Albert Nobbs meets Three Days of the Condor
stevles
member since 11/11/2002 |
last login 04/05/2013
Have been an avid movie fan all my life. With Russ LaValle, a friend and writing partner, I've come very close to selling two scripts. But, as we all know, close is "no cigar." Like all of you, when it comes to...
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Bio
Have been an avid movie fan all my life. With Russ LaValle, a friend and writing partner, I've come very close to selling two scripts. But, as we all know, close is "no cigar." Like all of you, when it comes to writing,"giving up" is not an option. Good luck to all of us.
Submissions by stevles
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a screenplay by stevles
Reviews by stevles 122
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A review of The Carrier (rev.)by stevles on 10/15/2012The Carrier is a fast-paced, action-laced buddy/buddies movie, only, this time only one buddy out of four remains standing. It's Riley-Taker Vs. Richter-Keller, with only Richter left standing. There are a few other characters who manage to make it to the end credits alive, but you kind of get the feeling that somewhere down the line awaits their comeuppance. While the story... The Carrier is a fast-paced, action-laced buddy/buddies movie, only, this time only one buddy out of four remains standing. It's Riley-Taker Vs. Richter-Keller, with only Richter left standing. There are a few other characters who manage to make it to the end credits alive, but you kind of get the feeling that somewhere down the line awaits their comeuppance.
While the story is fresh, original and spiked with some real good banter, it is not quite ready for prime time. While the "fart all night" line works like a charm, too many others like "you're a walking contradiction", and "... looking for condoms", are either on the nose or fall flat.
I know that on the screen, all the characters are visual, easily distinguished and recognized, but on the page... the number introduced early on made my head spin. Will a professional reader, given this assignment, make it past the first ten pages?
Now, about the number of dead. Maybe a Tarantino can get away with it, but a newbie writer like yourself will have a tough time convincing a producer you're not copying
from the Masters. Another problem for mainstream America -- all the main characters are either greedy, murderous villains, or greedy murderous anti-heroes. All except Richter, a sniveling, cowardly loser.
As for the story itself, structure, originality, pacing and denouement? Nice job.
read -
A review of Colterby stevles on 02/25/2012While a too overly simplistic writing style and occasional miss-spellings tweaked my sensibilities, as bios go, this was a nice piece of work. Good guys, bad guys, exciting conflicts, heroic resolutions... Colter really does have it all -- well, almost all. As it stands right now, it's more a series of incidents (episodic) than a single story. Yes, Colter's quest is to find... While a too overly simplistic writing style and occasional miss-spellings tweaked my sensibilities, as bios go, this was a nice piece of work. Good guys, bad guys, exciting conflicts, heroic resolutions... Colter really does have it all -- well, almost all. As it stands right now, it's more a series of incidents (episodic) than a single story. Yes, Colter's quest is to find his friend, Potts, but that in itself is not pressing enough to carry us through from beginning to end. Besides, Potts goes on to get killed, leaving Colter, in the end, to run for his own life. I am sure with some tweaking, a more solid story can be constructed, one that could easily include all the fine elements already present in this historic true-life tale. Concept, characters, structure, and especially story, are first rate.
Going over my notes, I am reminded of some problematic dialogue sprinkled throughout the story. The scene in the saloon, for example, comes off as a tad cliched, it's drunken characters too broad to be believed or taken seriously. Captain Thorn, with a stock Captain Bligh "attitude" is another character in need of a freshening.
Overall, a job well done. And, good luck with any revisions you might care to make. read -
A review of The PRODIGALby stevles on 08/16/2011While the Prodigal was an entertaining read, it was, to say the least, fraught with problems. Too many, I mean, too many typo and technical errors intrude on, what should have been, a smooth read. Ketel One spelled Kettel One; Characters go uncapped; Sonny capped SSONY in one place, SON in another and SONNY SONNY (pg. 57) in a third. Edna let's go of an arm instead of... While the Prodigal was an entertaining read, it was, to say the least, fraught with problems.
Too many, I mean, too many typo and technical errors intrude on, what should have been, a smooth read. Ketel One spelled Kettel One; Characters go uncapped; Sonny capped SSONY in one place, SON in another and SONNY SONNY (pg. 57) in a third. Edna let's go of an arm instead of lets go (without apostrophe pg. 61.
Too many CUT TO's and CU's spoil the flow, as well.
More importantly, the dialogue among all of the "New York" characters is less New York than Catskill/Borscht-belt shtick that Billy Crystal and Neil Simon would disown... okay, maybe not Neil Simon. Interestingly, all the characters under the age of 55+ deliver some real smart dialogue. Melissa's intro to Sonny, for example, is first-rate. As for Solly, Frannie, Evie and Jake... "Oy vey!" doesn't begin to describe the stereotypical dialogue they're saddled with. And poor Alex, must she say "ju" almost every time she speaks?
As for Sonny, I can't possibly believe this so ethnic an actor/character could ever be a star outside of Hester Street. As for Melissa's fate at the hands of director Cody's frat boy antics, there needs to be more there for it to ring true. Finally, and maybe it's just me, but I don't see how Sonny and his dad's reunion (with Robbie) back in NY pulls the piece together.
The positives;
As I've already stated, the dialogue given the younger characters is more than good. Melissa's character is beautifully drawn and Cody's is properly despicable.
The story itself, of an aging star in need of a new life, is not a bad one. Sonny is a likeable protagonist, a guy you really want to root for.
I think the story is there, from first page to last. Maybe you can, in its current form, find an independent producer with a fondness for this antiquated art form. If not, you might consider restructuring the characters where perhaps Sonny is the bridge between the Evie and Franny's of the world and everyone else that follows.
Good luck with this. If you do re-write it with a more contemporary edge, let me know.
read
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Submissions by stevles
-
a screenplay by stevles
Albert Nobbs meets Three Days of the Condor
Reviews by stevles 122
-
A review of The Carrier (rev.)by stevles on 10/15/2012The Carrier is a fast-paced, action-laced buddy/buddies movie, only, this time only one buddy out of four remains standing. It's Riley-Taker Vs. Richter-Keller, with only Richter left standing. There are a few other characters who manage to make it to the end credits alive, but you kind of get the feeling that somewhere down the line awaits their comeuppance. While the story... The Carrier is a fast-paced, action-laced buddy/buddies movie, only, this time only one buddy out of four remains standing. It's Riley-Taker Vs. Richter-Keller, with only Richter left standing. There are a few other characters who manage to make it to the end credits alive, but you kind of get the feeling that somewhere down the line awaits their comeuppance.
While the story is fresh, original and spiked with some real good banter, it is not quite ready for prime time. While the "fart all night" line works like a charm, too many others like "you're a walking contradiction", and "... looking for condoms", are either on the nose or fall flat.
I know that on the screen, all the characters are visual, easily distinguished and recognized, but on the page... the number introduced early on made my head spin. Will a professional reader, given this assignment, make it past the first ten pages?
Now, about the number of dead. Maybe a Tarantino can get away with it, but a newbie writer like yourself will have a tough time convincing a producer you're not copying
from the Masters. Another problem for mainstream America -- all the main characters are either greedy, murderous villains, or greedy murderous anti-heroes. All except Richter, a sniveling, cowardly loser.
As for the story itself, structure, originality, pacing and denouement? Nice job.
read -
A review of Colterby stevles on 02/25/2012While a too overly simplistic writing style and occasional miss-spellings tweaked my sensibilities, as bios go, this was a nice piece of work. Good guys, bad guys, exciting conflicts, heroic resolutions... Colter really does have it all -- well, almost all. As it stands right now, it's more a series of incidents (episodic) than a single story. Yes, Colter's quest is to find... While a too overly simplistic writing style and occasional miss-spellings tweaked my sensibilities, as bios go, this was a nice piece of work. Good guys, bad guys, exciting conflicts, heroic resolutions... Colter really does have it all -- well, almost all. As it stands right now, it's more a series of incidents (episodic) than a single story. Yes, Colter's quest is to find his friend, Potts, but that in itself is not pressing enough to carry us through from beginning to end. Besides, Potts goes on to get killed, leaving Colter, in the end, to run for his own life. I am sure with some tweaking, a more solid story can be constructed, one that could easily include all the fine elements already present in this historic true-life tale. Concept, characters, structure, and especially story, are first rate.
Going over my notes, I am reminded of some problematic dialogue sprinkled throughout the story. The scene in the saloon, for example, comes off as a tad cliched, it's drunken characters too broad to be believed or taken seriously. Captain Thorn, with a stock Captain Bligh "attitude" is another character in need of a freshening.
Overall, a job well done. And, good luck with any revisions you might care to make. read -
A review of The PRODIGALby stevles on 08/16/2011While the Prodigal was an entertaining read, it was, to say the least, fraught with problems. Too many, I mean, too many typo and technical errors intrude on, what should have been, a smooth read. Ketel One spelled Kettel One; Characters go uncapped; Sonny capped SSONY in one place, SON in another and SONNY SONNY (pg. 57) in a third. Edna let's go of an arm instead of... While the Prodigal was an entertaining read, it was, to say the least, fraught with problems.
Too many, I mean, too many typo and technical errors intrude on, what should have been, a smooth read. Ketel One spelled Kettel One; Characters go uncapped; Sonny capped SSONY in one place, SON in another and SONNY SONNY (pg. 57) in a third. Edna let's go of an arm instead of lets go (without apostrophe pg. 61.
Too many CUT TO's and CU's spoil the flow, as well.
More importantly, the dialogue among all of the "New York" characters is less New York than Catskill/Borscht-belt shtick that Billy Crystal and Neil Simon would disown... okay, maybe not Neil Simon. Interestingly, all the characters under the age of 55+ deliver some real smart dialogue. Melissa's intro to Sonny, for example, is first-rate. As for Solly, Frannie, Evie and Jake... "Oy vey!" doesn't begin to describe the stereotypical dialogue they're saddled with. And poor Alex, must she say "ju" almost every time she speaks?
As for Sonny, I can't possibly believe this so ethnic an actor/character could ever be a star outside of Hester Street. As for Melissa's fate at the hands of director Cody's frat boy antics, there needs to be more there for it to ring true. Finally, and maybe it's just me, but I don't see how Sonny and his dad's reunion (with Robbie) back in NY pulls the piece together.
The positives;
As I've already stated, the dialogue given the younger characters is more than good. Melissa's character is beautifully drawn and Cody's is properly despicable.
The story itself, of an aging star in need of a new life, is not a bad one. Sonny is a likeable protagonist, a guy you really want to root for.
I think the story is there, from first page to last. Maybe you can, in its current form, find an independent producer with a fondness for this antiquated art form. If not, you might consider restructuring the characters where perhaps Sonny is the bridge between the Evie and Franny's of the world and everyone else that follows.
Good luck with this. If you do re-write it with a more contemporary edge, let me know.
read -
A review of American Independentby stevles on 03/09/2011First, let me congratulate the writer for an extremely entertaining two hour read. The topic, for this site at least, was refreshing, original and thought-provoking. Having said all that, I must confess that if I were judging this (reader) for a studio, I would have to pass on it for the following reasons: Too preachy - Santa Fox, the radio DJ is too much the mouthpiece... First, let me congratulate the writer for an extremely entertaining two hour read. The topic, for this site at least, was refreshing, original and thought-provoking. Having said all that, I must confess that if I were judging this (reader) for a studio, I would have to pass on it for the following reasons:
Too preachy - Santa Fox, the radio DJ is too much the mouthpiece for an extremely sour and dark philosophical take on today's America. He's just too over the top for a story that, in itself, without the help of this over-aged hippie, is over the top enough.
Too many easy answers that needed answering - The Grip overhearing the plan, Kathleen's mother and Jordan's Ex, the left-handed gun thing on the videos, the fake murders...
The Roosevelt subplot - the whole cancer thing just didn't work for me, even though the idea of his wife maybe never having had cancer in the first place, was intriguing.
Satire, even the dark conspiratorial self-loathing variety, is not easy to pull off. The reality show concept is an original and interesting idea, but I think for it to be believed, it should be toned/quieted down a notch. Americans, believe it or not, both the liberal and conservative kind, like their heroes strong, but soft-spoken. Teddy Roosevelt said it best. "Speak softly but carry a big stick."
I've always found American satire to be too hysterical, too broad, too over the top - almost cartoon-like in its depiction of whomever, whatever it's trying to satirize. But, that's just my opinion.
Even with my reservations, I'm rating this script highly.
Good luck with the re-write.
read -
A review of Oh Sinner Manby stevles on 10/26/2010Ordinarily I'm able to read and digest a script in one sitting, but Oh Sinner Man cost me several hours over several days to finish. For all of its confusions, it was a surprisingly interesting and entertaining read, a tribute to the writer's ability to keep me glued while hopelessly confused. Were all the dream sequences dreams or were they out and out murders? Did Robert... Ordinarily I'm able to read and digest a script in one sitting, but Oh Sinner Man cost me several hours over several days to finish. For all of its confusions, it was a surprisingly interesting and entertaining read, a tribute to the writer's ability to keep me glued while hopelessly confused. Were all the dream sequences dreams or were they out and out murders? Did Robert kill his brother, mother and Florence, or didn't he? How did Gil-Martin manage it all, anyway? As for Drummond's hand in George's murder by his brother's sword... someone needs to help me out here. In the end, I was as confused and as discombobulated as poor Robert. Maybe I need to read the book this is based on, but then again, I'm not sure how well I'll understand a novel penned in 1824.
Hey, the bottom line... It was an enjoyable read. Characters had character and dialogue, though from an antiquated time, was easy to follow and understand.
As for this story making it as a movie, I have my doubts. Firstly, it reads too much like a (good) play and not a film. The few dream-like sequences involving tiger-wolves, etc. aren't enough for a big screen treatment. On top of that, period pieces, even if bracketed by the present-day, don't fare too well with today's audience.
All of the above aside, for me, any re-write should first and foremost make clear (dumb down) for the viewer exactly what is going on, or who's really doing what to whom?
Good luck.
read -
A review of Let Them Come Apartby stevles on 09/19/2009Like so many horror films, this one has the usual complement of ups and downs. Great idea, wounded couple looking outside marriage to save/destroy a fragile relationship. All the bad karma between them gets worse when the stud they bring home is some kind of sexually charged and starved bloodsucking vampire. The rest of the story, though quite good, is a tad too predictable... Like so many horror films, this one has the usual complement of ups and downs. Great idea, wounded couple looking outside marriage to save/destroy a fragile relationship. All the bad karma between them gets worse when the stud they bring home is some kind of sexually charged and starved bloodsucking vampire. The rest of the story, though quite good, is a tad too predictable. And the climax, in the work shed is frustratingly ridiculous. I mean, how dumb and careless can Scott and Travis be? The epilogue, in Ireland, an almost unnecessary add-on, not at all helped by a typical horror movie ending. Still, it was a fun read with some real original storytelling.
The storytelling -- it leads to another problem. With all the voice-overs, flashbacks and action lines that tell, rather than show, the script, as written, reads more like a novel than screenplay. A major correction is needed, but given the story foundation and flow of action, converting it into a true screenplay should not be difficult.
Finally, there are too many distracting spelling mistakes throughout the story. For starters, see pages, 28, 29 and 30. dinner/diner;he sandal/her sandal;teeth barred/teeth bareed;out of breathe/out of breath.... well, you get the idea.
Overall, a fun read that delivers most of the goods found in the genre. Good luck with the re-write.
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A review of Symptoms of Betrayal(7/09)by stevles on 07/28/2009Symptoms of Betrayal is a valiant attempt at putting together, via flashback, the reasons behind a school shooting. Pulling it off, however, proves to be too difficult, at least for this go-round, and the end, though revealing, is too abrupt, leaving this reader confused and unfulfilled. How to make it better? Reduce/consolidate the number of flashbacks. I understand the... Symptoms of Betrayal is a valiant attempt at putting together, via flashback, the reasons behind a school shooting. Pulling it off, however, proves to be too difficult, at least for this go-round, and the end, though revealing, is too abrupt, leaving this reader confused and unfulfilled. How to make it better?
Reduce/consolidate the number of flashbacks. I understand the need to give the viewer everyone's back-story and perspective leading up to the shootings, but I think the number of cuts and scene changes will overwhelm, not enhance, the story-telling. Another problem - Cody's mom and dad are not shaken up enough over the death of their son. One week later and they're both back at work? And Mrs. Williams... it's one thing to characterize/present her as a cold fish, but her iciness, as portrayed here, is just too unbelievable, even laughable... something I'm sure was not intended. The kids, on the other hand, are nicely developed, each with his/her own unique obnoxious characteristics; however, like their adult counterparts, some of their actions and decisions are not to be believed. The bathroom sex, the marriage proposal, wanting the baby, etc. And then there's Cody's death, at the hands of his father... and Dan's cover-up. What, exactly, is that all about? Did Williams see a gun? If he did, will that make him feel better about killing Cody? Will it somehow exonerate him? Finally, the last act should end where it all began, not at the place where Todd gets his reason for shooting the unlucky trio.
A re-write, done smartly, with more character depth, and realistic character behavior, could really work here. The writer tells his story with a quick-paced, no nonsense style, a real plus for anyone hoping to be "read." read -
A review of Unconditional (Rev 2.1)by stevles on 07/23/2009Unconditional is a terrific read. Nice characters, nice story, no real bad guys (ok... Pete is the obligatory antagonist, but, as bad guys go, he's not bad enough)... and for the tone of this script, that's okay. Now, terrific read does not necessarily translate into terrific script. There are some problems, but, for me, they are not too difficult to resolve. At the get-go,... Unconditional is a terrific read. Nice characters, nice story, no real bad guys (ok... Pete is the obligatory antagonist, but, as bad guys go, he's not bad enough)... and for the tone of this script, that's okay. Now, terrific read does not necessarily translate into terrific script. There are some problems, but, for me, they are not too difficult to resolve. At the get-go, ramp up Gerry's displeasure/discomfort with his status. The killer/stalker, etc. just isn't enough to put him on the "open road" to recovery. Go for it, even if it appears outrageous... the audience needs to see/feel more if it's going to accept Gerry's "dropping out" of what appears to be a "dream" lifestyle.
Everything else, pretty much, is aok. If you can, though, you might want Gerry to reveal his identity a little later on in the story. The audience could lose interest too early on with the revelation coming on as early as it does.
Some other notes:
You describe Max twice early on. Once will suffice.
On pages 68 and 69. you have a spelling meltdown. It's "affect" not "effect". It's "discreetly" not "discretely." Finally, and I could be wrong here, on page 107, I think it's a "blue", not "green" screen that actors play against on today's digital SFX movie sets.
Overall, nice writing job... with a great assist from the "service dog" actor's union. read -
A review of LIFE AMONG THE RUINSby stevles on 07/14/2009It's obvious from the attention to detail that one of the writers spent a great deal of time working in a local NY supermarket. The long intro, with a multitude (maybe too much of a multitude) of characters, is interesting and entertaining enough to keep us reading. Life Among the Ruins is a breezy, easy to follow and entertaining character study; however, it's almost one-set... It's obvious from the attention to detail that one of the writers spent a great deal of time working in a local NY supermarket. The long intro, with a multitude (maybe too much of a multitude) of characters, is interesting and entertaining enough to keep us reading. Life Among the Ruins is a breezy, easy to follow and entertaining character study; however, it's almost one-set piece and character-driven plot makes it more suitable for stage/TV than big screen. Plays always read better than scripts, and this congratulatory effort kind of proves the point. I suggest an opening up of the story in the same way screenwriters attempt to revamp Broadway shows. Take the drama out of the supermarket and into the street wherever possible w/o sacrificing the character interaction, tension and conflicts that make this story work.
As for the story itself, you might want to consider toning down the hot tempers of your main characters. Bobby, Jackie and Vin are just a little too over the top to be believed -- especially Bobby, since he is the "good guy" protagonist here. Without an actor in front of me playing the part, I'm not sure how strongly I feel about his past, present and future life.
Overall, an enjoyable, well-written "indie" script. Looking forward to a re-write. read -
A review of Dos Angelesby stevles on 07/13/2009Dos Angeles is short, original and clever, but it is by no means an easy read. Interspersing music/lyrics into what is already an unconventional, highly abstract story, slows the quick-paced action to a crawl -- not necessarily a bad thing when the reader has the time to digest it all, but a deal killer if the reader is a professional hoping, no, praying to breeze through... Dos Angeles is short, original and clever, but it is by no means an easy read. Interspersing music/lyrics into what is already an unconventional, highly abstract story, slows the quick-paced action to a crawl -- not necessarily a bad thing when the reader has the time to digest it all, but a deal killer if the reader is a professional hoping, no, praying to breeze through everything he/she is assigned to read. Keep all of this in mind when tackling the re-write. As for the story itself, while I'm not a big fan of the genre (quirky musical?), I really do appreciate the creativity and effort put into telling a story so uniquely. The characters are well-drawn, though it's hard for me to decide if it's Dream or Hero you have as the main character. Also, the sexual ambiguity of many of the secondary characters left me a little confused. You often refer to Dream as a "He", and then just as often refer to her as a "She." On another, more important point, though Angel and Hero's characters are nicely realized, the romance, the spark between them, didn't resonate with me. I'd try and build their interest in each other more gradually, more deeply, if possible, than what's currently written.
Finally, be careful with action (non-dialogue) paragraphs. On page 31, too much back-story is given the reader, information I couldn't possibly see on the screen.
Overall, good job -- and good luck with the re-write. read
Comments About stevles 15
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eastb on 09/16/2012
Hello Dear!!! .
How are you ,i hope you are ok ,sincerely i saw your beautiful profile at(labs.triggerstreet.com)and wish to contact you for me to know you the more.Remember that age distance or color does not matter but love matters allot in life email me
direct to my private email id(easterrouee@yahoo.com)If you reply me with your email id in your reply ,i will send you.Happy to know you.
Yours.
Easter
-
DontStealMyScript on 07/11/2012
Thanks for your review of THYI! -
mbannonb on 06/23/2012
Thanks for the feedback. -
10pagesaday on 04/10/2012
I appreciate your review of HOOD LEGEND. You make some good points. -
Christopher O'Rourke on 01/30/2012
Thanks for reading and reviewing "Night Falls on Manhattan". Sorry the premise didn't work for you, but I appreciate you taking the time to share your thoughts.
Cheers-
Chris -
**DELETED ACCOUNT** on 01/01/2012
Thanks for your read and review of my screenplay, George's Sister Maggie. I'm in the midst of re-writing the screenplay as we speak, and will take your suggestions to heart. Best wishes and good luck with your work as well... -
jasonstrickland on 07/25/2011
Thanks for the bit about the bloody dress. I missed the connection and I apologize. Overall, how did I feel about her journey? I feel that it was pretty well done from a craft point of view. Emotionally, I wanted her to succeed - there was no apathy. Her character was developed enough, certainly. She didn't seem to have any real transformations of character. She is the same person at the beginning of the story as she is at the end of the story. She has a want - to get out of debt and to solve her unfolding crisis - and she meets the want. I'm not so sure she really has an emotional need though beyond that - a need in her core personality - some character flaw that gets a boost from her undergoing this trial. Time travel is a tricky business - trying to dot your i's and cross your t's. I applaud you for the job you did do. I've read a couple other time travel scripts, and I believe yours is the best of those so far. If you have any other questions, feel free. -
ItalianIce on 03/10/2011
Thanks for the review -- I'm curious to see where I take this on the second draft.
It could be a comedy or over-the-top nuts like Network or something that people discuss because it's so deep.
I'm really wrestling with where I should go with this. lol -
gridlock on 02/14/2011
Thanks for your review of Buyer Beware!
JD -
Rfordyce on 10/28/2010
Stephen, thanks very much for your review of 'Oh Sinner Man'. Much appreciated. The story is open-ended and ambiguous, but that's a reflection of the original novel (which I'm in love with).
Good luck with all you do,
Richard
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Comments About stevles 15
-
Quote
Hello Dear!!! .
-
Quote
Thanks for your review of THYI!
-
Quote
Thanks for the feedback.
+ more commentseastb on 09/16/2012
How are you ,i hope you are ok ,sincerely i saw your beautiful profile at(labs.triggerstreet.com)and wish to contact you for me to know you the more.Remember that age distance or color does not matter but love matters allot in life email me
direct to my private email id(easterrouee@yahoo.com)If you reply me with your email id in your reply ,i will send you.Happy to know you.
Yours.
Easter
DontStealMyScript on 07/11/2012
mbannonb on 06/23/2012