This isn't a screenplay, it doesn't need a logline.
PeacefullySubjected
My dad instilled in me a love of reading ever since I was born. I would sit summers alone in any small quiet space I could find and spend the day with a book. I soon fell in love with writing as...
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My dad instilled in me a love of reading ever since I was born. I would sit summers alone in any small quiet space I could find and spend the day with a book. I soon fell in love with writing as well. Then life happened and I put both of these loves aside. While editing is more up my alley - I have spent the last few years catching up with books and just recently began tampering with my creative side again. I have a long way to go yet, but I'm having fun getting my feet wet. (As a reviewer/editor I tend to be a bit on the harsh side. I believe that no one ever improved by being placated about their ability or work. Don't be offended if I'm hard on you - I do it only in service of helping you get better.)
Submissions by PeacefullySubjected
Reviews by PeacefullySubjected 136
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A review of SKIN DEEPby PeacefullySubjected on 07/09/2009Well isn’t that the shit? I knew there was going to be a twist because you mention it in your production notes (and you’re right, it will save that way for a while) but I certainly wouldn’t have guessed as to the true twist. Haha – nicely done – it doesn’t pay to be shallow! Overall the story was well told, simple and concise. You gave a small background to Maria, enough... Well isn’t that the shit? I knew there was going to be a twist because you mention it in your production notes (and you’re right, it will save that way for a while) but I certainly wouldn’t have guessed as to the true twist. Haha – nicely done – it doesn’t pay to be shallow!
Overall the story was well told, simple and concise. You gave a small background to Maria, enough to understand her plight in wanting the beautiful blonde baby. Really the one little nit picky thing I can think to mention is calling Gladys the “older woman” when you say she’s late twenties. I hardly think of that as “older” but I understand that technically you’re correct in comparison to Maria.
Kudos. read -
A review of Blowguns and Boy Bandsby PeacefullySubjected on 07/08/2009This story ended on a note that made it impossible to hate. Dislike, maybe – but definitely not hate. Dislike might even be a strong word. Overall it had heart, and really, besides good writing, what more can you ask for from a story. This one had both. But there was enough for me to nit pick at on my way through that I didn’t care for it as much as I could have. Now,... This story ended on a note that made it impossible to hate. Dislike, maybe – but definitely not hate. Dislike might even be a strong word. Overall it had heart, and really, besides good writing, what more can you ask for from a story. This one had both. But there was enough for me to nit pick at on my way through that I didn’t care for it as much as I could have.
Now, I’ve never heard of a first person omniscient POV, but I’m sure it’s been done. It did throw me a little though. Why would Paul know all of these intimate details about the people around him without some clue in or overhearing it somewhere? And it wasn’t completely omniscient because he only knew about the officers and no one else in the story. So in that way, it was a little distracting.
I did appreciate that you filled us in with background information on Gina and Paul’s relationship throughout the story, but the paragraph at the top of page 5 was a little unclear the first read-through. A simple re-arranging of sentences might help clear it up.
Being unfamiliar with drug arrests, and unsure of the state in which this story takes place, I also want to assume that drug possession charges wouldn’t be brought up on these guys for an empty old pipe in the glove box. It’s implied that there were other drugs in the car somewhere by bringing them up on charges, but it might be a good idea to mention that. Minor, but significant when it comes to believability.
Two smaller issues I had were that if Gina’s mom married Paul’s Dad that would make Gina his step-sister, not his sister-in-law. And the “Kama Sutra” actually doesn’t have anything to do with “Karma.” But those are easy fixes.
In the end, I appreciated the relationship between the two friends and between Gina and Paul. They were eloquently told and are reminiscent of real life. I think with a spit polish to the rest of the story, you’d have yourself a real gem. read -
A review of Our Danse Macabreby PeacefullySubjected on 07/07/2009Mr. Wolf. I’ve been bored at work and have been plucking stories to read simply for the fun of it. I’ve come across 2 of yours today based solely on their premises alone – this one and “Itchy.” I love them both. You’re a unique storyteller – have you attempted getting published? I hope so. You should. I don't generally give Free Will reviews unless something strikes me,... Mr. Wolf. I’ve been bored at work and have been plucking stories to read simply for the fun of it. I’ve come across 2 of yours today based solely on their premises alone – this one and “Itchy.” I love them both. You’re a unique storyteller – have you attempted getting published? I hope so. You should. I don't generally give Free Will reviews unless something strikes me, and both of these did. But I'll commenton this one because it's most fresh in my mind.
Once Mr. Nametag started beating out the others to get a chair I wondered if it wouldn’t be a better idea to get taken out of the room. Sadly, I was right. I had a feeling it was going to go there – though you gave zero indication and could have done something entirely different with it. The visuals reminded me of the Haunted Mansion at Disneyland. There’s a room to the right at one point, where you overlook a dining room and the patrons are dancing around the room – in the air – but they’re all ghostly and the food is old and the feeling is of death. This is the room I saw them in. The entire situation was surreal and odd and terrifying and in the end, bittersweet.
Your stories pull me in and become alive in my mind. You’re descriptively interesting and have a unique voice in each new story. I would love to read more from you, and sincerely hope you attempt publication. I’d buy it. read
Write a Comment
Submissions by PeacefullySubjected
-
This isn't a screenplay, it doesn't need a logline.
Reviews by PeacefullySubjected 136
-
A review of SKIN DEEPby PeacefullySubjected on 07/09/2009Well isn’t that the shit? I knew there was going to be a twist because you mention it in your production notes (and you’re right, it will save that way for a while) but I certainly wouldn’t have guessed as to the true twist. Haha – nicely done – it doesn’t pay to be shallow! Overall the story was well told, simple and concise. You gave a small background to Maria, enough... Well isn’t that the shit? I knew there was going to be a twist because you mention it in your production notes (and you’re right, it will save that way for a while) but I certainly wouldn’t have guessed as to the true twist. Haha – nicely done – it doesn’t pay to be shallow!
Overall the story was well told, simple and concise. You gave a small background to Maria, enough to understand her plight in wanting the beautiful blonde baby. Really the one little nit picky thing I can think to mention is calling Gladys the “older woman” when you say she’s late twenties. I hardly think of that as “older” but I understand that technically you’re correct in comparison to Maria.
Kudos. read -
A review of Blowguns and Boy Bandsby PeacefullySubjected on 07/08/2009This story ended on a note that made it impossible to hate. Dislike, maybe – but definitely not hate. Dislike might even be a strong word. Overall it had heart, and really, besides good writing, what more can you ask for from a story. This one had both. But there was enough for me to nit pick at on my way through that I didn’t care for it as much as I could have. Now,... This story ended on a note that made it impossible to hate. Dislike, maybe – but definitely not hate. Dislike might even be a strong word. Overall it had heart, and really, besides good writing, what more can you ask for from a story. This one had both. But there was enough for me to nit pick at on my way through that I didn’t care for it as much as I could have.
Now, I’ve never heard of a first person omniscient POV, but I’m sure it’s been done. It did throw me a little though. Why would Paul know all of these intimate details about the people around him without some clue in or overhearing it somewhere? And it wasn’t completely omniscient because he only knew about the officers and no one else in the story. So in that way, it was a little distracting.
I did appreciate that you filled us in with background information on Gina and Paul’s relationship throughout the story, but the paragraph at the top of page 5 was a little unclear the first read-through. A simple re-arranging of sentences might help clear it up.
Being unfamiliar with drug arrests, and unsure of the state in which this story takes place, I also want to assume that drug possession charges wouldn’t be brought up on these guys for an empty old pipe in the glove box. It’s implied that there were other drugs in the car somewhere by bringing them up on charges, but it might be a good idea to mention that. Minor, but significant when it comes to believability.
Two smaller issues I had were that if Gina’s mom married Paul’s Dad that would make Gina his step-sister, not his sister-in-law. And the “Kama Sutra” actually doesn’t have anything to do with “Karma.” But those are easy fixes.
In the end, I appreciated the relationship between the two friends and between Gina and Paul. They were eloquently told and are reminiscent of real life. I think with a spit polish to the rest of the story, you’d have yourself a real gem. read -
A review of Our Danse Macabreby PeacefullySubjected on 07/07/2009Mr. Wolf. I’ve been bored at work and have been plucking stories to read simply for the fun of it. I’ve come across 2 of yours today based solely on their premises alone – this one and “Itchy.” I love them both. You’re a unique storyteller – have you attempted getting published? I hope so. You should. I don't generally give Free Will reviews unless something strikes me,... Mr. Wolf. I’ve been bored at work and have been plucking stories to read simply for the fun of it. I’ve come across 2 of yours today based solely on their premises alone – this one and “Itchy.” I love them both. You’re a unique storyteller – have you attempted getting published? I hope so. You should. I don't generally give Free Will reviews unless something strikes me, and both of these did. But I'll commenton this one because it's most fresh in my mind.
Once Mr. Nametag started beating out the others to get a chair I wondered if it wouldn’t be a better idea to get taken out of the room. Sadly, I was right. I had a feeling it was going to go there – though you gave zero indication and could have done something entirely different with it. The visuals reminded me of the Haunted Mansion at Disneyland. There’s a room to the right at one point, where you overlook a dining room and the patrons are dancing around the room – in the air – but they’re all ghostly and the food is old and the feeling is of death. This is the room I saw them in. The entire situation was surreal and odd and terrifying and in the end, bittersweet.
Your stories pull me in and become alive in my mind. You’re descriptively interesting and have a unique voice in each new story. I would love to read more from you, and sincerely hope you attempt publication. I’d buy it. read -
A review of First Contactby PeacefullySubjected on 06/26/2009Okay so interesting concept here. I like the twist at the end and didn’t see it coming. Of course it makes complete sense but I don’t think I’ve ever read anything that took on the other side of that particular story. You have a good idea here. That said, the writing needs definite improvement. It’s very telling. The scientist did this. The pilot said that. The planet... Okay so interesting concept here. I like the twist at the end and didn’t see it coming. Of course it makes complete sense but I don’t think I’ve ever read anything that took on the other side of that particular story. You have a good idea here.
That said, the writing needs definite improvement. It’s very telling. The scientist did this. The pilot said that. The planet was blue and green. The ship was landing. Etc. There is nothing colorful to your writing, nothing descriptive to engage the reader or portray a picture of the people or the planet or the ship. What you want to do is make the reader care that this scientist is being captured and that the pilot is dying, that way when the twist comes at the end, the reader can empathize with these characters and maybe think about the situation in a different way. Right now there is no emotional involvement. I would recommend giving the characters names as well, so that we're not kept at such a distance from them.
Paint the scenery for us too. If the reader can visualize the places and things in the story AND put themselves in the place of the characters, then you have yourself a powerful story. Right now it reads like a first draft. One that needs editing for punctuation as well. I hope you’ll continue writing and maybe come back to this story after you’ve developed a little more skill in crafting a “show me” style so that you can give this story the attention it deserves. read -
A review of Candlestickby PeacefullySubjected on 06/26/2009This was a sweet little tale, even more so because I know it is real. You sandwiched the story about your dad into your visit to Candlestick lovingly. What great memories you must have of those times. It sounds like your dad was a good guy. As far as the writing goes there are 2 things that really stick out. The very first sentence, “…I was driving too fast on the 101... This was a sweet little tale, even more so because I know it is real. You sandwiched the story about your dad into your visit to Candlestick lovingly. What great memories you must have of those times. It sounds like your dad was a good guy.
As far as the writing goes there are 2 things that really stick out. The very first sentence, “…I was driving too fast on the 101 towards San Francisco reading the GPS going over my presentation when I saw…”
This is a bit nit picky – but without clarifying that you’re going over your presentation in your mind and checking the GPS it sounds like you’re driving a little dangerously there.
And at the end, you switch to present tense after the flashback with your dad is over. This would be fine if you started out in present tense, but you didn’t – so I think that was an oversight, but should be changed.
Overall the writing was very simple and heartfelt. A few more visual details might be in order but was good for the most part. I enjoyed your story, thank you for sharing! read -
A review of Adventures in Attawapiskatby PeacefullySubjected on 06/25/2009Being that these are just your trip notes, I think it’s a very entertaining little glance into the adventures that you had. I enjoyed it on a whole. I absolutely think you could make this into a story that would be much more colorful when you sit down to write it. I’m sure the people and the atmosphere of the place would lend itself to a pretty vivid picture. I would have... Being that these are just your trip notes, I think it’s a very entertaining little glance into the adventures that you had. I enjoyed it on a whole. I absolutely think you could make this into a story that would be much more colorful when you sit down to write it. I’m sure the people and the atmosphere of the place would lend itself to a pretty vivid picture.
I would have loved to read it that way as well.
There’s actually quite a bit to work with here that could give you comedy, drama, mystery, and horror (those plans rides would have KILLED me!) all rolled in to one lengthy piece. I’m not sure how much feedback you’re going to get with it this way and it may have been a better idea to go ahead and write the story – since these are just notes it’s hard to say how you should construct your story because that’s entirely up to you. I do think it’s worth telling though, and I hope you’ll upload it when you’re finished, I’d love to see the completed work. read -
A review of Darling, You Send Meby PeacefullySubjected on 06/25/2009Well Mr. Spirra, I think you did an excellent job with this one. You set the tone for the story from the very beginning and skillfully captured the desperation, sadness and loneliness of this character. It was vividly and colorfully told. I especially loved the dialogue between the husband and wife and how the hatred between the two just oozed over the page. I love how... Well Mr. Spirra, I think you did an excellent job with this one. You set the tone for the story from the very beginning and skillfully captured the desperation, sadness and loneliness of this character. It was vividly and colorfully told. I especially loved the dialogue between the husband and wife and how the hatred between the two just oozed over the page. I love how you referred to him only as “the man.” I think it would have been even more powerful had he referred to his wife by name at some point so that everyone else has a name and he can be left as the lone “nobody.”
There were a couple things – the jump from the kitchen to the car was a little awkward and I had to re-read that area to make sure I wasn’t missing something. You imply all along that he’s going to school to teach, but stumbling down the stairs to suddenly being behind the windshield didn’t work well for me.
The punctuation during the speech about Native Americans and Christopher Columbus is wrong so it was a little confusing. When you use quotations within a quotation, they should be single and not double. For example, “Donald was telling us a story about Mickey who he quoted as saying, ‘I didn’t say Minnie was crazy, I said she was effin’ Goofy!’ and then he proceeded to laugh himself silly.” Sorry, punchline to a bad joke.
I think you ended on a perfect note. It was the right amount of bitterness and pain. The entire episode with the class out on the lawn was horrifying and completely honest at the same time. I loved it.
Kudos. read -
A review of Checkmateby PeacefullySubjected on 06/22/2009This is a sweet sweet story. Not at all what I was expecting; I’m glad I had an opportunity to read it. The writing is clean, straightforward and simple. The story opens well, has a nice tone, and ends on a bittersweet and unexpected note. Just a few grammatical notes: “He just gave me that crooked smile, the one that he gives every time.” I think it’s implied that... This is a sweet sweet story. Not at all what I was expecting; I’m glad I had an opportunity to read it.
The writing is clean, straightforward and simple. The story opens well, has a nice tone, and ends on a bittersweet and unexpected note.
Just a few grammatical notes:
“He just gave me that crooked smile, the one that he gives every time.” I think it’s implied that he’s seen “that” smile a number of times, mentioning it’s every time made the sentence a little awkward for me.
“After all I am thirty-two years his younger.” I believe the correct term here is “junior.”
Very lovely. Kudos. read -
A review of Lucky Flakesby PeacefullySubjected on 06/18/2009I had a hard time with this one. I love the horror genre and I thought the idea of turning breakfast cereal into a horror story could be really interesting. I was curious just how you were going to manage it. Looking at the overall story as a whole – the idea here didn’t really sit well with me. Breakfast cereal possesses children to kill their parents and then turns them... I had a hard time with this one. I love the horror genre and I thought the idea of turning breakfast cereal into a horror story could be really interesting. I was curious just how you were going to manage it. Looking at the overall story as a whole – the idea here didn’t really sit well with me. Breakfast cereal possesses children to kill their parents and then turns them into evaporating goo. Hmmmm……not sure I buy it. That said, I would be hard pressed to come up with a better scenario. I do love the reference though, cereal killer, haha.
What I really enjoyed about the story was the relationship between the mother and son. Of course it was a terrible relationship, but I liked that you utilized that aspect in the story when it could have been otherwise mundane. I could understand perhaps why Tyler might want to murder his mother – cereal or no cereal. So I wasn’t terribly disheartened when he suddenly stabs her to death. Go Tyler!
The writing is what got in the way for me. When you first describe Tyler waking up and his need to be quiet, I think once or twice is the perfect amount to mention it, but you mention it for just about 4 lengthy paragraphs. She’s mean and he’s afraid to wake her up – got it. I felt the same way about the scene in the kitchen. The fact that he’s eating brown box cereal and has to take care of himself and that his mom works two jobs and that they’re poor was mentioned at least twice if not three times or more. For me, it was a little bit of overkill. Sometimes simple is better and not mentioning that he’s eating an offbrand cereal every time he looks at, opens, or pours the box is OK.
As soon as the Tyler-thing emerges is when the real story takes off. I’m just sad it only lasts for a page and a half. It felt a little rushed for me.
Overall it was a clever little story that could definitely use a revision or three. I hope you did well in the contest though. Kudos! read -
A review of No Good Deed...by PeacefullySubjected on 06/16/2009I think you’re right to be proud of this story. It’s excellent. I hate you for the ending, but I think it was appropriate. I’m getting on the “let’s get published” bandwagon right now and this could be submitted in a chapbook contest. You should look into it. I really don’t have a lot of criticism except to say that the license issue seems a little weak. I know you... I think you’re right to be proud of this story. It’s excellent. I hate you for the ending, but I think it was appropriate. I’m getting on the “let’s get published” bandwagon right now and this could be submitted in a chapbook contest. You should look into it.
I really don’t have a lot of criticism except to say that the license issue seems a little weak. I know you don’t want spoilers (which is REALLY hard to avoid btw, especially on such a complex story) so I can simply say that it’s hard to for us as the reader to put ourselves in the questionable frame of mind that Chris is in at the end when we saw exactly what happened. Perhaps if it was a little more vague, even to us, it might bring a little more perspective to the ending. Does that make sense?
Overall though, I thought this story was really strong and needs little improvement. There were a few spilling, punctuation and grammatical issues that would need to be resolved, but otherwise, very solid. I was hooked from beginning to end. Chris as a character is strong and I tended to be empathetic toward him. The story unfolds well and keeps pace well. Like I said, I hate you for the ending, but I completely agree with how you left it. Well done. read
Comments About PeacefullySubjected 68
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VictorFiction on 07/08/2009
Hey thanks for your review. From what you wrote I can tell that the piece is connecting on some level. The karma part was actually on purpose (hence, karma sutran instead of kama sutra) to show the ignorance of the officer and to introduce the idea of karma into Paul's thinking. The omniscience on behalf of Paul comes from my belief that Bea is a character in his story and that he should be allowed to be all knowing. Maybe it works and maybe it doesn't, but since it happens a couple times I feel like it reads 'on purpose'.
Probably not a great sign that I had to explain those, but all of your other suggestions are definitely going to fit into the next draft. You are a fantastic and fair reviewer.
Thanks for reading -
jkendell on 07/07/2009
Hi peacefully subjected
thanks very much for your recent criticism of Afterlife inc. your feedback is very helpful and given me plenty to think about. Several of your comments such as requiring further detail about the functionality of hte afterlife system are things that I have written, but cut as I was afriad I was getting caught up in the concept at the expense of the story. I shall have another look at it.
I would also be interested in your opinion of what for me is the underlying premise of the story. The reason we don't know much detail about what actually happens when you die and get transfered into the afterlife system (eg can people access the system and talk to their relatives?) is because I want to keep it deliberately ambiguous. We are never provided with any evidence that an afterlife system exists other than the building itself. The computers are disappointingly small and when Mike asks for further info he is cut off. Basically people belief in the afterlife system as a matter of faith, but they have this faith and adjust their behavour accordingly because the system is based on technology not 'spirituality'. The story is kind of a metaphor for how technology has replaced spirituality.
I realise this sounds unbelieveably pretentious, which I guess is the problem. Nonetheless I do think its an interesting idea. I guess my issue is how can I bring this theme into greater focus without 'giving the game away'?
thanks agian
Jkendell -
awohnout on 07/01/2009
Hey, thanks for the review of "Darling, You Send Me." You made some fantastic suggestions that I will definitely put to use during my revisions. The mention of the spouse's name is a brilliant idea. Also, thanks a lot for the punctuation catch. I'm glad you enjoyed it. Thanks again. -
DebraSwan on 06/26/2009
Thanks for the recommendation - I am starting to think that I might try it as a screenplay. To expand the areas that need expanding it would no longer fit into the short story category....at least that is my thinking at this particular moment.....wait....ah, yes that is my perspective at this particular moment still - at least until I finish the glass of merlot..... ;0 -
DebraSwan on 06/26/2009
Thanks for the review of Adventures in Attawapiskat. Your feedback is very helpful. I do want to do something more with this piece, and have struggled to keep my objectivity since it was such a personal experience. Having others critique it has helped me gain the perspective to move it forward, albeit I'm still not sure what form it will take - fiction or non.
Cheers,
Debra -
Leemanchee on 06/18/2009
Hi, thanks for reviewing 'Daydreamer'.
It's good to get feedback from someone who read the first. I appreciate your comments. It's based lightly based on my childhood, so ages are consistent with my own experience.
Glad you still liked it, this was my first re-write, so I was unsure what to take out, what to keep in etc.
Thanks again. -
Leemanchee on 06/12/2009
Hello again, thanks for the great review of 'Absolutely Flab-u-loss'.
Stone is how we, here in the UK weigh ourselves. There's 14lbs to a stone.
Thanks again.
-
justintagg on 06/10/2009
Hi,
What you said comes across to a point but I think they key is that we all know an 'Olivia'. I have known several in my life, flitting from here to there, experiencing life as an adventure and perhaps keeping us all on the outside for a good reason whilst we mistake this aloofness for strength (I suppose sometimes that's exactly what it is) and fill in the gaps they leave with impossible expectations which are, usually, extremely desirable.
I think, however, that these are things you cannot just say. Somewhere in the story Olivia will benefit from more subtle observation of her behavior and perhaps the fundamental differences between her and your narrator. I have had moments when things clicked and I spotted my 'Olivia' for who she was. Sometimes this makes them even more sad and beautiful but it is like the curtain being pulled back during the Wizard of Oz and us seeing what really lies behind.
To do this in such a short piece is difficult but if you can consider the values you need to reveal about Olivia, the differences, the information a reader needs to understand this point you can have fun with thinking of 10, 20 different ways, good or bad, this information COULD be revealed in a more visual way (i.e. through action and conflict rather than explanation, what type of scenario puts her under enough pressure to reveal her true nature). Give yourself some flexibility. This proces alone may help you understand your story better.
In this way we drink her in a little more, the components of her character strike chords with the 'Olivia' we have met in our past and all our connected associations.
Finally, you should consider what your anonymous narrator wants and needs. For example, your narrator may think he/she needs one thing which Olivia will provide, but upon seeing Olivia for who she is perhaps he/she realises that they already have all they need. (just an example). The way you reveal and the reason you reveal who Olivia really is may be structured around the arc of your narrator and may reveal a controlling idea/metaphor/moral which typifies the whole tale and in turn makes it even more powerful for a reader.
Hope this answers your question? I'm glad you are working on this more and would be very keen to read a further draft as it is a story which has universal themes at it's core (some waiting to be dug out of the earth a little) but it clearly also matters to you and a writer with a point of view is great for a reader!
One more point, I am keen to see how you have masked the gender of your narrator and also if you think that the reader may still lean one way or the other (i.e. give the narrator a gender) to help them understand the narrative? Test it out! Either way it would be interesting to know how people read it!
J
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Leemanchee on 06/04/2009
Thanks for reviewing 'A Night in Hell'.
I do have a book, its helped a lot. This short was more a concept than an actual story. Probably a chapter in something that could be much larger.
We shall see, thanks for the positive feedback. -
cc chayce on 06/03/2009
Hey, thanks a lot for your reviews of two of my stories. I appreciate the feedback. I've since taken the prison story down, since the revised version was getting worse reviews than the original (!) I think from now on I'll leave well enough alone! But I'm glad you liked El Camino. That one's pretty personal for me so it's gratifying when people tell me it evoked strong feelings in them. Thanks again. Cheers -
Cal
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Comments About PeacefullySubjected 68
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Quote
Hey thanks for your review. From what you wrote I can tell that the piece is connecting on some level. The karma part was actually on purpose (hence, karma sutran instead of kama sutra) to show the ignorance of the officer and to introduce the idea of karma into Paul's thinking. The omniscience on behalf of Paul comes from my belief that Bea is a character in his story and that he should be allowed to be all knowing. Maybe it works and maybe it doesn't, but since it happens a couple times I feel like it reads 'on purpose'.
-
Quote
Hi peacefully subjected
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Quote
Hey, thanks for the review of "Darling, You Send Me." You made some fantastic suggestions that I will definitely put to use during my revisions. The mention of the spouse's name is a brilliant idea. Also, thanks a lot for the punctuation catch. I'm glad you enjoyed it. Thanks again.
+ more commentsVictorFiction on 07/08/2009
Probably not a great sign that I had to explain those, but all of your other suggestions are definitely going to fit into the next draft. You are a fantastic and fair reviewer.
Thanks for reading
jkendell on 07/07/2009
thanks very much for your recent criticism of Afterlife inc. your feedback is very helpful and given me plenty to think about. Several of your comments such as requiring further detail about the functionality of hte afterlife system are things that I have written, but cut as I was afriad I was getting caught up in the concept at the expense of the story. I shall have another look at it.
I would also be interested in your opinion of what for me is the underlying premise of the story. The reason we don't know much detail about what actually happens when you die and get transfered into the afterlife system (eg can people access the system and talk to their relatives?) is because I want to keep it deliberately ambiguous. We are never provided with any evidence that an afterlife system exists other than the building itself. The computers are disappointingly small and when Mike asks for further info he is cut off. Basically people belief in the afterlife system as a matter of faith, but they have this faith and adjust their behavour accordingly because the system is based on technology not 'spirituality'. The story is kind of a metaphor for how technology has replaced spirituality.
I realise this sounds unbelieveably pretentious, which I guess is the problem. Nonetheless I do think its an interesting idea. I guess my issue is how can I bring this theme into greater focus without 'giving the game away'?
thanks agian
Jkendell
awohnout on 07/01/2009