WAS Screenplay of the Month finalist February 2011. "A British Army photographer creates an escape from life."
Daisy, Daisy . . .
Friends can be friends whoever they are...
SHORT LINK:
HOW IT RATES
- Concept
- Character
- Dialogue
- Story
- Structure
- Overall
Synopsis
Result of the Flea Dare: Buggin' out 5 pages of fun.**
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Comments About Daisy, Daisy . . . 3
jwest on 05/17/2013
gridlock on 09/01/2012
**DELETED ACCOUNT** on 06/08/2012
Points do go to you for creativity, as I said in the review. Nowhere have I read anything quite like it... it's Kafkaesque in its simplicity. Yet the structure has real problems. You need to bring Pete in at the end, if only as a random thought in Jill's head; it needs that circularity. Also I strongly suggest you cut all of the text before Jill is dressed in yellow and waiting for BART. (Also, is BART not all in caps? I dunno.) And if you move the focus off coffee drinks and onto something more substantial you will then be able to work in a plot, which obviously involves Pete, who takes up more than a page and has lots of dialog already. See, the plot doesn't need to be elaborate: it can encompass only Jill's attraction or repulsion for the man. But it does need to be there. Otherwise the lilting whimsical style of your prose becomes meaningless.
Your ending needs work too-- At the club, will Jill and the bug do a drug, or manage to get drunk? Will either of them find a date? Maybe that's your story, what occurs that night at the club. You can definitely emphasize that Jill is two-fisting it by ordering an extra cocktail (for the bug) which is a funny enough image to carry the reader along to the conclusion.