A morbidly depressed student faces his demons.
MaxWatt
More stuff - http://www.writerscafe.org/MaxWatt...
Bio
More stuff - http://www.writerscafe.org/MaxWatt
Submissions by MaxWatt
-
a short story by MaxWatt
Diary of a depraved, cynical and lost student.
-
a short story by MaxWattGenres: drama, mystery/suspense
Can a man who has nothing find peace of mind?
Reviews by MaxWatt 134
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A review of Thy Will Be Doneby MaxWatt on 04/10/2013I feel, if you'll excuse my French, like a right tit. I saw the picture representing the story, and I didn't bat an eye. I saw the description, I scarcely thought. Then I read the story, ignorantly it would seem, and...oh wait! This is a monologue for Arthur Conan Doyle!! Wow! This is fucking awesome!!! That's a true story. And I might add, I enjoyed it all the more for not... I feel, if you'll excuse my French, like a right tit. I saw the picture representing the story, and I didn't bat an eye. I saw the description, I scarcely thought. Then I read the story, ignorantly it would seem, and...oh wait! This is a monologue for Arthur Conan Doyle!! Wow! This is fucking awesome!!!
That's a true story. And I might add, I enjoyed it all the more for not realising. Soon as it ended, I raced back to the beginning to watch the pieces fall into place. And I've never been so ashamed of myself for not Sherlock Holmesing the concept myself. But as I say, I had a stab of joy when I realised it, and got a lot more pleasure than I might have. Going in knowing, it would have been a completely different read. I would only advise that you make it more cryptic. Make it seem like a story of a man who plotted an ingenious murder in the late 1800s, and then BANG, it's Arthur.
The voice is great. Almost like Doyle was sitting in front of me unveiling it all, however "guys" feels out of place (pg 8).
The only thing that niggled at me was the rhymes. I couldn't quite place them into perspective with the what, who, when et al. They're interesting and they made me think, however I found myself questioning their purpose after a while. Perhaps the story could benefit without them.
Also your beginning. There's a lot going on there. First the letter, then a reference to John, which made me expect a third person narration, and then a rhyme then first person. I stopped reading at this point, overwhelmed by the many things going on. This could do with some refining and...well, simplicity. Ease the reader in, don't throw too much at them at once.
Quibbles aside, I got a kick out of this. Once again, I'm questioning my intelligence and considering suicide. If Doyle could resurrect me too that would be wonderful. Great read. Thanks!!
pg 8 - "andh" read -
A review of Farmer's Fury, King's Follyby MaxWatt on 11/08/2012Thanks for the read. I'll admit there are some promising things about this, but there's a lot I would change. First off, without meaning to sound audacious, I don't like the title. I'd imagine that most people aren't interested in farming, and might pay no mind to this story. I wasn't excited in the slightest by it. That changed after I read the first page and got a sense... Thanks for the read. I'll admit there are some promising things about this, but there's a lot I would change.
First off, without meaning to sound audacious, I don't like the title. I'd imagine that most people aren't interested in farming, and might pay no mind to this story. I wasn't excited in the slightest by it. That changed after I read the first page and got a sense of the conflict that this farmer faced in his past. So personally, I'd prefer to see a more relatable title, and overall less focus on the farming aspect, because as i say, it's a boring subject for most people. Furthermore, the whole "Kingdom" aspect didn't come across to me, except at the end, where it feels out of place.
So yeah, I like the conflict, and it's written in an engaging way.
There's not enough detail of the actions. The conflict with the character's tormentors and the fight scenes for instance, there's not enough there. This has a couple of negative effects, the first is that it feels rushed, the second that it abandons opportunities to develop characters in the way you want. The farmer just came across as malevolent to me, and lacks empathy. I could understand his reaction if the cruelty of the four boys was accentuated more, but it seems like through the one confrontation his problems with them were solved.
What's your concept? There's an opportunity to transcend some powerful message onto the reader here about their own very different life, but there isn't one. it's just about a farmer who once had some trouble. There are many directions this could be taken in. I won't spell any of them out, because this is up to you.
Lastly, your ending. Again, too little. There are a few instances where you bluntly state what has happened. The end being one example. Wouldn't it be better if the character were perplexed by the silence of the caw, and went out in a frenzy to investigate? That would create more suspense.
With more detail of the actions, less blunt sentences, and a more focused and encompassing concept, this could improve tenfold. read -
A review of Euphoria (Second Draft)by MaxWatt on 06/07/2012"Euphoria" is a story of a butcher who, seemingly infuriated by women due to issues with his ex wife, kills women on a daily basis and sells their meat to his paying customers. There are some effective techniques going on here, for instance the final line focuses the concept and disgusts the reader. Also, the way that the character is defined. It is clear that he kills women... "Euphoria" is a story of a butcher who, seemingly infuriated by women due to issues with his ex wife, kills women on a daily basis and sells their meat to his paying customers.
There are some effective techniques going on here, for instance the final line focuses the concept and disgusts the reader. Also, the way that the character is defined. It is clear that he kills women who remind him of his ex wife, due to the fact that at the end, a woman walks in and he makes no attempt to murder her.
There is nothing overly wrong with this piece. This is the kind of thing that gets published in a lot of horror magazines, and as it is, with persistence, I think it could succeed. However for me personally, there isn't much of a connection. I would have liked to have seen more emotional issues with the character. I'd want to feel something besides a shudder.
Also, it's not very original. I've read this a hundred times before. You need to create some unexpected twist or trait that takes the reader by surprise. How you go about that is up to you though.
Lastly -
page 3 - wrong form of the word "you're".
"Hey" is emboldened.
Make sure all paragraphs are indented. read
Write a Comment
Submissions by MaxWatt
-
a short story by MaxWatt
Diary of a depraved, cynical and lost student.
-
a short story by MaxWattGenres: drama, mystery/suspense
Can a man who has nothing find peace of mind?
-
a short story by MaxWatt
As he endures unremitted agony in an eery hell, Nathan Linnogen reminisces his life.
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a short story by MaxWatt
As he endures unremitted agony in an eery hell, Nathan Linnogen reminisces his life.
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a short story by MaxWatt
Lauren naively signs up to BloggerBudz.com, and is soon headlong toward the psychopathy that the internet disguises... more
Reviews by MaxWatt 134
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A review of Thy Will Be Doneby MaxWatt on 04/10/2013I feel, if you'll excuse my French, like a right tit. I saw the picture representing the story, and I didn't bat an eye. I saw the description, I scarcely thought. Then I read the story, ignorantly it would seem, and...oh wait! This is a monologue for Arthur Conan Doyle!! Wow! This is fucking awesome!!! That's a true story. And I might add, I enjoyed it all the more for not... I feel, if you'll excuse my French, like a right tit. I saw the picture representing the story, and I didn't bat an eye. I saw the description, I scarcely thought. Then I read the story, ignorantly it would seem, and...oh wait! This is a monologue for Arthur Conan Doyle!! Wow! This is fucking awesome!!!
That's a true story. And I might add, I enjoyed it all the more for not realising. Soon as it ended, I raced back to the beginning to watch the pieces fall into place. And I've never been so ashamed of myself for not Sherlock Holmesing the concept myself. But as I say, I had a stab of joy when I realised it, and got a lot more pleasure than I might have. Going in knowing, it would have been a completely different read. I would only advise that you make it more cryptic. Make it seem like a story of a man who plotted an ingenious murder in the late 1800s, and then BANG, it's Arthur.
The voice is great. Almost like Doyle was sitting in front of me unveiling it all, however "guys" feels out of place (pg 8).
The only thing that niggled at me was the rhymes. I couldn't quite place them into perspective with the what, who, when et al. They're interesting and they made me think, however I found myself questioning their purpose after a while. Perhaps the story could benefit without them.
Also your beginning. There's a lot going on there. First the letter, then a reference to John, which made me expect a third person narration, and then a rhyme then first person. I stopped reading at this point, overwhelmed by the many things going on. This could do with some refining and...well, simplicity. Ease the reader in, don't throw too much at them at once.
Quibbles aside, I got a kick out of this. Once again, I'm questioning my intelligence and considering suicide. If Doyle could resurrect me too that would be wonderful. Great read. Thanks!!
pg 8 - "andh" read -
A review of Farmer's Fury, King's Follyby MaxWatt on 11/08/2012Thanks for the read. I'll admit there are some promising things about this, but there's a lot I would change. First off, without meaning to sound audacious, I don't like the title. I'd imagine that most people aren't interested in farming, and might pay no mind to this story. I wasn't excited in the slightest by it. That changed after I read the first page and got a sense... Thanks for the read. I'll admit there are some promising things about this, but there's a lot I would change.
First off, without meaning to sound audacious, I don't like the title. I'd imagine that most people aren't interested in farming, and might pay no mind to this story. I wasn't excited in the slightest by it. That changed after I read the first page and got a sense of the conflict that this farmer faced in his past. So personally, I'd prefer to see a more relatable title, and overall less focus on the farming aspect, because as i say, it's a boring subject for most people. Furthermore, the whole "Kingdom" aspect didn't come across to me, except at the end, where it feels out of place.
So yeah, I like the conflict, and it's written in an engaging way.
There's not enough detail of the actions. The conflict with the character's tormentors and the fight scenes for instance, there's not enough there. This has a couple of negative effects, the first is that it feels rushed, the second that it abandons opportunities to develop characters in the way you want. The farmer just came across as malevolent to me, and lacks empathy. I could understand his reaction if the cruelty of the four boys was accentuated more, but it seems like through the one confrontation his problems with them were solved.
What's your concept? There's an opportunity to transcend some powerful message onto the reader here about their own very different life, but there isn't one. it's just about a farmer who once had some trouble. There are many directions this could be taken in. I won't spell any of them out, because this is up to you.
Lastly, your ending. Again, too little. There are a few instances where you bluntly state what has happened. The end being one example. Wouldn't it be better if the character were perplexed by the silence of the caw, and went out in a frenzy to investigate? That would create more suspense.
With more detail of the actions, less blunt sentences, and a more focused and encompassing concept, this could improve tenfold. read -
A review of Euphoria (Second Draft)by MaxWatt on 06/07/2012"Euphoria" is a story of a butcher who, seemingly infuriated by women due to issues with his ex wife, kills women on a daily basis and sells their meat to his paying customers. There are some effective techniques going on here, for instance the final line focuses the concept and disgusts the reader. Also, the way that the character is defined. It is clear that he kills women... "Euphoria" is a story of a butcher who, seemingly infuriated by women due to issues with his ex wife, kills women on a daily basis and sells their meat to his paying customers.
There are some effective techniques going on here, for instance the final line focuses the concept and disgusts the reader. Also, the way that the character is defined. It is clear that he kills women who remind him of his ex wife, due to the fact that at the end, a woman walks in and he makes no attempt to murder her.
There is nothing overly wrong with this piece. This is the kind of thing that gets published in a lot of horror magazines, and as it is, with persistence, I think it could succeed. However for me personally, there isn't much of a connection. I would have liked to have seen more emotional issues with the character. I'd want to feel something besides a shudder.
Also, it's not very original. I've read this a hundred times before. You need to create some unexpected twist or trait that takes the reader by surprise. How you go about that is up to you though.
Lastly -
page 3 - wrong form of the word "you're".
"Hey" is emboldened.
Make sure all paragraphs are indented. read -
A review of Gods In Trainingby MaxWatt on 06/06/2012"Gods In Training" by Brian C. Simerl! I'll have to be a wee bit harsh here. This story is hard to make sense of. It's a struggle to even understand what your sentences mean sometimes. The story is so full of verbiage, which at one end of the spectrum is effective to show the arrogant attitude of the character, but on the other, just feels overdone. Lay it out in a way that... "Gods In Training" by Brian C. Simerl!
I'll have to be a wee bit harsh here. This story is hard to make sense of. It's a struggle to even understand what your sentences mean sometimes. The story is so full of verbiage, which at one end of the spectrum is effective to show the arrogant attitude of the character, but on the other, just feels overdone. Lay it out in a way that retains the tone but doesn't stop the flow, cut down on the long words. You don't have to dumb it down, but bare this in mind: readers are lazy. I'm lazy. I don't like having to stop and think about what a sentence means.
On a positive note, it looks like your writers voice is starting to come through. If the verbiage is cut down, the tone will be more prominent. As it is, i couldn't fully get into the story, I was overly conscious of the fact that i was sitting down reading words off a page.
Structurally it's quite baffling. The opening sentences, while a good attempt at in medias res, just confused me. Was as if I'd begun in the middle of a story - hard to explain that, as that's the purpose of in medias res, but this felt like I had literally missed a page. Perhaps the second paragraph is a better place to start..?
I must admit, this is an interesting concept. However i think a lot of stuff can be cut down. For instance I'm a lot more interested in the betrayal and what is going on in the present than the world around the character.
All in all I think this has potential to appeal to fans of sci-fi. It just needs more time. read -
A review of Baker Streetby MaxWatt on 05/23/2012Disturbing! I'll never look at babies the same way again. I love how the story goes full circle, with Clyde's last words being the same words that sparked his curiosity in the first place. Questions are answered, but not the main question that I'm sure most readers will have, which is: where did the babies come from? Why are they doing this? But that doesn't need to be answered,... Disturbing! I'll never look at babies the same way again. I love how the story goes full circle, with Clyde's last words being the same words that sparked his curiosity in the first place. Questions are answered, but not the main question that I'm sure most readers will have, which is: where did the babies come from? Why are they doing this? But that doesn't need to be answered, that can be left to the mind of the reader.
Oh by the way, I'd shorten your synopsis, it tells the reader the entire narrative before they've even read it.
So anyway. While I felt disturbed by the babies, i didn't feel tension. This could be because you tell rather than show. For instance, you don't need to tell the reader that Clyde felt scared, but rather describe his feelings so that the reader understands he is scared, e.g "Clyde felt a cold sweat..." etc. Eliminate these issues, it's more intriguing to show. Another example is "It was a quiet old person’s street with quiet old person’s ways." Here you're forcing the reader to think of stereotypical "old person's ways", rather than describing them. Be subtle here.
Finally, your character. He could do with more defining. You claim that he is happy, but I don't see this reflected in him at all, bar the whistling. His happiness needs to be consistent throughout, as it is he's quite blank. In a story like this, this isn't particularly important, what's vital is the tension and mystery. But it would certainly help the reader to get that "run Clyde run!!" effect, if you know what I mean.
Then just give it a proof read and you're set. Thanks for the read. read -
A review of Daisy, Daisy . . .by MaxWatt on 05/21/2012Brilliant! A narrative that has rhythm, that skips along to the sound of music. The sentences demand to be followed, they join together without pause, flowing and dancing along until the end. The peculiarity of it puts us inside the narrator's mind, an excellent method of character development. Is it intentional the way you make the reader wonder just why the ladybird is talking... Brilliant! A narrative that has rhythm, that skips along to the sound of music. The sentences demand to be followed, they join together without pause, flowing and dancing along until the end. The peculiarity of it puts us inside the narrator's mind, an excellent method of character development.
Is it intentional the way you make the reader wonder just why the ladybird is talking to a human? And how? Because that's a strength in it, is it a hallucination or is it simply her imagination... is she just up in the clouds?
I guess I'll never know, but you got me thinking, and that's a good thing. Perhaps you could do with more of a hint at why. Only subtle of course, as the rest of it is. That's my only gripe. There's no flaw to your character, she just steps on a train and talks to a ladybird and that's it.
Good job. This just needs more explanation. read -
A review of Spectrumby MaxWatt on 05/20/2012Hi F-ceska! And wow, I'm having trouble finding the right way to praise your story. I guess I should just say this: Have you ever been published? And has this story been published? Because it damn well deserves to be. It's concise - it kept me intrigued the entire time, which is commendable because I have the shortest attention span in the world. If there's one thing I can't... Hi F-ceska! And wow, I'm having trouble finding the right way to praise your story. I guess I should just say this: Have you ever been published? And has this story been published? Because it damn well deserves to be. It's concise - it kept me intrigued the entire time, which is commendable because I have the shortest attention span in the world. If there's one thing I can't stand, it's stories that linger. This doesn't. It gives just the right information so that the mind imagines the rest. That's great storytelling. I also love the fact that it visits a cross-section between science and religion - a very interesting take on energy!
Basically, it has all the ingredients of a great read. Well-written, well-structured, great characters, and what's more, it didn't even feel like I was reading. It was like I was watching the events unfold before my eyes. That's when you know you've cracked it!
What felt odd was the way in which Alicia was able to illuminate the spectrum with no thoughts of her husband of fifty years. There must surely be some feelings of doubt, remorse or frustration? Or just complications. It doesn't feel natural how she accepts it, almost as if Mike was just a replacement. If she were to ponder for a while it would be more believable. Perhaps Danny has to persuade her that it's the right thing to do.
Also, the order of the scenes. While the idea that Danny is waiting for Alicia is an effective final flashback, I feel that the scene where Alicia dies has more closure. This might confuse things a bit, but it's something to think about.
But overall, a fantastic read. Good luck with it. read -
A review of Rising Sunby MaxWatt on 05/19/2012An interesting narrative. It plays tricks on the reader - they're disturbed by the way in which Charlie has captured a young boy, especially with the reference to Ed Gein and the nature of Waupun. Then the concept goes deeper - we're dealing with the supernatural. The reader goes from confusion and fear to understanding. The story could do with more, though. It lacks an emotional... An interesting narrative. It plays tricks on the reader - they're disturbed by the way in which Charlie has captured a young boy, especially with the reference to Ed Gein and the nature of Waupun. Then the concept goes deeper - we're dealing with the supernatural. The reader goes from confusion and fear to understanding.
The story could do with more, though. It lacks an emotional connection. I didn't care about any of the characters. I think this is due to their lack of personality. They are very simple and straightforward, Charlie for instance, his only interest is learning about demons, and this is hard to relate to. Perhaps more dialogue would solve this? We need to see more of these characters, learn about them, get to know them.
I lost interest when you describe Pastor Jon, there's too much. Keep it minimal, eliminate redundancies.
Thanks for the read. read -
A review of Emergency Birthby MaxWatt on 04/24/2012“Emergency Birth” is quite confusing to be honest. I don’t know where I am or what day it is when I read this. I think that a main focus is what’s missing from this narrative. What exactly is this character experiencing? Why? How is that relevant to her life? How does the pregnancy connect with the experience? Maybe you have all of these things established in your head already,... “Emergency Birth” is quite confusing to be honest. I don’t know where I am or what day it is when I read this. I think that a main focus is what’s missing from this narrative. What exactly is this character experiencing? Why? How is that relevant to her life? How does the pregnancy connect with the experience? Maybe you have all of these things established in your head already, but they don’t really come into focus in the story.
For the most part, the writing isn’t too bad, I can see that you’ve honed in on a style, and I believe it could materialise effectively, however, there are a few issues with the structure. For instance, good opening paragraph, it establishes a lot, however “After several minutes of driving down the lane, I suddenly felt like I needed to pull over to the side of the road” is way too slow. You can speeed stuff like this up by tweaking the structure, for instance: “Suddenly, after driving down the lane for awhile, I felt the need to pull over.” Not only does this speed it up, but it gives it more of a punch, creates excitement. Do you see what I mean? Now, there are other moments where you could be more succinct, such as “I met up with family members that have died.” (page 2) “that have died” is not needed, it is obvious that the character is in some kind of third dimension at this point. I hope you find this transferrable. There are many instances of this, it’s up to you to get the narrative moving faster.
Now, on page 2, the info you give about the character’s family is too abrupt and “on the nose”, i.e you’re cramming too much in, it’s not subtle enough. It’s not effective to bullet point the personalities of characters either, it should be a case of “showing rather than telling” and “less is more”. I’m sure you’re familiar with these.
On page 5 we learn of the baby. This should be established earlier, that way the reader knows the situation from the word go, and it is more hard-hitting when the crash happens.
Another thing, you have to be careful with your phrasing, e.g “Later that evening when I woke up, I realized that my legs seemed to be on fire” (page 5) – I actually laughed aloud at this, it’s too passive. This needs to be a sudden, heart-pounding moment, not a passing thought. It loses its effect this way.
And…that’s all! The ideas are certainly shaping up, and you have potential, there’s no doubt about that, just bare in mind the points I’ve made. read -
A review of Fantasiesby MaxWatt on 04/04/2012Hey Mike. I feel very guilty about reviewing this one, as there's nothing I want to say. Personally, I think it's brilliant as it is. You build the characters very well with the dialogue, I found Dave very familiar, while Andy is a character who the reader will associate with themselves both in the sense of his social life in the pub and with his private fantasies which are... Hey Mike. I feel very guilty about reviewing this one, as there's nothing I want to say. Personally, I think it's brilliant as it is. You build the characters very well with the dialogue, I found Dave very familiar, while Andy is a character who the reader will associate with themselves both in the sense of his social life in the pub and with his private fantasies which are unveiled to be playing out in front of him.
Another thing I really liked was the concise style. It almost creates a thriller-like atmosphere. In fact, I found the entire premise to be quite unique.
Well, if I'm going to be a scumbag and review something for which I have no desire to change, I may as well make myself somewhat useful (or try to be) and nitpick the minor issues which aren't even issues at all.
Page 4 - "The ape re-enters the bar knuckles scraping the floor." - Comma after "bar"?
Page 4 - "He makes a sound like an animalistic grunt on sighting her," - could be faster. Perhaps cut out the "sound" part?
But seriously, this was a thrilling read. If this doesn't get published then I'm gonna pack this in and become a plumber or something.
Good job with "Hello!" too! read
Comments About MaxWatt 64
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Wilsun on 04/10/2013
Hey Max,
Thank you for your lovely words and feedback. Yesterday, I received a review from Mike Wolfson and today, you. I'm really, really happy to know that creative writers like you two found the story interesting. Your review has made my day. Best of luck to you and the whole gang of 13. Hope you guys get successfully published soon.
Thanks again.
Wilson -
Mike Wolfson on 11/23/2012
Good to know that you're still writing and you have my respect for tackling poetry. I can't write poetry at all. It's the hardest form of writing. I enjoy reading some of it, but can't write it at all. If you're looking for a peer review site Zoetrope has a poetry section. I don't know how busy it is though.
My own work is going slowly. I am the king of procrastination. I also flit between ideas which is completely undisciplined, so I have about 20 works on the go. Totally ridiculous. One story might appear before the end of the year but who knows.
Keep at it and take care,
Mike. -
Mike Wolfson on 11/20/2012
Hi Max,
Just a quick hello to see how the writings going? Hopefully, some more of your work will come my way soon. I've been away from the site for awhile - day job bullshit.
Take care,
Mike. -
tishanddavid on 11/08/2012
Well, writing is rewriting, right? I think its a good story. Yes, it needs a redraft. That's why you posted here so that you could know what you can do to make it salable.And with everything posted, having your story picked should feel pretty good. -
tishanddavid on 11/05/2012
Hey Max congrats on having Pretty Girls up on here as a featured story. I still think it could be great if you redrafted it.
Tisha -
covofdark on 07/01/2012
Hey Max,
You’re welcome and the group is doing well. Keep up the terrific work—you’re destine for bigger and better things. All the best, Will.
-
CJForster on 06/24/2012
Max - long time. How's it going? Congrats on the featured story. How long's it been up there? -
vieira4 on 06/15/2012
Hi, thanks for your review of 'He Arrived Home'. Glad you enjoyed it eventually. You're absolutely right about the squad numbers! I'll bear everything you said in mind. I do have trouble making multi-dimensional characters. Thanks again. -
**DELETED ACCOUNT** on 06/08/2012
Glad to hear that the characters drive the narrative and hold your interest-- that's what I was going for. Will take a look at reformatting, per your gripe. -
jwest on 05/23/2012
Thanks for the read of Daisy. :) Appreciated.
Have a good week.
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Comments About MaxWatt 64
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Quote
Hey Max,
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Quote
Good to know that you're still writing and you have my respect for tackling poetry. I can't write poetry at all. It's the hardest form of writing. I enjoy reading some of it, but can't write it at all. If you're looking for a peer review site Zoetrope has a poetry section. I don't know how busy it is though.
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Quote
Hi Max,
+ more commentsWilsun on 04/10/2013
Thank you for your lovely words and feedback. Yesterday, I received a review from Mike Wolfson and today, you. I'm really, really happy to know that creative writers like you two found the story interesting. Your review has made my day. Best of luck to you and the whole gang of 13. Hope you guys get successfully published soon.
Thanks again.
Wilson
Mike Wolfson on 11/23/2012
My own work is going slowly. I am the king of procrastination. I also flit between ideas which is completely undisciplined, so I have about 20 works on the go. Totally ridiculous. One story might appear before the end of the year but who knows.
Keep at it and take care,
Mike.
Mike Wolfson on 11/20/2012
Just a quick hello to see how the writings going? Hopefully, some more of your work will come my way soon. I've been away from the site for awhile - day job bullshit.
Take care,
Mike.