To bring peace back to Heaven, a fallen Archangel must find a way to return home.
wildandfree74
member since 12/09/2007 |
last login 02/26/2012
I find humor envisioning "what could go wrong here to make me laugh." Like someone drinking coffee in a car and suddenly, the airbag goes off in their face. I have that kind of imagination....
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I find humor envisioning "what could go wrong here to make me laugh." Like someone drinking coffee in a car and suddenly, the airbag goes off in their face. I have that kind of imagination.
Submissions by wildandfree74
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a screenplay by wildandfree74
Reviews by wildandfree74 21
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A review of Of Wolf and Manby wildandfree74 on 06/04/2009I enjoyed the script throughout, I must say, even though we are a bit slow in the beginning, we had good clean “boys being boys” humor and testosterone. I am an avid outdoorsman so I was excited to receive this assignment. Being such, I will mention what I question. First off, you have a wonderfully small cast. These characters are very different in description, but too similar... I enjoyed the script throughout, I must say, even though we are a bit slow in the beginning, we had good clean “boys being boys” humor and testosterone. I am an avid outdoorsman so I was excited to receive this assignment. Being such, I will mention what I question.
First off, you have a wonderfully small cast. These characters are very different in description, but too similar in voice. Sure Tim is the quiet and timid early on, but they all talk the same. I am not sure if New Hampshire has a dialog, but could someone have picked up a New York dialog possibly, slang? Bud stands out a bit with a strong front. Not sure how to put this but the cursing is welcomed and fitting for the characters. Nice
I found no spelling errors but since you must have been reviewed a bunch by now, I didn’t spend much time there. The read is very quick, good descriptive writing without a lot of black. You can always tighten this up a bit, like page 1, “The other driver responds by laying on the his horn”, could read “The cut-off driver lays on his horn.”
The formatting is also good although on page 43, you restate EXT. WOODS – NIGHT, as it was the scene header before it.
Pg6. Danny’s comment that she’s prey and Tim should move in for the kill is a bit cheesy or lame alone, add to it, make it more sexual I think. If it was me with your characters I'd have her pants at her ankles...in dialog.
Pg12. The deer in the road is (or would be)too easy to see and if you actually ran it over, you would damage the crap out your vehicle. A raccoon or skunk, something smaller could give you the same effect. Unless you could use the deer as a red herring? Say, that’s odd, a big piece of that deer was missing, bitten off perhaps?
Pg14. Danny “you’ve already had your first kill. It would make more sense to me if Danny stated he had killed more deer than botulism – after Buds remark “it’s been over a year…”
Pg17. The way you try to conceal the fact Tim shot the deer but gives Dave the credit is confusing. At least Bud could say, “thanks for slowing ‘em down, Dave.”
Pg18. Me and all my friends cannot carry a whole buck, nor would we since you can easily drag the thing using those convenient horns for handles. If you have done either, you know it’s a big task either way, isn’t it? Ug. Why didn’t you call it a heavy F-er?
Pg29. I wouldn’t say “rays of dawn.” Daylight breaks through?
Pg41. I love the intrigue of the dump and the action to follow, but the story goes from dusk to night during. That’s a long dump, just thought I’d point that out. Funny though.
Pg65. Why does Tim say “Thank God?” Explain. Is this because he “still has” the knife?
Pg67. Why was the low battery cell phone…on???? A roaming phone dies quicker.
Pg71. The work almost appears. I like to do, or do not. Leap, or don’t leap.
Pg74 has an extra space after “pick it up!”
I believe this to be re-drafted several times over. I also believe you are getting at something good. I was really hooked between pages 45-50, but not until then. As I said, fun, but not grabbing. You may need to mention the point of the story earlier, being the effect of war on the mind. Not sure what you intend, but I figured it was Dave by about page 40. Introducing a legend or the deer could have thrown me off. The tracks from the pit, you mentioned they went the wrong way but you could nail that down more.
Nice use of wolf moon.
Who owned the land they were on?
If they hunt it, did neighboring owners hunt?
If so, Dave is in deep shit from other hunters………
Then, you could end this with “we’ll know if he’s alive if his legend grows or is heard of. Give his legend a name, the War Wolf…just saying.
Why the hell was their a canoe in the pit?
The fellas guess Dave was in the pit. You can confirm that with his lighter being left there.
Nice job here and good luck. If you are or know some vets, thank you. read -
A review of The Night Country (Rev.)by wildandfree74 on 05/10/2008I was impressed at the over-all formatting and descriptive nature of the script. You did a fine job as a screen writer there, obviously, you are not new to formatting. I would suggest a few less parentheticals though. Structure wise, you are not far off but the story line is lacking details that drive me nuts. For instance, I was lost regarding the old man until I began to... I was impressed at the over-all formatting and descriptive nature of the script. You did a fine job as a screen writer there, obviously, you are not new to formatting. I would suggest a few less parentheticals though. Structure wise, you are not far off but the story line is lacking details that drive me nuts.
For instance, I was lost regarding the old man until I began to re-read/search for earlier instances of the old man. There, shows my lack of comprehension. Nice. You actually did a fine job with that character until the point he showed up dead. Was this Eunice’s husband – the Zodiac – who turns good at the bitter end and is done in by Eunice in the end? And, if not, who the heck is it and who the heck met him with the information? Then, why is Monique openly discussing this – understanding the information in the briefcase so quickly – with the old man, then not suspicious to Eunice in the end?
These are my opinions, which are subject to being off so I hope, in a way, they may help somewhat.
The script read fast, except for the lacking details, and was extremely accurate in subject detail. You descriptions, again, are great. Work in the story a bit and do tidy up the many loose ends. If you pitch this as Scooter out smarting a wise man, it appeared to me Chance did it, not Scooter.
At the character level, you have woven a nice little sub plot with the Zodiak family. Work that. In fact, a re-write should focus on that. Scooter did not appeal to me at all. I could not root for him at any time. He appeared weak and was taken advantage of. There was no physical evidence of Roger having anything to do with Michael’s death, which makes Roger’s death (assuming Roger died) cold blooded murder – making it homosexual rage (pg20) – tough to swallow, lots of controversy. If you make Scooter that way, make it that way, give him an edge, otherwise I’d avoid that.
Why is there no resolution to Michael’s death. Yes, you off Roger but, give me proof.
I will explain what I had issues with. Disregard if I am dead wrong.
Pg2 Don’t capitalize parenthetical. You could describe there will be an echo versus used parenthesis. Shouldn’t Roger exclaim he is back “on rope?” Try to avoid multiple character introductions.
By the way, the fight has Roger almost falling on page 3 in Holy Cross. On page 28 you describe that scene but were referring to Scooter as the one who almost fell, in Vulture Cave. If there were two similar instances, that can be confusing but then should be used to fan the flames for Scooter’s hate for Roger.
Pg5 Roger states his desire for a depth record. In Night Cave, that agenda is never brought up.
Pg7 Great match cut into Zandy’s photo.
Pg10 Monique asks too many questions without response back.
Pg13 Ext. Dirt Road. Turning off paved road redundant.
Pg19 Lower income urban area not moving story forward. You can drop if you find that you add more and need to make room.
Pg21 Monique’s second dialog meeting scooters first. Too many spoken words. Shorten up. And, if Scooter believes cavers are not careless, where is his proof Michael wasn’t and why does he almost scare Roger to death and not assist him?
Pg22 I though Scooter had hope on this page. You can move on using Scooter but should build on this.
Pg26 Two time redundant, the dialog on the undiscovered, wild, concealed caves.
Pg27 I was thinking there are too many cave names to remember at this point, when Scooter speaks of the one he discovered a few months ago. There are only more to come.
Pg28 They should disengage their backpacks, not from them.
Pg30 and later. The fossil adds nothing and if it did, there is no description of it.
Pg39 The partially obscure license plate sentence is not worded properly. Great way to insert a line about dad. Work that, yeah.
Pg42 Gomez is real profound. “A major problem.” He should be profound or be made to look like a small timer all along. Come up with something to make me sweat or that will build up some anticipation.
Pg49 Not sure why you need the dialog to Max.
Pg53 Gomez would or should stop talking after “let go of the past.” He would be trained not to go into psycho babble if he were profound and worthy of his roll.
Pg81 Where did old guy go. I know where he ends up but didn’t catch that he wasn’t with Monique, or that Monique wasn’t with or following him. Since it appeared he was helping her anyways.
The Mountain lion evidence. I am not going to look this up but I know them to attack when hikers stumble upon them. They are not known to stalk human. Like most animals, they would try to avoid. Just sayin’.
Why does Jessie capture Eunice’s eye, and does he head for the office when Monique flies out?
I think the dialog could be worked to sound like the southwest a bit more. It also appears dry but would be accurate. Try a little peyote talk.
Okay, I think you should work in the Zodiak as the theme. Keep Zodiac hidden but make me think this is a caving serial killing flick versus a “Ghost and the Darkness” movie until you drop the cool, cool, Zodiak in. Good luck with that.
Acts II & III run into each other a little.
I enjoyed reading. I was anticipating the suspense but did not expect what I read. Good luck with this project. I am one of a small ratio of the U.S. population that probably has rock climbed and been in caves. read -
A review of The Last Buffaloby wildandfree74 on 01/21/2008Let me start by saying that I really enjoyed this story. Your screenplay was well written but there are some un-necessary descriptions and a few grammatical errors, missing words, that need to be corrected. For example, you could state on page one “Progress has just passed the old world” by someone like Billy. Or on page four, Billy could state “It is a sad image of lost things.”... Let me start by saying that I really enjoyed this story. Your screenplay was well written but there are some un-necessary descriptions and a few grammatical errors, missing words, that need to be corrected. For example, you could state on page one “Progress has just passed the old world” by someone like Billy. Or on page four, Billy could state “It is a sad image of lost things.” Since you have a narrator, use him in these cases. On page 65, leave Twitter to state he’s a writer, don’t describe that.
I found Tom to be larger than life, as well as Juan in his roll, and legends like Black Kettle and Goodnight. Star honored the Native American culture and was a great antagonist. Your cowboys do their jobs. The dialog between Tom and Juan is good, as is the development of their friendship, never ceasing to bicker at one another but respecting each other. King Arthur was a wonderful character to bridge the times but I put him at age 44 at his death, a little too old to be tearing up the ranch in the hunt; careful with that.
You didn’t mention what Tom was sickened from or how he was cured. I was somewhat surprised to see him outlive Star in the end. Overall, the author did his homework on the history and wrote visual and telling tale in this genre. Good job. read
Write a Comment
Submissions by wildandfree74
-
a screenplay by wildandfree74
To bring peace back to Heaven, a fallen Archangel must find a way to return home.
Reviews by wildandfree74 21
-
A review of Of Wolf and Manby wildandfree74 on 06/04/2009I enjoyed the script throughout, I must say, even though we are a bit slow in the beginning, we had good clean “boys being boys” humor and testosterone. I am an avid outdoorsman so I was excited to receive this assignment. Being such, I will mention what I question. First off, you have a wonderfully small cast. These characters are very different in description, but too similar... I enjoyed the script throughout, I must say, even though we are a bit slow in the beginning, we had good clean “boys being boys” humor and testosterone. I am an avid outdoorsman so I was excited to receive this assignment. Being such, I will mention what I question.
First off, you have a wonderfully small cast. These characters are very different in description, but too similar in voice. Sure Tim is the quiet and timid early on, but they all talk the same. I am not sure if New Hampshire has a dialog, but could someone have picked up a New York dialog possibly, slang? Bud stands out a bit with a strong front. Not sure how to put this but the cursing is welcomed and fitting for the characters. Nice
I found no spelling errors but since you must have been reviewed a bunch by now, I didn’t spend much time there. The read is very quick, good descriptive writing without a lot of black. You can always tighten this up a bit, like page 1, “The other driver responds by laying on the his horn”, could read “The cut-off driver lays on his horn.”
The formatting is also good although on page 43, you restate EXT. WOODS – NIGHT, as it was the scene header before it.
Pg6. Danny’s comment that she’s prey and Tim should move in for the kill is a bit cheesy or lame alone, add to it, make it more sexual I think. If it was me with your characters I'd have her pants at her ankles...in dialog.
Pg12. The deer in the road is (or would be)too easy to see and if you actually ran it over, you would damage the crap out your vehicle. A raccoon or skunk, something smaller could give you the same effect. Unless you could use the deer as a red herring? Say, that’s odd, a big piece of that deer was missing, bitten off perhaps?
Pg14. Danny “you’ve already had your first kill. It would make more sense to me if Danny stated he had killed more deer than botulism – after Buds remark “it’s been over a year…”
Pg17. The way you try to conceal the fact Tim shot the deer but gives Dave the credit is confusing. At least Bud could say, “thanks for slowing ‘em down, Dave.”
Pg18. Me and all my friends cannot carry a whole buck, nor would we since you can easily drag the thing using those convenient horns for handles. If you have done either, you know it’s a big task either way, isn’t it? Ug. Why didn’t you call it a heavy F-er?
Pg29. I wouldn’t say “rays of dawn.” Daylight breaks through?
Pg41. I love the intrigue of the dump and the action to follow, but the story goes from dusk to night during. That’s a long dump, just thought I’d point that out. Funny though.
Pg65. Why does Tim say “Thank God?” Explain. Is this because he “still has” the knife?
Pg67. Why was the low battery cell phone…on???? A roaming phone dies quicker.
Pg71. The work almost appears. I like to do, or do not. Leap, or don’t leap.
Pg74 has an extra space after “pick it up!”
I believe this to be re-drafted several times over. I also believe you are getting at something good. I was really hooked between pages 45-50, but not until then. As I said, fun, but not grabbing. You may need to mention the point of the story earlier, being the effect of war on the mind. Not sure what you intend, but I figured it was Dave by about page 40. Introducing a legend or the deer could have thrown me off. The tracks from the pit, you mentioned they went the wrong way but you could nail that down more.
Nice use of wolf moon.
Who owned the land they were on?
If they hunt it, did neighboring owners hunt?
If so, Dave is in deep shit from other hunters………
Then, you could end this with “we’ll know if he’s alive if his legend grows or is heard of. Give his legend a name, the War Wolf…just saying.
Why the hell was their a canoe in the pit?
The fellas guess Dave was in the pit. You can confirm that with his lighter being left there.
Nice job here and good luck. If you are or know some vets, thank you. read -
A review of The Night Country (Rev.)by wildandfree74 on 05/10/2008I was impressed at the over-all formatting and descriptive nature of the script. You did a fine job as a screen writer there, obviously, you are not new to formatting. I would suggest a few less parentheticals though. Structure wise, you are not far off but the story line is lacking details that drive me nuts. For instance, I was lost regarding the old man until I began to... I was impressed at the over-all formatting and descriptive nature of the script. You did a fine job as a screen writer there, obviously, you are not new to formatting. I would suggest a few less parentheticals though. Structure wise, you are not far off but the story line is lacking details that drive me nuts.
For instance, I was lost regarding the old man until I began to re-read/search for earlier instances of the old man. There, shows my lack of comprehension. Nice. You actually did a fine job with that character until the point he showed up dead. Was this Eunice’s husband – the Zodiac – who turns good at the bitter end and is done in by Eunice in the end? And, if not, who the heck is it and who the heck met him with the information? Then, why is Monique openly discussing this – understanding the information in the briefcase so quickly – with the old man, then not suspicious to Eunice in the end?
These are my opinions, which are subject to being off so I hope, in a way, they may help somewhat.
The script read fast, except for the lacking details, and was extremely accurate in subject detail. You descriptions, again, are great. Work in the story a bit and do tidy up the many loose ends. If you pitch this as Scooter out smarting a wise man, it appeared to me Chance did it, not Scooter.
At the character level, you have woven a nice little sub plot with the Zodiak family. Work that. In fact, a re-write should focus on that. Scooter did not appeal to me at all. I could not root for him at any time. He appeared weak and was taken advantage of. There was no physical evidence of Roger having anything to do with Michael’s death, which makes Roger’s death (assuming Roger died) cold blooded murder – making it homosexual rage (pg20) – tough to swallow, lots of controversy. If you make Scooter that way, make it that way, give him an edge, otherwise I’d avoid that.
Why is there no resolution to Michael’s death. Yes, you off Roger but, give me proof.
I will explain what I had issues with. Disregard if I am dead wrong.
Pg2 Don’t capitalize parenthetical. You could describe there will be an echo versus used parenthesis. Shouldn’t Roger exclaim he is back “on rope?” Try to avoid multiple character introductions.
By the way, the fight has Roger almost falling on page 3 in Holy Cross. On page 28 you describe that scene but were referring to Scooter as the one who almost fell, in Vulture Cave. If there were two similar instances, that can be confusing but then should be used to fan the flames for Scooter’s hate for Roger.
Pg5 Roger states his desire for a depth record. In Night Cave, that agenda is never brought up.
Pg7 Great match cut into Zandy’s photo.
Pg10 Monique asks too many questions without response back.
Pg13 Ext. Dirt Road. Turning off paved road redundant.
Pg19 Lower income urban area not moving story forward. You can drop if you find that you add more and need to make room.
Pg21 Monique’s second dialog meeting scooters first. Too many spoken words. Shorten up. And, if Scooter believes cavers are not careless, where is his proof Michael wasn’t and why does he almost scare Roger to death and not assist him?
Pg22 I though Scooter had hope on this page. You can move on using Scooter but should build on this.
Pg26 Two time redundant, the dialog on the undiscovered, wild, concealed caves.
Pg27 I was thinking there are too many cave names to remember at this point, when Scooter speaks of the one he discovered a few months ago. There are only more to come.
Pg28 They should disengage their backpacks, not from them.
Pg30 and later. The fossil adds nothing and if it did, there is no description of it.
Pg39 The partially obscure license plate sentence is not worded properly. Great way to insert a line about dad. Work that, yeah.
Pg42 Gomez is real profound. “A major problem.” He should be profound or be made to look like a small timer all along. Come up with something to make me sweat or that will build up some anticipation.
Pg49 Not sure why you need the dialog to Max.
Pg53 Gomez would or should stop talking after “let go of the past.” He would be trained not to go into psycho babble if he were profound and worthy of his roll.
Pg81 Where did old guy go. I know where he ends up but didn’t catch that he wasn’t with Monique, or that Monique wasn’t with or following him. Since it appeared he was helping her anyways.
The Mountain lion evidence. I am not going to look this up but I know them to attack when hikers stumble upon them. They are not known to stalk human. Like most animals, they would try to avoid. Just sayin’.
Why does Jessie capture Eunice’s eye, and does he head for the office when Monique flies out?
I think the dialog could be worked to sound like the southwest a bit more. It also appears dry but would be accurate. Try a little peyote talk.
Okay, I think you should work in the Zodiak as the theme. Keep Zodiac hidden but make me think this is a caving serial killing flick versus a “Ghost and the Darkness” movie until you drop the cool, cool, Zodiak in. Good luck with that.
Acts II & III run into each other a little.
I enjoyed reading. I was anticipating the suspense but did not expect what I read. Good luck with this project. I am one of a small ratio of the U.S. population that probably has rock climbed and been in caves. read -
A review of The Last Buffaloby wildandfree74 on 01/21/2008Let me start by saying that I really enjoyed this story. Your screenplay was well written but there are some un-necessary descriptions and a few grammatical errors, missing words, that need to be corrected. For example, you could state on page one “Progress has just passed the old world” by someone like Billy. Or on page four, Billy could state “It is a sad image of lost things.”... Let me start by saying that I really enjoyed this story. Your screenplay was well written but there are some un-necessary descriptions and a few grammatical errors, missing words, that need to be corrected. For example, you could state on page one “Progress has just passed the old world” by someone like Billy. Or on page four, Billy could state “It is a sad image of lost things.” Since you have a narrator, use him in these cases. On page 65, leave Twitter to state he’s a writer, don’t describe that.
I found Tom to be larger than life, as well as Juan in his roll, and legends like Black Kettle and Goodnight. Star honored the Native American culture and was a great antagonist. Your cowboys do their jobs. The dialog between Tom and Juan is good, as is the development of their friendship, never ceasing to bicker at one another but respecting each other. King Arthur was a wonderful character to bridge the times but I put him at age 44 at his death, a little too old to be tearing up the ranch in the hunt; careful with that.
You didn’t mention what Tom was sickened from or how he was cured. I was somewhat surprised to see him outlive Star in the end. Overall, the author did his homework on the history and wrote visual and telling tale in this genre. Good job. read -
A review of GAME OVER (REV.)by wildandfree74 on 01/07/2008Game Over is a fast paced action sports thriller that sputters to gain traction then gains momentum, becoming more established with every page until an ironic twist of fate in the end. This screenplay employs the use of today’s over-hyped, sports media machine to draw comparisons between Gladiators of ancient times and America’s football dominance in sports entertainment world,... Game Over is a fast paced action sports thriller that sputters to gain traction then gains momentum, becoming more established with every page until an ironic twist of fate in the end. This screenplay employs the use of today’s over-hyped, sports media machine to draw comparisons between Gladiators of ancient times and America’s football dominance in sports entertainment world, and quite frankly, could be used more. It also involves the use of good conflict, family values and a strong protagonist and antagonist.
For me, the story really picked up at page 38, where I was finally hooked. The story unfolded quite well from that point on. The use of both trainers worked as they are both fine characters. The whole trial ordeal is necessary but takes place too late in the story and runs out a little long. The opening was good but could work in flashbacks later. I didn’t believe Kelvin would not have heard news of his sister, the way the media kills to break a story and the speed in which is does so. I also don’t think the jury would find the Business Man credible, nor does he help.
So questions I had. Would Sam have given the closing statements or would lead Prosecutor Goldberg? The use of CUT and DISSOLVE. Does gangster Tyrel, phone Al Romano, on page 10 from the suite or not? The use of Fade Out on page 31.
Other errors that can help you. Some are mere suggestions.
Pg 5 Use Tara is wearing…
Pg 12 Coach Kruter rounds up…tense
Pg 14 Last two paragraphs of end zone interception are then spoken by “TV”, lose them.
Pg 21 Kelvin—please God no…what? Is this out of place?
Pg 22 Two different names for Derick.
Pg 22 Blowing kisses, after Vick? Unless you want to really demonize…
Pg 22-23 Not clear who is DA and who is prosecution.
Pg 26 Judge should use “over-ruled” for Goldberg.
Pg 27 Capital D after period in Kelvin Desc.
Pg 50 “Wears” others down
Pg 58 “Bartender” one word
Pg 72 Jumps up on the “ropes”
Pg 85 Change electronic billboard to Marquee.
Pg 105 “Analysts”
MC could be Emcee
When was the last you were in Vegas? On Page 85, use classic Caesar’s, Bellagio, Treasure Island; jazz it up. Use McCarran airport in description as well.
I really liked Leonard and the trainers, use Leonard to fill in any holes you have. Talk more about Kelvin’s mother. Tyrel is also well written. Your grammar was good, few mistakes, but try to speak more descriptions over describing so much. Speak about the surrounds in the areas, cleavage, tuxedos, anything. Try punking up the dialog more, like Marco's character.
Nice work and good luck with this. Keep up the hard work. read -
A review of Saturday Schoolby wildandfree74 on 01/02/2008I enjoyed reading this story, but must admit, found little that grabbed me throughout. The Coach could be made to be larger that life or a legend in some regard to help in the beginning. All of the Characters are described well and develop together throughout. Their dialog is exceptionably plausible for today’s kids; even their attire is dead on. Six students is a manageable... I enjoyed reading this story, but must admit, found little that grabbed me throughout. The Coach could be made to be larger that life or a legend in some regard to help in the beginning. All of the Characters are described well and develop together throughout. Their dialog is exceptionably plausible for today’s kids; even their attire is dead on.
Six students is a manageable cast, if not too convenient. I would prefer to believe that, in a large high school campus with a drama center, more students would be present. Here, students are sent off to a weekend detention, over an after school detention, for somewhat minor incidents by today’s culture. Maybe you could reference or add a strict Principal with proper policies to suggest higher punishment.
Saturday School is well written, but makes me want to scream “Breakfast Club.” Someone could commit to something or even, drop their plans and stay together beyond their allotted time.
A few errors I found to help.
Pg 20 extra line before INT.
Pg 57 when Maria states “She called jer mother Susan” I thought this could be explained better. It’s unclear who’s who. Mr. Lewis could have called Susan.
Pg 58 wait(ing)
Pg 77 extra line after Deshawn
Pg 81grip(ping)
Pg 94 possible extra line after “Find my mother”
Hope this helps and good luck. read
Comments About wildandfree74 13
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johnnyrussell on 07/12/2010
Once I started I could not stop until the end. Great blend of espionage, super natural, and politics, like three movies. I have to admit I did have to keep up with the pace.
Just dot those "I's" and cross the "T's" I pointed out and the YA crowd will eat it up, I know I did. -
johnnyrussell on 07/11/2010
Hey Chris. I thought Perennial was a great piece. I "I Liked" it on FaceBook
Johnny
http://www.facebook.com/pages/San-Diego-CA/Johnny-Russell-Writer/167539359264#!/Seniorofficial2 -
**DELETED ACCOUNT** on 12/23/2009
Yeah, I've got some babies, so hopefully the mac and cheese will pay off someday. But I learn something new every script myself. -
**DELETED ACCOUNT** on 08/09/2009
Thanks for your review of Termino Blanco. I appreciate it! Mario -
jeff2680 on 06/05/2009
Thanks for the review of Of Wolf and Man. I nominate you for best title. Appreciate the fact about the weight of a buck, definitely will work that into the rewrite. And it was refreshing to hear someone who thought I needed to add more swearing. :)
Have a Happy,
Jeff -
samseven on 04/30/2009
I can't thank you enough for your contribution, reviewing Savanna. It's a work in progress, and I know the next draft will be better. Thanks again. -
MattB928 on 04/23/2009
No need to apologize. It didn't detract from my experience at all. I don't think I've reviewed one sp yet on Trigger that didn't have at least one typo. You're doing a good job regardless, good luck! -
**DELETED ACCOUNT** on 04/22/2009
Thanks for reading and reviewing SLEEPY EYE. I appreciate your time and effort, and I'm glad you liked it. I also appreciate your comments and analysis. Have a terrific day! Tom -
Lexey on 04/20/2009
Oops, make that May 2008. :) -
Lexey on 04/19/2009
Hi! Just wanted to say thank you for reading and reviewing "Corey's Hero". I'll take your notes into consideration on the next rewrite. I see that you didn't understand that the two candidates were running for their party's nomination, which takes place in the spring, not fall. In PA the primaries are held in May. That's why J.J. did not have the Secret Service yet. In fact, I read a news article stating that Obama was placed under Secret Service protection in May 2007 -- earlier than any other candidate in history and that was after he had the nomination in the bag. I'll go back through the script to see if I can make this clearer to the reader.
Again, thanks for the feedback. Much appreciated.
All the best,
Alexis
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Comments About wildandfree74 13
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Once I started I could not stop until the end. Great blend of espionage, super natural, and politics, like three movies. I have to admit I did have to keep up with the pace.
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Hey Chris. I thought Perennial was a great piece. I "I Liked" it on FaceBook
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Yeah, I've got some babies, so hopefully the mac and cheese will pay off someday. But I learn something new every script myself.
+ more commentsjohnnyrussell on 07/12/2010
Just dot those "I's" and cross the "T's" I pointed out and the YA crowd will eat it up, I know I did.
johnnyrussell on 07/11/2010
Johnny
http://www.facebook.com/pages/San-Diego-CA/Johnny-Russell-Writer/167539359264#!/Seniorofficial2
**DELETED ACCOUNT** on 12/23/2009