of the action, the Ghost comes to rescue Cassie (a Hispanic-American young woman) from a group... Hi,
I think you displayed a good writing style in terms of setting an easily visualized scene and populating it with vivid characters. And the pacing was nice. You mentioned it was originally a screenplay, and I can see that in the construction of the story.
In terms of the meat of the action, the Ghost comes to rescue Cassie (a Hispanic-American young woman) from a group of zealots in a post-modern world where democracy has died. Our introduction to these "good old boy" zealots, led by Henry, as they brutally murder Aamir simply for being Arab.
I did feel the politics were somehwat heavy-handed. You hit on just about every stereotype: zealot, red-neck, racist, mysogynist, drunk, violent, ignorant... and so on and so forth. You didn't present characters so much as caricatures. For me it pushed the story into the realm of cartoon.
And it's a very familiar cartoon, as this kind of story of the lone (anti-)hero storming the "fortress" (or castle, or warehouse, or militant camp, or what have you) to save the girl has been told and shown many, many, many times in stories and movies.
My suggestions for improving this story are to focus on making the characters less stereotypical and to make the presentation of the action more styialized. Henry, for me, is far and away the most interesting character because there are glimmers that he is genuinely a true believer, instead of the cliche cynical sociopath manipulating the gullible of so many other similar stories.
The above is of course just my 1.5 cents. I hope you find something of use in the above as a takeaway, whether or not it stays as prose or gets turned back into a short film script.
-Matt read -
A review of Mr. Diarco - 2nd Draftby Matthew Spira on 11/15/2010Hi Anthony, This draft is a major improvement on the 1st draft. The additional descriptive detail throughout really adds to the visualization of the scenes and the characters in them. I now have much better and more precise mental images of Tony, Uncle Joe and Diarco. I especially like the description of Diarco on page 7 as having vampire, shark, soulless eyes as well as the... Hi Anthony,
This draft is a major improvement on the 1st draft. The additional descriptive detail throughout really adds to the visualization of the scenes and the characters in them. I now have much better and more precise mental images of Tony, Uncle Joe and Diarco. I especially like the description of Diarco on page 7 as having vampire, shark, soulless eyes as well as the observation of how quickly his mood can swing. It fits into another new detail you add about how these guys had 10 faces and 20 tongues. (Probably all necessary to survive.)
I have to give you credit for the information you add towards the end as you reflect on these men, their lifestyle and what it ultimately meant/means. The new material is very effective, thought-provoking, and comes across as heartfelt. "A heart breaking illusion of their own creation" is an excellent line.
I don't really have any major structural suggestions at the moment, but if I think of any I'll e-mail you. I do think you need to give it a really good polish. (For example, on page 15, you need a transition from the "deep dark emptiness" to next paragraph of noting you saved $10,000. The tonal shift is a bit abrupt.
Overall, great job.
Best,
-Matt read
Write a Comment
Submissions by Matthew Spira
-
a screenplay by Matthew SpiraGenres: adventure, children/family
A 12-year-old girl and her younger brother set off to find the gold at the end of the rainbow.
-
a screenplay by Matthew Spira
This time he wants to be the one to get the girl, not his twin brother.
-
a screenplay by Matthew Spira
A wounded mining engineer returns to the Western Front during WWI.
Reviews by Matthew Spira 153
-
A review of The Endby Matthew Spira on 11/21/2010Hi, You are certainly prolific. All three of my current short story assignments are your stories. I'm going to work through them in the order assigned, starting with "The End." If I'm understanding the ending of "The End" correctly, Dergin is stuck in an intertemporal, interspatial loop of the same desperate fight for survival over and over again, but in different settings... Hi,
You are certainly prolific. All three of my current short story assignments are your stories. I'm going to work through them in the order assigned, starting with "The End."
If I'm understanding the ending of "The End" correctly, Dergin is stuck in an intertemporal, interspatial loop of the same desperate fight for survival over and over again, but in different settings and contexts. If correct, I think that's an interesting idea, but I do wonder somewhat as the presentation of it.
Most of the story focuses on Dergin and the Kollothi, and then goes through one of the pinpoint "holes" in space and ends up fighting the Japs in the Pacific during WWII. It's very visual and descriptively well-written. However you spend a lot of time on the action sequences that ultimately start to feel repetitive and don't really advance the story all that much.
My suggestion is to tighten the focus so it's just on Dergin. Show the holes swallowing him up, but I don't think it's really necessary to explain it like you do with the scenes on the command bridge of the Armidon. Show him in three different time/space contexts and explore his reaction to it. Does he know he's jumping from fight to fight? Is it a vague sense of memory or deja vu? Maybe spend some time with Dergin exploring this growing sense of meta-existence with Karna/Kara? This paragraph is just a long-winded way of saying I think it might be a stronger story if it was more of a character study.
The above is of course just my 1.5 cents. I hope you find something of use in the above as a takeaway.
-Matt read -
A review of The Ghostby Matthew Spira on 11/21/2010Hi, I think you displayed a good writing style in terms of setting an easily visualized scene and populating it with vivid characters. And the pacing was nice. You mentioned it was originally a screenplay, and I can see that in the construction of the story. In terms of the meat of the action, the Ghost comes to rescue Cassie (a Hispanic-American young woman) from a group... Hi,
I think you displayed a good writing style in terms of setting an easily visualized scene and populating it with vivid characters. And the pacing was nice. You mentioned it was originally a screenplay, and I can see that in the construction of the story.
In terms of the meat of the action, the Ghost comes to rescue Cassie (a Hispanic-American young woman) from a group of zealots in a post-modern world where democracy has died. Our introduction to these "good old boy" zealots, led by Henry, as they brutally murder Aamir simply for being Arab.
I did feel the politics were somehwat heavy-handed. You hit on just about every stereotype: zealot, red-neck, racist, mysogynist, drunk, violent, ignorant... and so on and so forth. You didn't present characters so much as caricatures. For me it pushed the story into the realm of cartoon.
And it's a very familiar cartoon, as this kind of story of the lone (anti-)hero storming the "fortress" (or castle, or warehouse, or militant camp, or what have you) to save the girl has been told and shown many, many, many times in stories and movies.
My suggestions for improving this story are to focus on making the characters less stereotypical and to make the presentation of the action more styialized. Henry, for me, is far and away the most interesting character because there are glimmers that he is genuinely a true believer, instead of the cliche cynical sociopath manipulating the gullible of so many other similar stories.
The above is of course just my 1.5 cents. I hope you find something of use in the above as a takeaway, whether or not it stays as prose or gets turned back into a short film script.
-Matt read -
A review of Mr. Diarco - 2nd Draftby Matthew Spira on 11/15/2010Hi Anthony, This draft is a major improvement on the 1st draft. The additional descriptive detail throughout really adds to the visualization of the scenes and the characters in them. I now have much better and more precise mental images of Tony, Uncle Joe and Diarco. I especially like the description of Diarco on page 7 as having vampire, shark, soulless eyes as well as the... Hi Anthony,
This draft is a major improvement on the 1st draft. The additional descriptive detail throughout really adds to the visualization of the scenes and the characters in them. I now have much better and more precise mental images of Tony, Uncle Joe and Diarco. I especially like the description of Diarco on page 7 as having vampire, shark, soulless eyes as well as the observation of how quickly his mood can swing. It fits into another new detail you add about how these guys had 10 faces and 20 tongues. (Probably all necessary to survive.)
I have to give you credit for the information you add towards the end as you reflect on these men, their lifestyle and what it ultimately meant/means. The new material is very effective, thought-provoking, and comes across as heartfelt. "A heart breaking illusion of their own creation" is an excellent line.
I don't really have any major structural suggestions at the moment, but if I think of any I'll e-mail you. I do think you need to give it a really good polish. (For example, on page 15, you need a transition from the "deep dark emptiness" to next paragraph of noting you saved $10,000. The tonal shift is a bit abrupt.
Overall, great job.
Best,
-Matt read -
A review of My Argument with Godby Matthew Spira on 11/14/2010Hi, I wish I'd read this one before "Flight 18" as it provides a lot more contextual understanding of Max, and the world he inhabits. This feels much more like a complete story instead of simply an extended anecdote. The description is visual, precise and Max is a very good observer of the craziness going on around him. There is a clear send of movement through the story,... Hi,
I wish I'd read this one before "Flight 18" as it provides a lot more contextual understanding of Max, and the world he inhabits.
This feels much more like a complete story instead of simply an extended anecdote. The description is visual, precise and Max is a very good observer of the craziness going on around him. There is a clear send of movement through the story, and the digressions about Dave, Steve and Al are all interesting and effectively serve the larger narrative.
There is a resonance to this story that comes from two things: 1) Max's basic sense of decency, ie making sure "Big Teeth" not only gets to her condo, but on her couch with the door securely locked. 2) The sense of vulnerability and absurdity of the desperation to even just brush up against fame and the famous.
The one thing I'd like a little bit more of from Max is self-reflection about himself and his argument with God. I do think this kind of story needs a counterbalance of "interior" for all the very interesting "exterior" that is going on, if that makes sense.
I truly enjoyed reading this.
Best,
-Matt read -
A review of Letter from Beyondby Matthew Spira on 11/14/2010Hi Alexis, I think what you have here is an outline, instead of a fully fleshed out story. I think the concept of these "letters from the grave" is an interesting one, but your current focal point misses the most interesting (at least for me) and logical area of exploration: How the letters sent by Morris and only responded to by Alice serve as a catalyst for the family to... Hi Alexis,
I think what you have here is an outline, instead of a fully fleshed out story. I think the concept of these "letters from the grave" is an interesting one, but your current focal point misses the most interesting (at least for me) and logical area of exploration: How the letters sent by Morris and only responded to by Alice serve as a catalyst for the family to deal with the truth of the complexity of Morris and Christine's fifty-five year relationship. I think the letter where Morris tells about Christine's affair, bitterness over aging (something my own grandmother went through when she was about sixty) and bad behavior towards him should be the start, not ending of the story.
I can very easily see the others in the family not believing the letter: it's self-serving, can't be proved, and even if true, two wrongs don't make a right, nor does it justify not being at Christine's side when she was dying.
The letters should send Alice on a journey into her family's secrets, and towards the real truth (whatever it is) about Morris and Christine. For me, that'd be a genuinely interesting story.
The above all is just 1.5 cents of spitballing. I am certainly not trying to tell you how to write your story.
Best,
-Matt read -
A review of Curtainsby Matthew Spira on 11/13/2010Hi Shauna, "Curtains" is an enjoyable read, and there's a stylish kind of energy that propels it from start to finish. The ending, where Adan turns down the blue coat engineer's "offer" of freedom is somewhat predictable, but satisfying given how the ending was set up. It's also very visual. I especially liked Adan's "dream" of letting the tiger rip him open. It was a very... Hi Shauna,
"Curtains" is an enjoyable read, and there's a stylish kind of energy that propels it from start to finish. The ending, where Adan turns down the blue coat engineer's "offer" of freedom is somewhat predictable, but satisfying given how the ending was set up. It's also very visual. I especially liked Adan's "dream" of letting the tiger rip him open. It was a very effective way of articulating his understanding of "freedom."
In terms of suggestions for improvement, I think science fiction has to have a consistent internal logic, and for me the information of the first page, ie Adan reading poetry on the wharf to Raven, doesn't really match the subsequent scenes where he's in the cage. Why?
And maybe the dynamics of the society needs to be developed a bit more, so that there's a little clearer context for understanding Adan.
I hope I just made sense, I'm not really sure. Heh.
In any case, it was truly an enjoyable read.
Best,
-Matt read -
A review of Flight 18by Matthew Spira on 11/12/2010Hi, Although it doesn’t exactly break new ground, I found “Flight 18” to be well-written and enjoyable. You do a good job of setting up the situation of a limo driver waiting on an oversleeping customer, and then being paid to put pedal to the metal to get the sound guy and AR guy to the airport on time for their flight. (Ah for the days when you could actually get to the... Hi,
Although it doesn’t exactly break new ground, I found “Flight 18” to be well-written and enjoyable. You do a good job of setting up the situation of a limo driver waiting on an oversleeping customer, and then being paid to put pedal to the metal to get the sound guy and AR guy to the airport on time for their flight. (Ah for the days when you could actually get to the airport three minutes before departure time and expect to have a chance to make your flight.) There’s beginning, middle and end, and good pacing from effective introduction to solid conclusion. You also do a good job of defining and breathing three-dimensional life into your characters. That for people who make it big, months might just be “dog months” was a good observation. And your narrator was interesting and effectively added a dimension that might otherwise be lacking.
In terms of suggestions for improvement, I do think you might upfront more precisely define the era. It did take a while for me to realize the story was taking place in around 1980 or thereabouts. I’d also like to have a bit more about the narrator. Is he young, middle-aged, old? How long has he been a limo driver?
I have a feeling the limo driver is the protagonist of more than one story, so I look forward to reading more tales of his (mis)adventures.
Best,
-Matt read -
A review of Soul Matesby Matthew Spira on 11/06/2010Hi, On page 10, the mysterious "Anna" suddenly changes into the mysterious "Jane." And then on page 15, she's back to being "Anna" again. Another relatively minor logical quibble before I get into the substance of my review: Given that he's legally blind without his glasses, it makes sense that Gary never clearly sees Anna, but you would have to give a bit more explanation... Hi,
On page 10, the mysterious "Anna" suddenly changes into the mysterious "Jane." And then on page 15, she's back to being "Anna" again.
Another relatively minor logical quibble before I get into the substance of my review: Given that he's legally blind without his glasses, it makes sense that Gary never clearly sees Anna, but you would have to give a bit more explanation how no manager or receptionist at any branch had ever seen her. I don't think it really matters, so personally I'd just delete that one line from page 15.
Let's move onto the more substantive issues. I immediately liked Gary. My parents have been married for close to forty-five years, I have two sisters, and although I have been married for a while now, before I met my wife, I did wonder many of the same things that Gary did. So, you have an immediately sympathetic main character. And then when it became clear that Anna resisted being clearly seen by him, I was also interested in the story. You very efficiently give it a clear key narrative problem.
Unfortunately for me, the beginning is better than the ending. It's obvious why Anna behaves the way she does, because she's ugly. Since that is so predictable, before the reveal on page 13, you might have more conversation between Gary and sister about the possibility. Or something, I'm not really sure. You touch on it, but I think maybe you need to expand on it to give "beauty is only skin deep" a fresh twist. Gary needs to know that it's a real possibility that Anna's incredibly ugly. And maybe it would add some complexity and depth if he did acknowledge at least to himself that beauty might matter.
Speaking of the reveal of what happened to Anna, it's really really heavy, especially given the somewhat light tone of the narrative up to that point. It's a brutal story Anna tells about her rape and how her brothers died trying to save her. For me, it might be a little much, especially since it plays no part of the resolution where Gary tracks her down- another very predictable element- declares his genuine love for her, proves he's able to see beyond the surface of her ugly face, and they live happily ever after.
It seems to me if you're going to bring up something that "big" as part of the obstacles to your love interests, her rape and the murder of her brothers HAS to be dealt with. The event clearly is one of the defining moments of her life and the trauma from it shapes both her identity and how she now "defends" herself from the world. It'd be interesting to see Gary really work to get underneath those emotional defenses.
Admittedly, that would push the story from standard romance more into drama, which you may or may not want to do since I suspect it might be your intention to expand this into a screenplay. However, even as a screenplay, it's worth noting that this kind of "ugly duckling" story with a happy-ever-after ending has been seen many, many times before.
As you can see from my notes, it was clearly a thought-provoking read for me. I thank you for that, and I wish you the best.
-Matt read -
A review of Tragic Failure of the Trojan Soldierby Matthew Spira on 11/06/2010Hi Devin, Before I get into the substance of this review, let me quickly address the importance of proofreading. On the very first page there is the following sentence: "The fates have decreed that, despite the best efforts of powerful and righteous Hector, your city shall be destroyed, ravaged and RAPPED by Achilles and the bloodthirsty Achaens." (Capped for emphasis.)... Hi Devin,
Before I get into the substance of this review, let me quickly address the importance of proofreading. On the very first page there is the following sentence:
"The fates have decreed that, despite the best efforts of powerful and righteous Hector, your city shall be destroyed, ravaged and RAPPED by Achilles and the bloodthirsty Achaens." (Capped for emphasis.)
I, of course, knew your intended meaning, but I did pause for a moment as the image of Achilles and his warriors rapping like in a music video amongst the ruins of Troy came unbidden into my mind.
The point being, you don't want anything to get in the way of a reader immersing him or herself in your story, and even something as small as a typo can do that.
Anyways, let's move on to the more important things. I think you have a generally clean and visual writing style, and I think for this kind of essentially "morality tale" the use of the 2nd person POV is effective.
In terms of story, I think you achieved what you wanted to do, which was to set out a story of the ambition and dreams and intemperence of youth in the form of a Trojan young man, the son of Zeus, destined for immortality-- if he just listens and has patience. But because he can't wait, he marches out into battle, right into a Myrmidion spear.
So, while I think you executed pretty well, I do question the concept. The problems I have with the concept are these: First, when I saw the "porch swing" and then the "recruiter" with a "pamphlet"- very modern-sounding words- I was kind of anticipating the story to transition into the present day about the dreams and hopes of an 18-year old being tempted to prove himself on the battlefields of today. That the theme of the story would explore the same timeless and tragic dynamic of every generation from now back to the fields of Troy. For me, if you did that, this story would be interesting, emotionally connective and have both depth and resonance.
And that seques into the second concern. By keeping your story ONLY about Troy, you inevitably bring to mind the source material for the reader, and pretty much any effort to do that- certainly not just your story- is going to pale by comparison to THE ILIAD and other ancient Greek classics.
Nevertheless, it was an interesting read, and I enjoyed it.
Best,
-Matt read -
A review of Madonna of the Chairby Matthew Spira on 11/05/2010Hi Lou, I like the atmospherics you very efficiently create in this story about Charles and the portrait of the Madonna is his room. It was very easy to visualize, for example, the interplay of light and dark as Charles was working up the courage to shine his flashlight on the portrait. Charles feels real and fully three-dimensional. He is immediately accessible and sympathetic,... Hi Lou,
I like the atmospherics you very efficiently create in this story about Charles and the portrait of the Madonna is his room. It was very easy to visualize, for example, the interplay of light and dark as Charles was working up the courage to shine his flashlight on the portrait.
Charles feels real and fully three-dimensional. He is immediately accessible and sympathetic, and you do a good job of layering his emotions with the actions he takes. Some of his awareness borders right on the edge of adult self-awareness, but in my teaching I have met kids who Charles reminds me of. And even though she's never a direct character in the story, how Charles and his mother interact hints at what has to be, and probably will continue to be as very complex and difficult relationship. It's somewhat depressing that you do very accurately capture how parents can feel they are doing the right thing, but at what emotional cost to the child?
Where I am unclear is about the message that's supposed to be the takeway, and especially at how the ending informs that message. In your story notes you say while this isn't intended to offend, it is intended to "shed light on why so many people shun organized religion." I don't quite see that connection. For me, this is much more of a character study of the dynamic between Charles and his mother.
I would certainly be interested in reading more about Charles, and I hope this story is one piece of a much larger puzzle. I think with additional space and development, the theme you clearly intend to explore would become clearer.
Thanks for the nice read.
Best,
Matt read
Comments About Matthew Spira 101
-
Jellytots on 09/04/2011
I notice the last comment was last year! So, I'm getting one in here!
I decided I miss this place, so I'm back...
What's in the pipeline??? -
nick74 on 11/24/2010
Hey Matt
Thanks for your review of The End. Great input. I've noticed you tend to offer thoughtful insight. Good stuff.
Oh, hey, keep the Occum stories rolling.
Nick -
Anthony Fiore on 11/15/2010
Matt,
Thank you very much for your review of Draft #2 for Mr. Diarco. Your comments were of immense help. As were the other reviewers. I realized I had to explain alot more then I did in my rough draft.
My wife made the point that 25 years ago, I would have had to explain much more. She was raised here in the Portland , OR area, and the world she grew up in as opposed to my reality is simply unimaginable to her.
She even asked, "Where did they get the fireworks and cigarettes to sell? LOL. They stole them, honey.
Anyway, I am rewriting a few other stories, which I will start posting here as I finish them. But, as for any more mob stories? That was it. Like I said, I walked away and never looked back with any regrets.
Thanks again,
Tony -
YeahHi on 11/13/2010
Thanks! :) -
YeahHi on 11/13/2010
Hi Matt,
Thanks for your review of Curtains. I appreciate the read and the feedback! Curtains was bought by a publisher who found it on TS. I just finished a rewrite for them that may adress some of your concerns.
Thanks!
Shauna -
Anthony Fiore on 11/11/2010
Matt,
Thank you for your review of Mr. Diarco. All of your points were very helpful.
I am rewriting the story, and implementing many changes. I knew it needed work, I was stuck as to where, now, thanks to you and others, it is clear.
Yes, this is a true story. It is actually a chapter from the book I am working on. I have written each chapter to stand alone as a short story. If you read all the chapters, you will get the whole story.
Read, reviewed and enjoyed your story. The Silence, it is a haunting story and I am still thinking about it.
Once again, thank you. Keep up the hard work.
Tony -
**DELETED ACCOUNT** on 11/11/2010
No. The "catch-22" of presenting material online was something I heard about from writingforums.org, another site I visit frequently. I believe it was "Cogito"'s comments under Suggestions and Feedback, but you might have to search the site to find it specifically.
I used to submit my stuff alot to agents, lit mags, etc. Got a couple of stories published, and a few reads, but by and large it was a bummer experience - and I could imagine spending all my time promoting the work instead of writing it. Now, I send my stuff off to contests - actually won 2nd place at StoryPros earlier this year with a sci-fi script, and have been coming in Hon Mention, Consider, or Quarterfinalist with about every script I enter.
Short story contests are fewer and further between, and usually require book-length collections of like-genre work. So it's a dicier proposition.
I've been dropping in at Triggerstreet only since middle Sept. Still learning the ropes here. In chess, you send out the pawns before the heavier guns. That's why I submitted the two lesser works right off the bat. If what you say is true, and posting on Triggerstreet doesn't constitute publication, then I might consider a more qualified venture. I'll research it a little more, wait, and see.
-
**DELETED ACCOUNT** on 11/10/2010
Thanks for your review of "Who Are the Saucer People?" It was probably the best of the latest lot (of reviews of "People"). If and when I get back to the story, I'll have a printout of the most telling observations by my computer, and I'll take all your points into account.
"Saucer People" was a story I wrote seven or eight years ago, when I first got back into writing. It was one of the few I bothered to re-write, and when it came time to trot out something for review, I thought it might be worth someone else taking a look at.
There's a bit of a catch-22 to the set-up at Triggerstreet: whatever you put up for review is for all intents and purposes published online. So publishers, and agents, if they're aware of the situation, are liable to dismiss that particular work for consideration.
Like most serious writers, I have alot of stuff I'd be glad to get rid of in my files - but most of it is stuff I've really abandoned because it's no good. I'd be very wary of posting my current projects, or even things I might possibly seriously get back to, for review. So what I end up posting here is stuff that
I would only put to use if success came, but which is not my best or even better work.
That's probably clear as mud, but if you think about it - maybe it explains why we end up having to review so many wonky stories by writers that seem capable of better. -
**DELETED ACCOUNT** on 11/08/2010
Matthew,
Thanks for taking the time to read & review "Soundtrack." I'm glad you enjoyed it.
I am a screenwriter, first and foremost, hence the lenghty 48 pages of "Soundtrack." I need to really practice the short story format and really keep it short! This is a piece that I'm still trying to figure out whether I wanna turn into a screenplay or a collection of shorts; which was my intent from the get-go. We'll see where it leads, though.
Anyway, thanks again.
Good luck with your stuff.
Cheers! -
devint1977 on 11/07/2010
Thank you for your review of "Tragic Failure of the Trojan Soldier". I appreciate the input.
Devin
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Comments About Matthew Spira 101
-
Quote
I notice the last comment was last year! So, I'm getting one in here!
-
Quote
Hey Matt
-
Quote
Matt,
+ more commentsJellytots on 09/04/2011
I decided I miss this place, so I'm back...
What's in the pipeline???
nick74 on 11/24/2010
Thanks for your review of The End. Great input. I've noticed you tend to offer thoughtful insight. Good stuff.
Oh, hey, keep the Occum stories rolling.
Nick
Anthony Fiore on 11/15/2010
Thank you very much for your review of Draft #2 for Mr. Diarco. Your comments were of immense help. As were the other reviewers. I realized I had to explain alot more then I did in my rough draft.
My wife made the point that 25 years ago, I would have had to explain much more. She was raised here in the Portland , OR area, and the world she grew up in as opposed to my reality is simply unimaginable to her.
She even asked, "Where did they get the fireworks and cigarettes to sell? LOL. They stole them, honey.
Anyway, I am rewriting a few other stories, which I will start posting here as I finish them. But, as for any more mob stories? That was it. Like I said, I walked away and never looked back with any regrets.
Thanks again,
Tony